Showing posts with label locke. Show all posts
Showing posts with label locke. Show all posts

Thursday, May 31, 2007



LOST
Season 3 Episodes 22 & 23
(WARNING: SPOILERS)
“Through the Looking Glass” 1 & 2

Gentlemen, I asked you to dazzle me after enduring “Stranger in a Strange Land.”
Well, I’m officially blinded.
That has to go down as not just the best Lost season finale thus far, but also one of the most kick-a$$ season finales in all of TV history. When they said that this finale would change everything, that wasn’t just hyperbole.
I could go on about the twisty-turns of the episode itself (and it had that in spades), but the ultimate twisty-turn is that brilliant climax, of Jack, by the airport, as Kate drives away, because “he” might be wondering where she’s gone to.
Once again, Lost deftly toys with the show’s story structure, as what we assume to be the flashbacks (of a depressed and suicidal Jack hooked on prescription meds), turn out to be the present, and all the Island stuff is actually the flashbacks.
I said there were spoilers, didn’t I?

So it seems as if the Flight 815 crash survivors were indeed saved and rescued from the Island (at the cost of Charlie, who drowned in the Looking Glass station, just as Des saw in his flashes*).
Just before the off-screen rescue though, three crucial points:
1) Ben says that Naomi is “one of the bad guys,” and that she’s part of a group that’s been looking for the Island for a really long time, and that they would kill Jack and the survivors, not rescue them.
2) When Charlie gets the transmission from Penny at the Looking Glass, she does not know who Naomi is, and has no idea about any boat.
3) Locke actually kills Naomi and threatens to shoot Jack, since contacting Naomi’s people is the wrong thing to do.

And then of course, in the “flashbacks,” Jack is clearly a lost soul, and in his clandestine meeting with Kate, he says they should never have left the Island, and that they need to go back.

This is such a crackerjack finale, “brilliant” seems like an understatement. That ultimate twisty-turn opens the door to a whole host of possibilities, and raises all sorts of questions. (My head is doing a Linda Blair even as I type this.)
Whose viewing did Jack attend? A viewing apparently no one else from 815 went to. Locke’s? Michael’s? (Yes, I still hate the a$$hole’s guts.) Ben’s?
What happened to all the rest of the 815ers? Is Jack the only one who feels something is wrong, or are some of the others “lost” as well? (Heh. “Others.” “Lost.”)
Rousseau said she would stay on the Island since that was where she belonged. Is she still there? Is Alex? Is Locke? (If he wasn’t the one in that casket.)
As Jack suffers, where is Juliet? They did do the kissy-face back on the Island, so where is she in Jack’s time of need?
And did Kate really end up with Sawyer?
So many questions…

And of course, the other reality here is, Lindelof, Cuse, and company have again (for the time being) managed to evade addressing long-standing Island questions, among them one from all the way back to the Pilot (What is the Monster Alternately Known As Smokey?), to ones of more recent mint (Who is Jacob?), to the Mother of all Lost questions (What is the Island?**).

Having said that though, I cannot deny the guts it took to make that leap. I also cannot deny the skill with which that leap was made.
That was explosive television, gentlemen. The storytelling on this show continues to be some of the best on the cathode ray horizon, and as Carrie Fisher said over On The Lot, “My hat, wherever it is, is off to you.”

And thanks for not having Sun die horribly in labor on the Island. (Of course, for all I know, she and her baby have been abducted by Dharma or some other mysterious organization to undergo insidious tests. Her baby, after all, is the first child to have been conceived on the Island in what I guess is a very long time, assuming of course that the baby is alive and well.)
Speaking of babies, when exactly will Jack find out that Claire is his half-sister and that Aaron is his half-nephew? I mean, wasn’t that bit of info in the files the Others had on the 815ers? Didn’t Juliet read that? Surely Ben did.

Let’s just toss that on the massive pile of Lost questions, shall we?
I’ll admit it: I love this show, but it’s the biggest tease on television.
Onward ho! Season 4!

* Incredibly moving, but couldn’t Charlie have squeezed through that porthole, once the room was filled with water? And did he really need to shut the door in the first place?

** I’ve got a theory which grew over the course of season 3, and burst into my consciousness as I watched the 2-hour finale. But somehow I’d still feel like a raving lunatic if I voiced it here.
Tell you what. When Lost finally does that reveal, I’ll admit whether I was right or wrong.

COUNTDOWN: 48.
COUNTDOWN TO RESUME IN 2008.
THE DHARMA INITIATIVE NEEDS YOU.

(Season 3 promotional image courtesy of atnzone.com.)




Sunday, May 27, 2007


LOST
Season 3
Episode 21
(WARNING:
SPOILERS)
“Greatest Hits”

Now this is Lost at its best, when the emotion which accompanies the focused character’s story is potent and incredibly moving, while the Island story’s plot is cruising at a rapid clip. The success is all the more notable in that the Island story isn’t just “cruising at a rapid clip” in this particular episode, it’s careening into overdrive as we speed on towards this season’s finale.

Charlie’s the focus this time out, as he learns from Des that he needs to die in order for Claire and Aaron to get on board a helicopter, apparently to get rescued. It seems Charlie will flick a switch, and then drown, and this event has to take place, in order for the “rescue” to occur.
So, facing his impending death with as much courage as he can muster, Charlie sets out to write a list of the 5 best moments of his “sorry excuse for a life,” his Greatest Hits, spurred on by Naomi mentioning that his “death” in the Oceanic 815 crash caused a big stir, and even led to a new DriveShaft album, a Greatest Hits package.

And herein are some of the most moving bits in Charlie’s story thus far. Weighted by all the emotional baggage that his character carries (and which we’ve been privy to over the past 3 seasons), we’re in on the process of letting go, just as Charlie is. The journey is astoundingly moving, and I guess I should’ve been psyching myself out for that goodbye, given that Charlie’s death has been in the cards since early on in this season, but there you go.
Man, this was a toughie to get through, what, with all his goodbyes, to Claire, Aaron (you left the ring in the crib! Doofus!), and Hurley.
And then, the apparent last minute reprieve, as Des offers Charlie an out, but Charlie opts for the Ferro Lad Gambit. (Sorry, comic book reference. In case that went over your head, Bruce Willis pulled the Ferro Lad Gambit too, in Armageddon.)
And then!
Oooh, these sneaky little buggers!
You get all worked up and prepare yourself for Charlie buying it at episode’s end… and he doesn’t! Some gun-toting women are in the Looking-Glass Station and they’ve got Charlie in their sights.
Great. Now I’ll have to go and psych myself out from square one all over again…

Parting shot 1: I’m sure the Lost people know this, but Michael Giacchino is such a prize. Man, he does know how to rachet up the suspense with that score.

Parting shot 2: That was Nadia, right? In Covent Garden, with Charlie? If that was, then she’s crossed paths with 3 survivors thus far: Sayyid, of course, and Charlie, and Locke. I guess she really must’ve gotten around in her life as a fugitive.

Parting shot 3: Wow. I didn’t even get to talk about the Island story…
Okay, Lemme just say, I apologize for not trusting Rousseau and her motives for raiding the Black Rock’s store of dynamite. Apparently, it was for Jack’s scheme to get back at the Others (Jack, who I also mistrusted for a spell back there; sorry, the Island doesn’t really foster trust, if you know what I mean).
Oooh, we’re leading up to a doozy, aren’t we? With the shooters staying behind, and the rest hiking to the radio tower…
Next up, the two-part finale, with Jack as spotlight character.

COUNTDOWN: 50
(Image courtesy of sparklies.org.)

Thursday, May 17, 2007


LOST
Season 3
Episode 20
(WARNING:
SPOILERS)
“The Man
Behind the
Curtain”

Okay, that’s a cliffhanger. Locke, shot, in a pit filled with the corpses of the Dharma contingent Ben had a hand in exterminating.
The man is a stone cold lunatic.

While back at the camp, it becomes clear that Juliet has told Jack about Ben’s nefarious plans to abduct Sun (and any other pregnant survivors) and that Jack has been (presumably) hatching his own scheme (I apologize for not fully trusting Jack; probably lingering resentment for his having been the primary reason I had to endure “Stranger in a Strange Land,” arguably this season’s lowest point) to deal with the problem.
So everyone’s apparently on the same page now. I already apologized for calling Juliet a “two-faced lying slag,” but somehow, I still can’t bring myself to entirely trust her. Like I said, if she busts her a$$ to help Sun, then maybe.

Of course, the major focus of the episode is Ben and what he’s lied about and what he hasn’t.
“Born on this island,” my a$$. Liar.
I mean, this is the man responsible for the “hostile” takeover of the Barracks. Sure, he had a pretty miserable life, with a father who blamed Ben for the death of his mother (and perhaps herein lies the fuel for Ben’s crusade to get women to come to full term on the Island; so that other kids won’t have to endure the hell he went through), but he ends up not just killing his old man (thus giving us the back story of the VW van Hurley and company had a joy ride in in “Tricia Tanaka Is Dead,” and justifying that episode’s existence) but paving the way for the slaughter of all the other Dharma people.

And what is up with “Jacob”?
That was a masterly sequence, stretching out the question of whether Ben was completely bugf*ck crazy, talking to an apparently empty chair, then all hell breaking loose when Locke unwisely shines that flashlight (Ben did warn him that Jacob felt the same way about technology as Locke did. Refresh my memory though, ‘cause Locke never struck me as a Luddite).
Of course, it really all could have been some elaborate parlour trick, but that just seems too far-fetched (says he, as opposed to the idea of a man seen by one man but not seen by another, who hears him when the other doesn’t; that’s not far-fetched at all, is it?).

And here, I thought we’d see about the whole Alex thing, but of course, we don’t. We also don’t see what happened to Annie, though I imagine Ben got her pregnant and she died. (More personal fuel for his crusade to make the Island a conception-safe zone.)
But really, weren’t those dolls Annie gave him just creepy?
And why does Richard look like he’s younger than Ben, when he’s not?

Crackerjack episode, gentlemen.
I continue to be dazzled, as does my iguana.

(Image courtesy of sparklies.org.)

Sunday, May 13, 2007


LOST
Season 3
Episode 19
(WARNING:
SPOILERS)
“The Brig”

Given the pet theory I’ve been nursing for quite awhile now (that Locke’s scumbag dad is the conman responsible for Sawyer’s childhood tragedy), I quickly smelled Locke’s lie. Still, it led to one of the most intense sequences this season, as Sawyer is trapped in the Black Rock with the man who destroyed his life and single-handedly made James the man he is today. (A sequence that also led directly into one of the most morbid endings I’ve ever seen on network television.)
Ultimately though, Locke used Sawyer. Sure, dear old Daddy deserved it, and yes, the old fart is responsible for Sawyer’s pain as well, but Locke used James. How honest is that in Locke’s journey to discover the Island’s mysteries?
At any rate, Sawyer now has the evidence of Juliet’s hidden agenda, so, uh-oh, Julie baby…

Speaking of mysteries though, so Juliet and Jack are sharing a secret, a secret Juliet says they should share with Kate, but Jack resists that idea. What is up with that? Has she told Jack about her secret tapes to Ben? (He was nosing around Sun last episode…)
I still think it was a mistake to tell Jack about Naomi (Parachute Girl has a name now) and the high-tech satellite phone thingie, but hey, let’s see where that goes.

Meanwhile, another of the many theories regarding the nature of the Island is tossed out there and apparently shot down. Here, it’s “the Island is Hell”; in episode 2.18 (“Dave”), it was “the Island is someone’s wild imagining.”
Of course, based on Daddy’s story of how he got to the Island, it seems that Ben’s “magic box” isn’t only a metaphor, it’s an outright lie. The man is such a mindf*cker.
So to the outside world, Oceanic 815 crashed into the ocean and all the passengers died. Is that a massive cover-up, or what? So if Dharma is keeping the gears moving so efficiently out there, how can they not know what’s going on on the Island?

Meanwhile again, Rousseau is scrounging around the Black Rock for dynamite? Whatever for? Honestly, I’m still dubious about the whole Alex is my daughter/Alex is Ben’s daughter/Ben conveniently stepped in one of Rousseau’s traps deal, that I’m leery about her motives. But, as with telling Jack about Naomi, let’s see where this one goes too.

Heading into this season’s home stretch, people.
And yes, gentlemen, you are dazzling us. (See Lost Episode 9 review. Archive: March 2007.)

(Image courtesy of aol.com.)

Sunday, March 25, 2007

LOST Season 3 Episode 13 (WARNING: SPOILERS)
“The Man From Tallahassee”

When Locke says, early on in the episode, “This is gonna be more complicated than we thought,” all I could think was, That is such a loaded line.
For one, that could refer to we, the viewers, and our own reaction to the show.
It could refer to the people making the show, and the discovery, once they were well into it, that Lost was a show that didn’t really have a lot in the way of precedents, so they couldn’t really look around to see how things could be done.
That line could even refer to the show’s current straits: once you have a critical and ratings darling on your hands, you pretty much think you’re in the clear, but all of a sudden, your third season hasn’t even really gotten into full swing, and ratings have lowered drastically, and people are talking early send-off.
Yes, indeed, John. “More complicated than we thought.”

Thankfully, “The Man From Tallahassee” feels like Lost has gotten back on proper track.
When Locke stands (after his disability checks are suspended), I thought to myself, Finally! We’re gonna see how John ended up in the wheelchair, which was, in my books, the biggest personal mystery that had not yet been addressed since the show started.
(I’ve also been waiting for a scene of this sort ever since “Walkabout,” knowing in my gut we’d see a “reverse reveal” to contrast with that killer moment when we first see Locke in his wheelchair.)
And now that we see the moment of John’s crippling, this is what I have to say: Brutal.
For some reason, I always thought, Car accident. Not, Oh, my conman dad pushed me out of a building. (So much for “I’m a conman, not a murderer.”)
The guy is evil. There is no other word for it. (And I’m still waiting for the reveal that’ll confirm my big suspicion of his exact connection to Sawyer…)
I may hate John from time to time (and what he does to the sub is next to unforgivable) but Terry O’Quinn just slays in this role. The scene where he’s first lowered into his wheelchair is potent. Here’s this broken man (literally and figuratively) who has yet again been monstrously hurt by his father, and he has to cope with this. You can almost understand the whole sub deal.
Almost.

And while that’s going on, Kate and Jack have their face to face, Danielle and Alex don’t, and Ben does what he does best: manipulate. Locke is so his bitch at the moment, it isn’t even funny.
A lot goes on in this episode, and a lot is left hanging, with a whopper of an ending.
So the dazzling begins in earnest…

Parting shot: Ben and his Magic Box… Hmmm…

Tuesday, March 13, 2007

LOST Season 3 Episode 11 (WARNING: SPOILERS)
“Enter 77”

So the rescue party for Jack pretty much takes center stage (with breaks for some Sayid flashbacks and a ping pong game; yup, that’s right. A ping pong game) as the Dharma Initiative communications outpost is found, being manned by that eye patch dude we saw through the monitor at the Pearl.
And what we learn from him seems to indicate that “the hostiles” have been on the island for longer than even the Initiative, and at some point, the Initiative decided to have a “purge” and attacked the hostiles. And it looks like the hostiles won.
But it also seems as if some of the Initiative were absorbed into the body of the hostiles (like Juliet, who we know from her flashbacks was recruited by Dharma).
Of course, it really looks like the hostiles have bragging rights to the island, and the 815ers, like the Initiative before them, are the intruders.
But if we’re more or less aware of what the Initiative was up to, the question now is, what’s the deal with the hostiles? Why are they still hanging about the island?
Maybe we’ll learn a little more as Sayid and company are headed to the “Barracks,” the community we saw a glimpse of in the first few minutes of Season 3. Hopefully, that’s what we’ll see next week, if we aren’t sidetracked by another ping pong game…

Parting shot: Man, when Locke gets a bug up his a$$, he doesn’t quit, does he? I mean, you’ve got a prisoner tied up and apparently unconscious, and you’re gonna play a computer chess game?! Priorities, dude!