BRAND NEW CHERRY FLAVOR Season 1
(August 2021)
(August 2021)
“Imagine... that you're inside him.
“You feel it?
“Now, break
something.”
If I tilted my head juuuuust so and squinted a bit, I could mistake Brand New Cherry Flavor for the fifth
season of Channel Zero we were robbed
of when SyFy chose to pack things up with The Dream Door.
And that’s largely because it’s a reunion of Nick
Antosca (the principal creative force behind Channel Zero), Arkasha Stevenson (director of Season 3, Butcher’s Block), and Lenore Zion (co-producer on The Dream Door).
Sure, it’s based on the Todd Grimson novel of the
same name, but it truly does feel of a piece with the dread (and sorely missed)
brilliance of Channel Zero.
And for that, we really must tip our hat to Netflix
and its assorted algorithms, which may or may not have had a hand in streaming Brand New Cherry Flavor into our lives.
“The road
curves, but the destination doesn’t change.”
We join Rosa Salazar’s aspiring filmmaker Lisa
Natasha Nova in the “Early 90s On The Way to Los Angeles” (or so the supered
words in the yellow font reminiscent of Lynch’s Lost Highway tell us).
She’s on her way to LA to meet producer Lou Burke
(Eric Lange), whose box office blockbuster streak has run dry of late, but who
may still hold the door open for her Hollywood entry.
Things take an unfortunate turn though, forcing her
to deal with Catherine
Keener’s eccentrically creepy Boro, a decision that serves as the main
narrative drive for the strange, enticing concoction that is Brand New Cherry Flavor.
“So when you put a curse on someone, you really commit, huh?”
“What’s the
point of doing something halfway? At least that’s what my Dad used to say.”
“That’s nice.
Best I ever got out of my Dad was, ‘Don’t change the channel, f*ckface.’”
While I was passingly familiar with Todd Grimson (I
had a copy of Stainless back in the
day), Brand New Cherry Flavor was one
of those titles that had eluded me.
Which, in retrospect, is good, since that allowed
me to come into the adaptation with fresh eyes and a distinct lack of baggage, at
least as far as Grimson and the original source material goes.
I still had high hopes given the Channel Zero reunion going on with the
Antosca-Stevenson-Zion trifecta…
This ¡Qué horror! recommendation should be proof enough
though that they did not disappoint, and my horrorhead taste buds definitely got a welcome, tingling rush
from this Brand New Cherry Flavor…
You really, most definitely, should get a taste too…
“Now,
it’s not gonna be easy. It may get a little f*cked up. But the good news is,
it’ll only get as f*cked up as you are.”
When I look out my window,
Many sights to see…
And when I look in my window,
So many different people to be…
Then it’s strange…
So strange…
--Donovan
“Season of the Witch”
Parting Shot:
Though
there are a bunch of other notable needle drops over the course of the 8
episode count (including the one above), I’d like to mention these two, both
over the end credits roll: The Creatures’ cover of The Trogg’s “Wild Thing,”
and Concrete Blonde’s “Tomorrow, Wendy.”
(Brand New Cherry Flavor OS courtesy of impawards.com.)
