¡QUÉ HORROR! 2015 The Preliminaries

¡QUÉ HORROR! 2015

The Preliminaries

This has been, shall we say, an “eventful” year. You can tell if stuff’s happening by the number of posts I make (which of course, reflects the number of excellent, ¡Qué horror! worthy films I’ve managed to see).

Now, while it’s entirely possible that most of the past 12 months’ crop of horror just wasn’t really up to snuff, it’s also equally possible that I didn’t have enough time to go around to sit down and see stuff.

To be fair, maybe it’s a bit of both.

At any rate, here we are, another October, and another ¡Qué horror! 13.

Before we deep dive into the final rundown, let me just say for the record, 12 of the following films came from the Candidate posts, and the 13^th, the TV entry, I wasn’t able to make a separate Candidate entry for, so you’ll just find out what it is at the very tail end of the rundown. (Though if you’re a regular ‘round these parts and have been following the annual ¡Qué horror! rundowns, then it won’t be too hard to guess which TV show takes that slot this year…)

Also, I would be remiss if I didn’t mention this title before we hit the main rundown…

SPRING

(September 2014)

Brought to us by the dynamic duo of Justin Benson and Aaron Moorhead* (whose Resolution--go ahead! Click! Monsieur Benson was cool enough to leave a comment!--carved out a slot for itself on the ¡Qué horror! 2013 rundown), Spring has some horror elements in it, but is decidedly not a horror film.

Ultimately, it actually plays opposite of how usual entries in the specific horror hybrid genre that it finds itself in unfold. (Yes, I’m actively avoiding spilling the beans here, but if you’ve seen the other one sheet, then you’ll know what kind of horror hybrid it is…)

So, aside from the 13 titles in the main rundown, make it a point to check out Spring, with Martin Kefauver himself, Lou Taylor Pucci!

Okay, now that I’ve gotten that out of my system… the 2015 main rundown…

* Additionally, their contribution to V/H/S: Viral (“Bonestorm”) was also one of the few brazenly bright and audacious spots in an otherwise… problematic anthology.
(Nacho Vigalondo's "Parallel Monsters" was awesome too!)

(Spring OS courtesy of twitchfilm.com.)

¡QUÉ HORROR! 2015

Candidate #17

LAST SHIFT

(October 2014)

"I am safe in the arms
Of my master, my king,
On the last day, I will follow,

My soul, I will bring…”

Anthony DiBlasi has become something of a regular ¡Qué horror! fixture ever since his excellent adaptation of Clive Barker’s Dread slotted itself neatly into the 2010 final rundown. (His Cassadaga was a 2012 Candidate. Additionally, he also Executive Produced Ryuhei Kitamura’s The Midnight Meat Train adaptation, which settled comfortably into the 2008 final rundown.)

He’s back ‘round these parts with Late Shift, where rookie cop Jessica Loren (Juliana Harkavy) is given her first assignment: be the sole officer on-site at a police station that’s being shut down in favor of a brand new one.

And since we’re here hip-deep in this year’s ¡Qué horror! Candidate rundown, then you know that Jessica’s first shift on the job goes spectacularly awry as only one can in a horror movie…

It’s an interesting take DiBlasi has on the traditional haunted house set-up, where the protagonist spends a portion of the running time wandering the (supposedly) empty halls and rooms of the structure, while the weird goings-on begin to gradually escalate in frequency and intensity.

So, yes, the manner in which Last Shift unfolds will be familiar to the long-time horrorhead, but, there is also a lot to be said for a masterful execution of this kind of horror film, and Last Shift is a chillingly efficient take, with well-timed and disturbingly executed funhouse scare/set pieces strewn about the film’s nearly hour-and-a-half running time.

“Missy, if you can’t handle one night alone in an empty police station, then I think you picked the wrong line of work.”

(Last Shift OS and Blu-ray cover art courtesy of bloody-disgusting.com.)

¡QUÉ HORROR! 2015

Candidate #16

WENDIGO

(January 2001)

"Wendigo is hungry. Always hungry. Its hunger, never satisfied.”

When I first saw Larry Fessenden’s The Last Winter, I had already been aware of both Habit and Wendigo, but had never had the opportunity to nail either one down for a proper watch.

Having been deeply impressed by The Last Winter (which grabbed itself a ¡Qué Horror! 2008 slot) I subsequently increased my efforts to see both of Fessenden’s earlier films, without much success.

Until now.

Just in time for the upcoming Blu-ray release of “The Larry Fessenden Collection” (more on that later), Wendigo glided right up to me, tapped me on the shoulder, and said, “Hey, look at me! I’m an awesome horror movie!”

And Wendigo was absolutely right.

In a teeny nutshell, Jake Weber and Patricia Clarkson get away from the city with their son (played by Malcolm in the Middle’s Dewey, Erik Per Sullivan), with spectacularly horrible results.

And while that’s all I’ll say as far as what the film is about--at any rate, some of you may be able to glean some of its thematic preoccupations from the title alone--I will go on the record as saying it makes for an excellent companion piece/double bill with The Last Winter, and, if anything, has made me even more antsy to finally see Habit.

Which may become significantly easier, with the upcoming Collection, which will feature Fessenden’s No Telling, Habit, Wendigo, and The Last Winter, all remastered in high-definition. The Collection will be released on October 20, to celebrate 30 years of Glass Eye Pix, Fessenden’s indie production company that has also brought us Jim Mickle’s Stake Land, Ti West’s The House of the Devil, and Adrián García Bogliano’s Late Phases (to name a select ¡Qué horror! few).

So, yeah. Wendigo.

See it. Or wait for The Larry Fessenden Collection.

I know I will…

(Wendigo DVD cover art courtesy of fandango.com.)

¡QUÉ HORROR! 2015

Candidate #15

UNFRIENDED

(July 2014)

As with Nacho Vigalondo's Open Windows, Unfriended takes place entirely on a computer screen, this time, belonging to one Blaire Lily (Shelley Hennig, currently on MTV's Teen Wolf).

But while Vigalondo’s effort gets wildly ambitious as it unspools, Unfriended chooses to keep its narrative space controlled, and ultimately, it’s this choice that allows it to keep a tight focus on the horror movie shenanigans that ensue.

Directed by Leo Gabriadze from a script by Nelson Greaves, Unfriended has some heavy producing hitters in the forms of Timur Bekmambetov and Jason Blum.

It’s also an interesting double bill with fellow ¡Qué horror! 2015 candidate, Some Kind of Hate, sharing some of its thematic concerns like the casually cruel emotional violence the youth can so callowly and callously inflict on each other.

(Unfriended Netherlands OS courtesy of impawards.com.)

¡QUÉ HORROR! 2015

Candidate #14

SOME KIND OF HATE

(May 2015)

"Why are we f*cking waiting in the greenhouse?

"This is f*ckin’ bullshit.”

Bullied loner Lincoln (Ronen Rubinstein) is sent to the Mind’s Eye Academy, a place to “reset,” where troubled youth can work through their issues, so as to “destroy the impulses” that brought them there in the first place.

But since this is a horror film and not some After School Special, it’s safe to say things do not go to plan.

The feature debut of director (and co-writer) Adam Egypt Mortimer, Some Kind of Hate is a brutal depiction of how petty and cruel the youth can be. While I’ll avoid getting into exactly what the film is about, I will say it plays like a wicked, vicious inversion of fellow ¡Qué horror! 2015 candidate Jamie Marks Is Dead (in which Rubinstein also, incidentally enough, appears).

As an aside, familiar genre face Noah Segan shows up here in a supporting role, and doubles as an Executive Producer.

This one isn’t inclined to pull punches, so be warned…

Parting Shot: I also highly recommend Mortimer’s comic book, the whacked-out science fiction opus, Ballistic, with art by Darick Robertson.

(Some Kind of Hate OS courtesy of twitchfilm.com.)

TATSULOK: A VISION OF DUST TPB ANNOUNCEMENT

I was informed yesterday that a delivery has been made of the Tatsulok: A Vision of Dust TPB to Comic Odyssey. So it should be hitting their shelves soon.

Picking up a copy isn’t just a show of support for my writing and Xerx’s art, it’s also, fundamentally, a show of support for choice. For choosing to support titles that, for one reason or another, can’t find shelf space in the major bookstore chains.

If Comic Odyssey is one of your regular haunts, or if you happen to be in a mall with a Comic Odyssey branch, then we’d like to invite you to check the Tatsulok TPB out.

Honestly, I’m not sure which branches of Comic Odyssey will receive copies, so I guess the best thing to do is just ask after it.

Tatsulok: A Vision of Dust.

Once again, thanx to all you mighty fine folk for the enthusiasm and support.

Please feel free to spread the word and the love…

And remember: choice.

you can't drink just six,

Dave

POST-INDIEKET 2015 'VERSE POST

Firstly, allow me to thank all you mighty fine folk who came out to yesterday’s Indieket.

To everyone who stopped by the table to pick up some comics, shoot the sh!t about your thoughts and reactions to The ‘Verse and Seroks, or to get your hands on the Tatsulok compilation (art by the mighty fine Xerx Javier), your presence and support was awesome and greatly appreciated.

Now, we’re hoping to make an announcement soon regarding availability of the Tatsulok compilation out in the real world, beyond the borders of the comic convention circuit.

In the meantime though, please allow me to share with you these little bits.

For anyone who’s been following any of The ‘Verse titles, you’ll well be aware of the books’ backmatter (the supplementary text pieces in the comics).

Below, you’ll find a couple of bits excerpted from what I like to think of as “The Septet Musings.”

Anyone who followed the Tatsulok singles, or picked up the compilation yesterday at Indieket, will hopefully be familiar with The Septet, and will have at least seen one of them in that book, as well as the “personal assistant” of another. (Who, yes, is the same Alice that makes a brief appearance in Dakila: Lumilim 1, with art by the mighty fine Elmer Cantada, which also debuted yesterday at Indieket.)

Truthfully though, The Septet are an active force in The ‘Verse due principally to Ian Sta. Maria answering my question about the Big Bad he wanted Kadasig to face.

So The Septet have a dominant role throughout the first 4 volumes of Kadasig. (Yes, there are 3 volumes meant to follow The Skeleton at the Feast. Their titles are, for the record: The Unraveling, A Kind of Praise, and His Darling Sin. And yes, all the scripts for all 4 volumes are complete; they were all done before Ian even started drawing the first page of The Skeleton at the Feast.)

So what you see below isn’t just for anyone who might have bought the Tatsulok compilation yesterday, but also to anyone who’s following Kadasig, or any of the other ‘Verse titles, for that matter (because The Septet pop up in some of the other books as well).

To the guy who asked about Kadasig yesterday (and to everyone else out there who’ve been waiting on it), profuse apologies for the delay.

This isn’t a new Kadasig issue, but it’s what I can do for now.

Any good karma you can send our way to help us grease the wheels and get that particular engine moving, will be greatly appreciated.

In the meantime, please accept a sneak peek at these text pieces (which should worm their way into the backmatter of one of the upcoming ‘Verse issues that have something to do with The Septet).

And again, thanx to all you mighty fine folk for the enthusiasm and support.

Please feel free to spread the word and the love…

you can’t drink just six,

Dave