A Rundown of the 13 Best Horror Movies I've Seen in the Past Year
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JACK GOES HOME

(March 2016)

"I always thought this house was haunted.”

"Really? Why?”
"I don’t know. Ever since we were kids, it just felt like there was some dark vagina just hovering over this place, waiting to swallow me up.”

“Maybe it was just your latent homosexuality talking, hmmm?”

“Shut up. I’m being serious. I’ve always been scared here, dude.”

For much of its initial section of running time, Thomas Dekker’s Jack Goes Home plays more like a dysfunctional domestic drama than anything else, as the titular Jack Thurlow (Rory Culkin) receives some tragic news that precipitates his--as the film’s title indicates--return to his family home.

But, since this is ¡Qué horror! territory, it’s a safe bet that that’s not what the film is ultimately about.

Or, put another way, maybe it is a dysfunctional domestic drama, but in a really terrible, horror movie way, as we slowly witness Jack uncover some dark family secrets, while gradually questioning his sanity…

Dekker (who also wrote the screenplay, and is perhaps best known as the TV John Connor) ropes in some noteworthy genre names here, including Daveigh Chase, Natasha Lyonne (who appears in a brief, single scene), and Britt Robertson (who’d worked with Dekker previously on the short-lived The Secret Circle).

But the genre coup here is, without a doubt, Lin Shaye, who appears as Jack’s mother, Teresa.

And, oddly enough, while Dekker is also credited as one of the film’s producers, who do we see credited as an Executive Producer but Uwe Boll (!).

Parting Shot:

I honestly did not recognize Daveigh Chase here, until the end credits rolled…

So, yeah, Samantha Darko (Sparkle Motion, go!!!) and Samara, in the house!

And speaking of, 15^th anniversary of Donnie Darko! Huzzah!

(Jack Goes Home OS courtesy of bloody-disgusting.com.)

¡QUÉ HORROR! 2017

Candidate #4

JACK GOES HOME

(March 2016)

"I always thought this house was haunted.”

"Really? Why?”
"I don’t know. Ever since we were kids, it just felt like there was some dark vagina just hovering over this place, waiting to swallow me up.”

“Maybe it was just your latent homosexuality talking, hmmm?”

“Shut up. I’m being serious. I’ve always been scared here, dude.”

For much of its initial section of running time, Thomas Dekker’s Jack Goes Home plays more like a dysfunctional domestic drama than anything else, as the titular Jack Thurlow (Rory Culkin) receives some tragic news that precipitates his--as the film’s title indicates--return to his family home.

But, since this is ¡Qué horror! territory, it’s a safe bet that that’s not what the film is ultimately about.

Or, put another way, maybe it is a dysfunctional domestic drama, but in a really terrible, horror movie way, as we slowly witness Jack uncover some dark family secrets, while gradually questioning his sanity…

Dekker (who also wrote the screenplay, and is perhaps best known as the TV John Connor) ropes in some noteworthy genre names here, including Daveigh Chase, Natasha Lyonne (who appears in a brief, single scene), and Britt Robertson (who’d worked with Dekker previously on the short-lived The Secret Circle).

But the genre coup here is, without a doubt, Lin Shaye, who appears as Jack’s mother, Teresa.

And, oddly enough, while Dekker is also credited as one of the film’s producers, who do we see credited as an Executive Producer but Uwe Boll (!).

Parting Shot:

I honestly did not recognize Daveigh Chase here, until the end credits rolled…

So, yeah, Samantha Darko (Sparkle Motion, go!!!) and Samara, in the house!

And speaking of, 15^th anniversary of Donnie Darko! Huzzah!

(Jack Goes Home OS courtesy of bloody-disgusting.com.)

AFTERTHOUGHTS (59)

59.1 CRUISING TRIBECA 2008 (2)
The line-ups for the Discovery and Midnight sections of this year’s Tribeca Film Festival have been announced, and the films that have piqued my interest are:

Discovery
La Habitación de Fermat (Fermat's Room), directed and written by: Luis Piedrahita and Rodrigo Sopeña. (Spain)
The walls are closing in—literally—on four brainiac mathematicians with shadowy pasts in this muchotense debut. A sexy virtuoso, a hardheaded hottie, a doleful drunk, and a middle-aged merrymaker have all been brought together by the mysterious Fermat to solve their most profound equation yet: Why is someone trying to kill them?

Sita Sings the Blues, directed and written by Nina Paley. (USA)
Using a variety of colorful animation techniques, writer-director Nina Paley wittily interweaves the story of Sita, the leading lady of the ancient Sanskrit epic Ramayana, with the story of a modern American woman struggling to keep her marriage afloat.

The Wild Man of the Navidad, directed and written by Duane Graves and Justin Meeks. (USA)
Based on real-life journals, this intelligent retelling of an old urban legend, shot in a ’70s-style B movie aesthetic, focuses on a Texas community terrified by a mysterious creature inhabiting the nearby woods.

Midnight
The Cottage, directed and written by Paul Andrew Williams. (UK)
A kidnapping plot goes horribly awry when two brothers and their potty-mouthed hostage stumble into the wrong farmhouse in this gory horror-comedy.

Dying Breed, directed by Jody Dwyer, written by Michael Boughen, Rod Morris, and Dwyer. (Australia)
Inspired by the legends of a 19th-century cannibal and an extinct tiger, this brutal horror-thriller centers on four friends who find out that something—or someone—murderous lurks in the rain-slogged Australian bush.

From Within, directed by Phedon Papamichael, written by Brad Keene. (USA)
Evil comes from within in this smart, supernatural thriller, set in a small extremist evangelical town that is mysteriously afflicted with serial suicides.
Up-and-coming cast includes Elizabeth Rice, Thomas Dekker (Terminator: The Sarah Connor Chronicles), Laura Allen (Dirt), and Rumer Willis.

Killer Movie, directed and written by Jeff Fisher. (USA)
A reality TV director copes with a spoiled celebutante and a show gone haywire when a masked killer starts bumping off the crew in this slasher-movie satire from a director who did time working on The Simple Life.

You can find the complete lists of the Discovery and Midnight sections of the 2008 TFF here.

59.2 REMAKE REMIX RECYCLE (1)
Those of you who frequent the Iguana probably know that I love me my Hideo Nakata. One of his films that I haven’t yet had the opportunity to see though, is Joyû-rei (Don’t Look Up; a.k.a. Ghost Actress).
Apparently, though Nakata was approached to helm an English-language remake of Joyû-rei, the man now taking the director’s chair is Fruit Chan. I guess things didn’t work out with Nakata, which is, on the one hand, sad.
On the other hand though, I love me my Fruit Chan too, so I’m looking forward to this one; Chan directed my favourite segment of Saam gaang yi (Three… Extremes), “Dumplings,” an extended cut of which was also released as the feature film, Gaau ji. (Try and catch both, if you’re able.)
In the English-language Don’t Look Up cast, one Henry Thomas, who once upon a time, bicycled across the face of the moon with E.T.
Shooting begins April 14 in Los Angeles.

(The Cottage UK quad courtesy of bloody-disgusting.com; The Cottage image courtesy of telegraph.co.uk; Joyû-rei OS courtesy of lapuertaoscura.com; Three… Extremes OS courtesy of impawards.com; Dumplings DVD cover art courtesy of amazon.co.uk.)

TV WATCH 2007 (4)
Odds & Ends

There were a couple of other new Pilots I also got to see aside from the three I’ve already reviewed (Chuck, Reaper, and Pushing Daisies: see TV Watch 2007 1-3 in Archive: August 2007) that I thought I should at least mention and give some of my reactions to.

Bionic Woman
Coming from Battlestar Galactica producer David Eick, I was hoping this would kick my a$$ something fierce. Sadly though, it doesn’t really get moving in any exciting and significant way.
And though it is nice to see Katee Sackhoff as some other character besides Starbuck (and there’s also a cameo from another BSG alum), there isn’t anything here that we haven’t seen before.

The Sarah Connor Chronicles (SPOILERS)
This Terminator spin-off is marginally better than Bionic Woman, though not by much.
Picking up after the events in T2, this one also doesn’t get very exciting. One of the few commendable things about this Pilot though, is Thomas Dekker, who used to play Zach on Heroes. Even back then, he showed he was an excellent young actor, and that is no different here.
Sadly, Lena Headey’s Sarah Connor just doesn’t register the way Linda Hamilton did in T2. I’m not sure if it’s because Headey’s performance isn’t as powerful as the one she gave in 300, or if Hamilton just really nailed the character’s transformation into shotgun-toting, kicka$$ momma in T2. Maybe it’s a little of both.
And Summer Glau’s teen Terminatrix is passably interesting, but if there isn’t some future romantic subplot between her and John Connor (it’s the ultimate Romeo and Juliet scenario!), the whole emotionless killing machine thing could get old really, really quickly. (And isn’t this just a variation of what she already did on Serenity?)
At the moment, Dekker is far too good for this show, so it better shape up as the season unfolds.

(Bionic Woman images courtesy of nbc, nymag.com, and scifiblog.net; Sarah Connor Chronicles images courtesy of fox, seattlepi.com, starburst, and myweb.tiscali.co.uk.)

HEROES Season 1 Episode 12 “Godsend” (WARNING: SPOILERS)

So the next chapter of Heroes has officially kicked off, and it kicks off in grand style.
The confluence of characters continues, and as the tapestry gets more complex, not only does the main story become more involving, but some of the characters become even more interesting.
Seeing Hiro’s reunion with Nathan was a kick, and it’s good to see that Nathan’s humanity is resurfacing. He may be a jerk, but he’s a jerk who genuinely cares for his brother, so there’s still hope yet for Hiro’s favorite flying man.
And finally, Simone seems to be ready to get on the bus! At last! (Though I hope there’s some payoff here regarding Mr. Linderman’s apparent ubiquitousness. Apart from the symbol, Linderman seems to be the other common denominator of the show.)
Having mentioned the symbol, we also get to discover one of its meanings, as well as see Isaac’s “Hiro vs T. Rex” painting in real life! Heh.
But undoubtedly, the best bits of “Godsend” are Claire’s scenes, from her clandestine meetings with the Haitian (who is quickly becoming a character of interest for me; the hole Eden left must be filled!) to her attempts at once more becoming Zach’s friend (which leads to a wonderful reprise of our initial introduction to both characters from the pilot). Hayden Panettiere continues to be one of the best of the ensemble, as we clearly get to see the difficulty a teen-ager would have in her position, struggling with the isolation, dealing not only with her “very own private freak show,” but also with the lies her father has been feeding her, as well as his actions, which have compromised the memories of her family. (I’m also glad to see that Zach wasn’t prematurely written off the show, in light of not just what the Haitian did to him, but also the whole “is he or isn’t he gay?” brouhaha and Thomas Dekker’s having landed the role of John Connor in the TV series, The Sarah Connor Chronicles, a spin-off of the Terminator franchise. I just hope he sticks around and isn’t bumped off for his troubles.)
Top all that off with the introduction of Christopher Eccleston* to the cast, and we’re off and running.

* I’ve followed Eccleston’s work ever since I first saw him in Danny Boyle’s Shallow Grave. I’m curious to see what he’ll bring to the ensemble, and what sort of chemistry he’ll have with Milo Ventimiglia. (Reportedly, Eccleston’s character, Claude, will become a mentor of sorts to Peter.) I also hope he isn’t the just-one-too-many-characters straw that breaks the ensemble’s back.

Parting shot: Heroes has had an early renewal for a second season. Hurrah!

Parting shot 2: “Godsend” is the first of a straight 7 episode run, then the show goes on another break, after which, the season’s final 5 episodes air consecutively.

(Originally posted 012807)