AFTERTHOUGHTS (76)
BARKER’S TRAIN NEEDS A PUSH

After getting its release date repeatedly pushed further and further down the line, Ryuhei Kitamura’s adaptation of Clive Barker’s The Midnight Meat Train will reportedly his theatres on August 1st, in a very limited release of approximately 100 screens, apparently only to fulfill contractual obligations, before being shuffled off to DVD.
It’s a sad move, given the recent resurgence of R-rated horror at the box office. The success of both M. Night Shyamalan’s The Happening and Bryan Bertino’s The Strangers has, at least for the moment, put the kibosh on the industry thinking that only PG-13 horror could turn a profit.
The Midnight Meat Train could very well be a hit as well, if it actually reaches a wide enough audience.
To that end, Barker himself has released this statement:

“As you may or may not have heard, due to certain politics, Midnight Meat Train is in danger of Lionsgate not giving it a wide release. I’m asking you to please help spread the word in order for all to enjoy this film. I want to passionately encourage everybody who cares about my work to use this chance to change the minds of the folks at Lionsgate.
“Anything any of you can do—be it e-mails, web postings, word of mouth and the like—to help encourage this movement would be deeply appreciated. The film is worth the effort in my mind, and I do not want to see my work fall by the wayside.”

The “certain politics” Barker makes mention of apparently refers to the recent studio regime change at Lionsgate. The changing of the guard at studios always causes upheaval, and sadly, some films get caught in the backwash.
It seems The Midnight Meat Train could end up as one of those films.

So, you heard the man.
Head on over to Revelations, and help get the Train into theatres where it belongs.

Parting shot: The Midnight Meat Train, based on the Books of Blood short story, stars Bradley Cooper, Leslie Bibb, Roger Bart, Brooke Shields, and the one and only Vinnie Jones. And it’s shot by the excellent Jonathan Sela (DP on Martin Weisz‘s Rohtenburg and John Moore‘s redux of The Omen), so it should also look spectacular.
The film enjoys its World Premiere at this year’s FanTasia Film Festival in Canada; see Afterthoughts (75) in the Archive.

(The Midnight Meat Train OS courtesy of twitchfilm.net; images courtesy of shocktillyoudrop.com.)

AFTERTHOUGHTS (75)
FANTASIA 2008

Canadian genre fans have the distinct pleasure of going whole hog from July 3-21 as this year’s FanTasia Film Festival (“North America’s Premier Genre Film Festival”) gets underway, with a lotta titles to go rabid for.

Among them: Jaume Balaguero and Paco Plaza’s [REC]; Tomas Alfredson‘s Tribeca champ, Lat den ratte komma in (Let The Right One In); Ryuhei Kitamura’s adaptation of Clive Barker’s The Midnight Meat Train; Trygve Allister Diesen and Lucky McKee‘s adaptation of Jack Ketchum’s Red; Dario Argento’s La Terza Madre (Mother of Tears); Jonathan Levine‘s All The Boys Love Mandy Lane; Daniel Myrick’s The Objective; Nacho Vigalondo‘s Los Cronocrimenes (Timecrimes), Jim Isaac’s Pig Hunt; Banjong Pisanthanakun and Parkpoom Wongpoom‘s Faet (Alone); Hideo Nakata’s Death Note spin-off, L: Change The World; Phedon Papamichael’s From Within; Ole Bornedal’s Vikaren (The Substitute); and Yam Laranas’ English-language remake of his own Sigaw, The Echo.
Both The Midnight Meat Train and The Echo are getting their world premieres at FanTasia 2008.

And, to the delight of Balaguero fans (like myself), FanTasia will also be screening his entry from the Spanish TV production, Películas para no dormir (Films To Keep You Awake), Para entrar a vivir (To Let). Another Pelicula para no dormir getting the big screen treatment at the festival is Alex de la Iglesia’s La habitación del niño (The Baby’s Room).
Sadly though, I can’t do the bilocation thing, so I’ll miss all the fun (Balaguero or otherwise)…
Sigh.
But for all you Canadian horrorheads, have a blast!

Parting shot: Reviews of Balaguero’s Los sin nombre (The Nameless), Darkness, and Fragiles (Fragile); Nakata’s Honogurai mizu no soko kara (Dark Water) and The Ring Two; Argento’s Suspiria and Inferno; Isaac’s Skinwalkers; Pisanthanakun and Wongpoom‘s Shutter; and Shusuke Kaneko’s Desu noto (Death Note), can be found in the Archive.

(OS’s courtesy of shocktillyoudrop.com [[REC] and Let The Right One In], twitchfilm.net [The Midnight Meat Train], bloody-disgusting.com [The Objective], and impawards.com [Timecrimes].)

AFTERTHOUGHTS (74)
EDINBURGH 2008

Breaking off and getting a jump on the annual Edinburgh arts festival in August, the 62nd Edinburgh International Film Festival kicks off June 18, 2008 and winds up on the 29th of the month.
Among the films and events of note during this year’s EIFF are:

Spike (Directed by Robert Beaucage)
World Premiere (June 20)

Izolator (Warsaw Dark) (Directed by Christopher Doyle)
World Premiere (June 21)

Cinematographers Roger Deakins (long-time Coen brothers DP, who also shot Sam Mendes’ Jarhead and M. Night Shyamalan’s The Village) and Seamus McGarvey (The Hours) in conversation
(June 22)

Jason and the Argonauts (Directed by Don Chaffey; stop-motion animation by Ray Harryhausen)
(June 24)

Ray Harryhausen explains his craft
(June 25)

Transsiberian (Directed by Brad Anderson)
UK Premiere (June 27)

For more information on the 62nd EIFF, check out the official website.

Parting shot: Reviews of Brad Anderson’s El Maquinista (The Machinist) and his Masters of Horror entry, “Sounds Like,” as well as the Deakins-shot No Country For Old Men, can be found in the Archive.

(Images courtesy of spikemovie.net [Spike]; twitchfilm.net [Izolator]; ew.com [Roger Deakins]; and rayharryhausen.com [Ray Harryhausen]; Transsiberian OS courtesy of impawards.com.)

AFTERTHOUGHTS (73)
ANNECY 2008

Nina Paley’s Sita Sings the Blues and Bill Plympton’s Idiots & Angels (both mentioned in Afterthoughts past) took home the Cristal award for Best Feature and an award for Special Distinction respectively, at the recently concluded 32nd Annecy Intl. Animated Film Festival.
Congratulations to Paley and Plympton and all the other winners and nominees this year. (Check the official Annecy website for more information.)

In the wake of the global animation boom in recent years, Annecy increased the number of possible feature films in competition from five to a maximum of ten, in 2006.
This year, nine feature films were chosen for competition from a field of nearly 50. Among the nine were Shinji Aramaki’s Ekusu makina (Appleseed Saga: Ex Machina, Adria Garcia and Victor Maldonado’s Nocturna, and Masayuki Kojima’s Piano no mori (Piano Forest).

(Sita Sings the Blues OS courtesy of ninapaley.com; image courtesy of sitasingstheblues.com [art for both by Nina Paley]; Idiots & Angels images courtesy of idiotsandangels.com [art by Bill Plympton].)

AFTERTHOUGHTS (64)

64.1 CRUISING TRIBECA 2008 (2)
From a field of 120 films in competition, Tomas Alfredson’s vampire film, Lat den ratte komma in (Let the Right One In) took home the feature prize at this year’s Tribeca Film Festival, while Thomas Turgoose and Piotr Jagiello (both from Shane Meadows’ Somers Town) shared the acting trophy.

Among the festival jurors this year were Doug Liman, Josh Schwartz, Oliver Platt, Peter Dinklage, Callie Khouri, and Whoopi Goldberg.

A rundown of the other winners this year can be found here.

And, in further Lat den ratte komma in news, in a bidding war for the film’s remake rights—in which Warner Bros., Paramount, and Overture figured in the wheeling and dealing—Hammer Films and Spitfire Pictures emerged victorious.
A writer for the English-language Let the Right One In redux will be chosen shortly.

64.2 THE FLY OPERA ABOUT TO OPEN
Iguana regulars will know I love me my Cronenberg and Shore, so I’d just like to do my part and make note of the fact that the two-act opera of The Fly—directed by David Cronenberg and composed by Howard Shore—is almost upon us.
It’ll be conducted by Los Angeles Opera general director, Plácido Domingo, with a libretto by David Henry Hwang (whose M. Butterfly was taken to the big screen by Cronenberg), and set design by Dante Ferretti (who took home the Oscar this year for his work on Tim Burton’s Sweeney Todd: The Demon Barber of Fleet Street).
Scoot on over to http://www.howardshore.com/ for info on tickets.

64.3 REPRISE GETS U.S. RELEASE
Joachim Trier’s Reprise will get its U.S. theatrical release on May 16, and will then subsequently be available as a Netflix rental.

Parting shot: Reviews of Shane Meadows’ This Is England (which also stars Thomas Turgoose), a number of David Cronenberg’s films, and Joachim Trier’s Reprise can be found in the Archive.

(Let the Right One In OS courtesy of shocktillyoudrop.com; The Fly opera image courtesy of howardshore.com; Reprise UK quad courtesy of impawards.com.)

AFTERTHOUGHTS (59)

59.1 CRUISING TRIBECA 2008 (2)
The line-ups for the Discovery and Midnight sections of this year’s Tribeca Film Festival have been announced, and the films that have piqued my interest are:

Discovery
La Habitación de Fermat (Fermat's Room), directed and written by: Luis Piedrahita and Rodrigo Sopeña. (Spain)
The walls are closing in—literally—on four brainiac mathematicians with shadowy pasts in this muchotense debut. A sexy virtuoso, a hardheaded hottie, a doleful drunk, and a middle-aged merrymaker have all been brought together by the mysterious Fermat to solve their most profound equation yet: Why is someone trying to kill them?

Sita Sings the Blues, directed and written by Nina Paley. (USA)
Using a variety of colorful animation techniques, writer-director Nina Paley wittily interweaves the story of Sita, the leading lady of the ancient Sanskrit epic Ramayana, with the story of a modern American woman struggling to keep her marriage afloat.

The Wild Man of the Navidad, directed and written by Duane Graves and Justin Meeks. (USA)
Based on real-life journals, this intelligent retelling of an old urban legend, shot in a ’70s-style B movie aesthetic, focuses on a Texas community terrified by a mysterious creature inhabiting the nearby woods.

Midnight
The Cottage, directed and written by Paul Andrew Williams. (UK)
A kidnapping plot goes horribly awry when two brothers and their potty-mouthed hostage stumble into the wrong farmhouse in this gory horror-comedy.

Dying Breed, directed by Jody Dwyer, written by Michael Boughen, Rod Morris, and Dwyer. (Australia)
Inspired by the legends of a 19th-century cannibal and an extinct tiger, this brutal horror-thriller centers on four friends who find out that something—or someone—murderous lurks in the rain-slogged Australian bush.

From Within, directed by Phedon Papamichael, written by Brad Keene. (USA)
Evil comes from within in this smart, supernatural thriller, set in a small extremist evangelical town that is mysteriously afflicted with serial suicides.
Up-and-coming cast includes Elizabeth Rice, Thomas Dekker (Terminator: The Sarah Connor Chronicles), Laura Allen (Dirt), and Rumer Willis.

Killer Movie, directed and written by Jeff Fisher. (USA)
A reality TV director copes with a spoiled celebutante and a show gone haywire when a masked killer starts bumping off the crew in this slasher-movie satire from a director who did time working on The Simple Life.

You can find the complete lists of the Discovery and Midnight sections of the 2008 TFF here.

59.2 REMAKE REMIX RECYCLE (1)
Those of you who frequent the Iguana probably know that I love me my Hideo Nakata. One of his films that I haven’t yet had the opportunity to see though, is Joyû-rei (Don’t Look Up; a.k.a. Ghost Actress).
Apparently, though Nakata was approached to helm an English-language remake of Joyû-rei, the man now taking the director’s chair is Fruit Chan. I guess things didn’t work out with Nakata, which is, on the one hand, sad.
On the other hand though, I love me my Fruit Chan too, so I’m looking forward to this one; Chan directed my favourite segment of Saam gaang yi (Three… Extremes), “Dumplings,” an extended cut of which was also released as the feature film, Gaau ji. (Try and catch both, if you’re able.)
In the English-language Don’t Look Up cast, one Henry Thomas, who once upon a time, bicycled across the face of the moon with E.T.
Shooting begins April 14 in Los Angeles.

(The Cottage UK quad courtesy of bloody-disgusting.com; The Cottage image courtesy of telegraph.co.uk; Joyû-rei OS courtesy of lapuertaoscura.com; Three… Extremes OS courtesy of impawards.com; Dumplings DVD cover art courtesy of amazon.co.uk.)