AFTERTHOUGHTS (100)
EMMY 2008

So this year’s nominations are out, and here are the nods I took note of:

80th Annual Academy Awards
Outstanding Art Direction For A Variety, Music or Nonfiction Programming (Roy Christopher, Production Designer; Joe Celli, Art Director)
Outstanding Directing For A Variety, Music or Nonfiction Programming (Louis J. Horvitz)
Outstanding Lighting Direction (electronic, Multi-camera) For Vmc Programming (Robert A. Dickinson, Lighting Designer; Robert Barnhart, Andy O’Reilly, Lighting Directors)
Outstanding Music Direction (Bill Conti, Music Director)
Outstanding Individual Performance In A Variety or Music Program (Jon Stewart, Host)
Outstanding Picture Editing Of Clip Packages For Talk, Performance, Award Or Reality Competition Programs [Oscar Show Tribute Sequence] (Chuck Workman)
Outstanding Sound Mixing For A Variety Or Music Series Or Special
Outstanding Special Class – Awards Programs (Gilbert Cates, Producer)
Outstanding Technical Direction, Camerawork, Video For A Miniseries, Movie Or A Special

Battlestar Galactica
Outstanding Cinematography For A One Hour Series [Razor] (Stephen McNutt, Director of Photography)
Outstanding Single-camera Picture Editing For A Drama Series [“He That Believeth In Me”] (Julius Ramsay)
Outstanding Sound Mixing For A Comedy Or Drama Series (one-hour) [Razor] (Rick Bal, Production Mixer; Michael Olman, Kenneth Kobett, Supervising Re-Recording Mixers)
Outstanding Special Class – Short-format Live-action Entertainment Programs [Razor Featurette #4] (Ronald D. Moore, David Eick, Executive Producers; Harvey Frand, Supervising Producer)
Outstanding Special Visual Effects For A Series [“He That Believeth In Me”]
Outstanding Writing For A Drama Series [“Six Of One”] (Michael Angeli)


Chuck
Outstanding Main Title Design (Karin Fong, Jonathan Gershon, Dana Yee, Title Designers)
Outstanding Stunt Coordination [“Chuck Versus The Undercover Lover”] (Merritt Yohnka, Stunt Coordinator)


Dexter
Outstanding Art Direction For A Single-camera Series [“That Night, A Forest Grew”] (Tony Cowley, Production Designer; Linda Spheeris, Set Decorator)
Outstanding Cinematography For A One Hour Series [“The British Invasion”] (Romeo Tirone, Director of Photography)
Outstanding Drama Series
Outstanding Lead Actor In A Drama Series (Michael C. Hall)
Outstanding Sound Mixing For A Comedy Or Drama Series (one-hour) [“It’s Alive!”] (Patrick Hanson, Production Mixer; Elmo Ponsdomenech, Joe Earle, Re-Recording Mixers)


Entourage
Outstanding Comedy Series
Outstanding Directing For A Comedy Series [“No Cannes Do”] (Dan Attias)
Outstanding Sound Mixing For A Comedy Or Drama Series (half-hour) And Animation [“Adios Amigo”] (Steve Morantz, Production Mixer; Dennis Kirk, Bill Jackson, Re-Recording Mixers)
Outstanding Supporting Actor In A Comedy Series (Jeremy Piven)
Outstanding Supporting Actor In A Comedy Series (Kevin Dillon)


Heroes
Outstanding Art Direction For A Single-camera Series [“Out of Time”] (Ruth Ammon, Production Designer; Matthew Jacobs, Art Director; Ron Franco, Set Decorator)
Outstanding Single-camera Picture Editing For A Drama Series [“Powerless”] (Scott Boyd)
Outstanding Special Visual Effects For A Series [“Four Months Ago”]


Justice League: The New Frontier
Outstanding Animated Program (for Programming One Hour or More)


Lost
Outstanding Cinematography For A One Hour Series [“The Constant”] (John Bartley, Director of Photography)
Outstanding Drama Series
Outstanding Music Composition For A Series (original Dramatic Score) [“The Constant”] (Michael Giacchino)
Outstanding Single-camera Picture Editing For A Drama Series [“There’s No Place Like Home” (Parts 2 & 3)] (Henk Van Eeghen, Robert Florio, Mark J. Goldman, Stephen Semel)
Outstanding Sound Editing For A Series [“The Shape Of Things To Come”]
Outstanding Sound Mixing For A Comedy Or Drama Series (one-hour) [“Meet Kevin Johnson”] (Robert Anderson, Production Mixer; Frank Morrone, Scott Weber, Re-Recording Mixers)
Outstanding Special Class – Short-format Live-action Entertainment Programs [Lost: Missing Pieces] (Damon Lindelof, Carlton Cuse, Barry Jossen, Executive Producers)
Outstanding Supporting Actor In A Drama Series (Michael Emerson)


Pushing Daisies
Outstanding Art Direction For A Single-camera Series [“Pie-Lette”] (Michael Wylie, Production Designer; Halina Siwolop, Set Decorator)
Outstanding Casting For A Comedy Series (Camille Patton, Meg Liberman, Jennifer Lare)
Outstanding Costumes For A Series [“Pie-Lette”] (Mary Vogt, Costume Designer; Stephanie Fox-Kramer, Costume Supervisor)
Outstanding Directing For A Comedy Series [“Pie-Lette”] (Barry Sonnenfeld)
Outstanding Hairstyling For A Single-camera Series [“Smell Of Success”] (Daniel Curet, Department Head Hairstylist; Yuko Tokunaga-Koach, Key Hairstylist)
Outstanding Lead Actor In A Comedy Series (Lee Pace)
Outstanding Makeup For A Single-camera Series (non-prosthetic) [“Dummy”] (Todd A. McIntosh, Department Head Makeup Artist; David De Leon, Key Makeup Artist; Bradley M. Look, Additional Makeup Artist)
Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special [“Smell Of Success”] (Todd A. McIntosh, Department Head Makeup Artist; David De Leon, Key Makeup Artist; Sara De Pue, Additional Makeup Artist)
Outstanding Music Composition For A Series (original Dramatic Score) [“Pigeon”] (Jim Dooley)
Outstanding Picture Editing For A Comedy Series (single or Multi-camera) [“Pie-Lette”] (Stuart Bass)
Outstanding Supporting Actress In A Comedy Series (Kristin Chenoweth)
Outstanding Writing For A Comedy Series [“Pie-Lette”] (Bryan Fuller)

In addition, Lost Find 815 and The Heroes Digital Experience also found themselves among the finalists in the Interactive Media Programming (Fiction) Juried Area, where “one, more than one or no award can be given.” (Other Fiction finalists included HBO Voyeur, Kyle XY: The Collective Experience, and The L Word Interactive.)

Now, while I’m happy for the whopping dozen nominations Pushing Daisies racked up (for a truncated season that lasted all of nine episodes, mind), I am still distressed at the distinct lack of love Emmy has perennially shown for Battlestar Galactica.
Not only were all the performers roundly ignored, but the tremendous work Bear McCreary has been doing in scoring the show also went unacknowledged.
Sigh.

At any rate, congratulations to all the nominees, a complete list of which you may find here.
The 2008 Primetime Emmys will be handed out on September 21 at the NOKIA Theatre in Los Angeles, while the Primetime Creative Arts Awards will be presented on September 13, also at the NOKIA.

Parting shot: Episodic reactions/recaps of Battlestar Galactica, Chuck, Dexter, Entourage, Heroes, Lost, and Pushing Daisies—as well as a review of the Battlestar Galactica straight-to-DVD film Razor—can be found in the Archive.

(Images courtesy of SCIFI Channel and wired.com [Battlestar Galactica]; aintitcool.com [Chuck Season One and Pushing Daisies Season One DVD cover art and Justice League: The New Frontier image]; rickbrotherton.com [Dexter]; hbo.com [Entourage]; NBC and yahoo.com [Heroes]; ABC and eonline.com [Lost].)

AFTERTHOUGHTS (51)

51.1 THUS ENDETH THE STRIKE
So the count last Tuesday night: 3,492 to 283, in favour of ending the strike during the ratification process.
It’s officially over and the writers can get back to work Wednesday. Some, in fact (like the writers for the upcoming Oscar night) were already in the thick of things late Tuesday night.
Now, as the two week ratification of the proposed three-year deal takes place (votes for that to be tallied on February 26), Hollywood gets back into the swing of things, which leads us rather neatly to…

51.2 REVVING THE POST-STRIKE ENGINE (1)
LOST
Showrunner Carlton Cuse has already made the announcement that they’re aiming to come up with 5 post-strike episodes, so this season will end with 13 episodes.
Intending to wrap the season up at the same narrative point it was originally supposed to end at, there will be some storyline compression required. Hopefully, that won’t have an adverse effect on the story’s rhythm. And hopefully, writers, cast, and crew won’t run themselves ragged to get those episodes ready to keep the consecutive airing of Lost an on-going concern.
Cuse also indicated that the 3 AWOL episodes (since season 4 was meant to be comprised of 16 installments) will pop up somewhere down the road, so we’re still going to get the same number of Lost episodes we were meant to get, before the strike stepped on the brakes.
In an ABC press release, the network has also announced it’s picking up Lost for a fifth season, though I’m uncertain if that season kicks off this Fall, or will have a delayed start date, as per the current season.

PUSHING DAISIES
In the same ABC press release, Pushing Daisies was also announced as having been picked up for a second season.
Thus, there will be no more episodes beyond the 9 pre-strike installments for the current season.

CHUCK
NBC’s Chuck is also expected to return in the Fall, so the first season topped off at 13 pre-strike episodes.

HEROES
Meanwhile, Volume Two’s 11 episodes are pretty much Season 2.
Volume Three: “Villains” will presumably kick off Season 3 when Heroes returns in the Fall.
In preparation, Tim Kring is reportedly getting busy on a series Bible, an always indispensable tool for shows like Heroes.

So with the picket signs being put aside, I’ll be having irregular updates for any strike-affected projects that are on my radar (like the Justice League film) as reports and announcements are made.

Let’s all breathe a huge sigh of relief that it’s over, and that apparently, the writers got a deal they can call a triumph.
Admittedly, not the total victory they were first targetting (reality and animation writers—who have been likened to the sweatshop equivalents of the Hollywood writers world—are still not covered by the guild, one of the aims the WGA had hoped to achieve), but the strides forward in new media seem to be cause to cheer.

Now let’s all hope the upcoming SAG negotiations don’t run into any speed bumps…

(Images courtesy of variety.com [WGA strike is over]; impawards.com [Lost]; avclub.com [Pushing Daisies]; aintitcool.com [Chuck]; and yahoo.com [Heroes].)

AFTERTHOUGHTS (42)

42.1 WHO CRUSHED THE JUSTICE LEAGUE?!
So how all-mighty is the Writers Guild? They’ve already reduced the recently concluded Golden Globes night to a whimpering, awkward mess, and now, they’ve just whupped the collective a$$ of the world’s greatest superheroes.
Is that scarier than Darkseid, or what?

As of January 16, Wednesday, George Miller’s Justice League film adaptation is on “indefinite hold,” this confirmed by Warner Bros., and reported by Variety.
The studio has also allowed the options on the cast chosen by Miller to lapse, leaving them free to take on other projects, though the studio did inform the actors that they are “determined to make the film with them in it.”
To be completely fair though, aside from admitting that the present script could “benefit from a little more work” (impossible at the moment due to the WGA strike), there was also the matter of tax breaks, or some such financial gobbledygook, as the reasons for the project’s failure to be greenlit.

Of course, the Australian government has already made this subsequent statement: “We understand the postponement of filming is absolutely confined to creative issues and especially to delays in refining the script due to the writers’ strike,” this, from a spokeswoman for arts minister Peter Garrett. (Naturally, they’d say that. I mean, who wants to be keeping company with the likes of Lex Luthor and the Joker, right?)
This has shed some light on the whole “let’s film in Australia” deal, at any rate, as it seems like WB was going for some sort of Aussie quota, to get that 40% rebate. (And some people wondered why Australian model Megan Gale was in the mix…)

Whatever the case may be regarding all that money talk though, the production of the Justice League film could begin, at the earliest, in late summer or early fall (provided the WGA strike is resolved soon).
All of which leaves WB, for the time being, without a superhero tentpole for 2009 (one of the main reasons why they were so hot to get Justice League in gear in the first place).
There still hasn’t been any movement or official word regarding Bryan Singer’s next project following the Tom Cruise-starrer Valkyrie. It’s still unclear whether his next film will indeed be the previously reported The Mayor of Castro Street, as Gus Van Sant’s Milk (also about slain San Francisco mayor Harvey Milk) is supposedly still an active proposition. If Castro Street stalls, then Singer could get serious about The Man of Steel again.
But there’s a whole lotta “ifs” in there.

Which leaves me a sad little camper at the moment. If there wasn’t gonna be any Man of Steel in ’09, then I could at least have looked forward to Miller’s take on the League.
Right now though, things are so up in the air, it isn’t even funny.

42.2 BUT THEN AGAIN…
On the other side of the coin though, with NBC searching high and low for fresh programming in this lean, struck TV season, the network has indicated to the SciFi Channel to take the Battlestar Galactica prequel, Caprica, off the limbo shelf for a serious second look, to determine whether it should be greenlit for production.
After all, there is a complete script ready to go.
And we, of the BSG faithful, are keenly aware of the final 20 episodes before we will be forced to bid adieu to the crew of the Galactica, so maybe a little love in this lean, struck TV season could be a good thing, yes?

42.3 AND SPEAKING OF A LITTLE LOVE…
So word has come down the pike that the DGA and the AMPTP have signed on the dotted lines, which, hopefully, will encourage negotiations with the WGA to be rekindled.
Variety’s got extensive coverage of the DGA deal, and you can go here (“DGA makes big gains in new media”) for a lotta numbers and mathematical whatchamahoozies outlining the agreement, here (“Industry reacts to DGA deal”) for, well, industry reactions to the agreement, and here (“Showrunners showing enthusiasm”) for, uhhh, showrunners’ reactions to the deal.
In that article is the following passage:

“Meanwhile, should a deal [with the WGA] be hammered out within the next month, network and studio insiders have said that portions of this TV season—as well as pilot season—could still be salvaged.
“It would be on a case-by-case basis. Some series could power back up relatively quickly and churn out at least a few more episodes this year, if not an entire back nine order.”

So here’s hoping, right?
I mean, come on, the fate of the Justice League depends on it!

(JLA artwork by Ariel Olivetti, courtesy of upperdeck.com; Battlestar Galactica image courtesy of scifi.com.)

AFTERTHOUGHTS (21)

21.1 First, some good news.
This took me a while, but I’d just like to congratulate the following, for winning at this year’s Scream Awards:

28 Weeks Later: Best Horror Movie
300: The Ultimate Scream; Best Comic-to-Screen Adaptation
Kate Beckinsale: Scream Queen (for Vacancy)
Grindhouse: Most Memorable Mutilation (Dismembered In Car Crash); Best Director (Quentin Tarantino & Robert Rodriguez); Best Scream-Play (Robert Rodriguez, Quentin Tarantino, Jeff Rendell, Eli Roth, Edgar Wright, & Rob Zombie)
Heroes: Best TV Show
Shia LaBeouf: Sci-Fi Star (for Transformers); Scream King (for Disturbia)
El Laberinto Del Fauno: Best Fantasy Movie; Best Foreign Movie (Spain)
Hayden Panettiere: Breakout Performance (for Heroes)

Harrison Ford and Neil Gaiman were also honoured, with The Hero Award and the Comic-Con Icon Award, respectively.

Again, to one and all, congratulations.

(Reviews of 28 Weeks Later, 300, Death Proof, Disturbia, El Laberinto Del Fauno, Planet Terror, Transformers, and Vacancy can be found in the Archive.)

21.2 Now, some bad news.
The WGA strike that many have feared has come to pass. Depending on how long this strike turns out to be, its effects could still be felt as far ahead as next year’s fall television season. (If the impending Directors Guild and Screen Actors Guild strikes next year also go into effect, it’ll make matters all the worse.)
It’s my understanding that Heroes should have new episodes all the way up to the December break, so we should get to see all 11 episodes of Volume Two. After that, all bets are off, particularly if the WGA strike stretches out over the next few months.
As for the other shows I keep track of here at the Iguana, I’m uncertain where they are in terms of their production schedule for their current seasons.
And as far as series kicking off their new seasons next year (like Lost and Battlestar Galactica), their start dates could conceivably be pushed farther away, should this strike prove to be a protracted one.

Apparently an early casualty of the weeks leading up to the strike, the spin-off Heroes: Origins, which I’ve talked about here at the Iguana, has been shelved by NBC.
It’s been pulled off the schedule at the moment (it was set to air at the end of Heroes’ current sophomore season), though I certainly hope it’s not entirely dead. Maybe when the WGA strike has been settled, and provided next year’s impending strikes can be averted, NBC can resuscitate production on Origins.

Meanwhile, film studios were busy for most of this year gearing up for the possibility of a writers’ strike, and went into hyperdrive on a whole slew of pre-strike priority projects, like the Justice League live-action film—which I talked about in Afterthoughts (19) and (20)—in preparation for next year’s strike possibilities. Scripts for high-profile projects scheduled to shoot next year for a 2009 release (like the aforementioned Justice League) were also stockpiled by the studios.
While some projects are getting fast-tracked though, others could get shelved or side-tracked, depending on where they are in the development phase.
We’ll also be seeing some of the films originally scheduled for a 2007 release (like Michael Dougherty’s Trick ‘R Treat and David Moreau and Xavier Palud‘s redux of The Eye) hit cinemas next year.

There are a whole lot of other ramifications and intricacies to the WGA strike that go well beyond what I’ve mentioned here, so if you want to know more, get on over to variety.com, which has a host of articles covering the strike.
And let’s hope this one gets resolved soon.

(Images courtesy of bloody-disgusting.com [Scream Awards 2007 and Michael Dougherty] and yahoo.com [Heroes].)

AFTERTHOUGHTS (20)

20.1 Following the news of the marathon Justice League casting session (check out Afterthoughts (19) in the Archive), WB is going announcement-happy with two new helmers attached to the film adaptations of The Flash and Green Lantern.

First off, The Flash has had a number of names going through its revolving door, from David S. Goyer, to Shawn Levy. Now Levy, who has walked away from The Flash for “undisclosed reasons,” is replaced by David Dobkin.
While Levy has films like Cheaper By The Dozen and Night At The Museum under his belt, Dobkin counts Shanghai Knights and The Wedding Crashers among his credits.
Based on the movies above, it seems WB is moving towards a more comedic approach to the Flash than its other superhero franchises.
Dobkin has confirmed that The Flash will be a direct spin-off of George Miller’s Justice League, and will feature the Wally West incarnation. (It’s interesting to note though that with this set-up, Dobkin has apparently no say in the casting of the Flash, as that decision is currently in Miller’s court.)

Meanwhile, there’s Green Lantern, which has been handed to Greg Berlanti, who helmed The Broken Hearts Club before writing and executive producing such TV fare as Dawson’s Creek, Everwood, Brothers & Sisters, and Dirty Sexy Money.
Berlanti is slated to write the script with Marc Guggenheim (who is also a writer-producer on Brothers & Sisters, and has written Amazing Spider-Man, Blade, and Wolverine comics) and Michael Green (co-executive producer on Heroes, and past writer of the Superman/Batman comic).
It’s unclear at this point whether this is also a Justice League spin-off, as the Variety story only mentions the Hal Jordan Green Lantern, while Miller’s Justice League will be featuring the John Stewart Lantern.

While I’m not particularly a fan of either, and thus not overly thrilled at having Dobkin and Berlanti handling DC’s upcoming salvoes in the live-action superheroics war with Marvel, I am slightly more excited about Green Lantern, as it’s got Michael Green working on the script.
Here’s hoping both films keep on running smoothly from here on out.

20.2 In other Justice League-related news, casting rumours continue to float, in the absence of official word from WB about Miller’s final choices.
A short-lived rumour concerning Hellboy’s Rupert Evans as Superman was quickly debunked, while more recently, The Grudge 2’s Teresa Palmer has been reported as Miller’s choice for Wonder Woman. (The latter rumour has yet to be confirmed or debunked.)

(Images courtesy of the-trades.com [David Dobkin], abc.com [Greg Berlanti], comicworld.gr [Rupert Evans], and askmen.com [Teresa Palmer].)

SMALLVILLE Season 6 Episodes 10 & 11

Despite the fact that (or maybe precisely because) I’m such a big fan of Big Blue, I’ve never really followed Smallville with any solid regularity. Once again, live TV superheroics are marred by weak writing.
I mean, how many times must Lana get stalked by the Freak of the Week? How many times must Clark/Lana/Lex/Chloe/Lois get controlled by some external force, act all gonzo or evil or horny (or all three simultaneously), then have convenient amnesia once the dust settles? And just when does the madness end? The tortured relationships of Smallville put Dawson’s Creek’s to shame.
Still, I keep an eye out for specific episodes, just to see if, maybe, things have begun to look up on Smallville. Two of those episodes just aired.

Season 6 Episode 10 “Hydro”

I made it a point to watch this ‘cause I’m such a huge Tori Spelling fan.
Heh.
Aheh.
Aha-ha-ha!*
Actually, it’s because “Hydro” is Tom Welling’s second directorial effort for Smallville, and since his directorial debut (season 5’s “Fragile”) managed to sneak past my radar, I told myself I needed to see “Hydro,” so I could ascertain whether Clark could direct, as well as fly.
What I got though, was your average run-of-the-mill Smallville with Tori S. as the Freak of the Week, some more tortured relationship hooey (Lex has proposed to Lana, Lana hasn’t given him an answer ‘cause she’s still in love with Clark, but she’s pregnant, blah blah blah, boo hoo hoo, ad nauseum), and yet another anticlimactic showdown with the aforementioned Freak of the Week.
I dunno. Why has this show stayed on the air for 6 seasons?

Season 6 Episode 11 “Justice”

Okay.
This just didn’t do it for me. Considering this was the Justice League episode, it was vastly underwhelming, with a negligible plot and mostly toilet paper-thin characterizations.
And the costumes…
Oh, the humanity…
This could conceivably have worked better as a multi-parter, but Smallville just doesn’t work that way. So we’re treated to 40+ minutes of good guys running around in bad suits, with the fanboy highlight apparently a shot of the “League” walking towards the camera in Hollywood action film slowmo as Lex’s evil lab explodes behind them (as depicted above). Yeesh.
It wouldn’t have been so bad if they’d actually looked the heroic part, but those suits would just die on Project Runway. Nina Garcia would absolutely slay those outfits.

And the performances. Urrrr. Former American Idol contestant Alan Ritchson (Aquaman) does little except flash his smirky grin, walk around bare-chested, and be the butt of fish jokes.
Justin Hartley (Green Arrow; he also played Aquaman on the failed TV pilot Mercy Reef) and Lee Thompson Young (Cyborg) don’t really elevate the acting either.
Kyle Gallner (Impulse; perhaps more widely seen on Veronica Mars) is the only one who actually registers, in that impish, precocious Bart Allen way. (This episode might even have been better off as an Impulse spotlight.)
And Lois is such a superhero groupie slut, it’s embarrassing. First she does the kissy-face with Aquaman in season 5, then is all hot and heavy and talking coitus without the interruptus with Green Arrow—though “Justice” does seem to put a punctuation mark on that relationship. Still. Slut. (Yes, she doesn’t know Ollie is Green Arrow, but can you imagine all the locker room talk on the JL Watchtower in years to come?)
And though I will admit that it was neat-o to see Chloe be this League’s Oracle, if you want to see the League done right, there’s 5 seasons of the animated series out there. Hop to it.

Again, why has Smallville been around for 6 seasons?

* Actually, I enjoyed Tori Spelling’s cameo in Scream 2’s metamovie. I’ll give her credit for that.

(Images courtesy of kryptonsite.com. Review originally posted 012307.)