¡QUÉ HORROR! 2016

Candidate #3

WHY HORROR?

(October 2014)

"Horror has come a long way since it first got its hooks into me. As a devout fan, I used to feel like an outsider, but these days, I meet fans everywhere I go.
“Horror is now more popular than it’s ever been.”

--Tal Zimerman

I could be wrong and memory is f*cking with me right now, but I think this is the very first actual doc that’s made its way to ¡Qué horror! Candidacy (as opposed to the occasional faux doc that’s made the rundown).

Rob Lindsay and Nicolas Kleiman’s Why Horror? follows long-time horrorhead Tal Zimerman as he explores his life-long fascination with the genre, asking the titular question, “Why horror?” of art historians and literature experts and language professors and psychologists, as well as a host of familiar genre faces, from the old school vanguard (John Carpenter, Don Coscarelli, George Romero) to current established names (Alexandre Aja, Simon Barrett, Eli Roth, Ben Wheatley).

For any audience member who happens to be a kindred spirit to Tal, the game-changing benchmarks of a lifelong horrorhead of a certain generation--such as the socio-political horror of Romero’s original zombie trilogy, giallo, the home video boom, the self-referential metahorror of Scream, J-Horror, found footage, and the digital revolution sparking the current wave of global horror--are all touched on in the great animated section “A Way Too Brief History of Horror Cinema” (with VO from one of our all-time favorite hobbits, Elijah Wood).

There’s even the acknowledgement that, yes, Virginia, there are actually female horror fans (who make horror films too!), with appearances by the Soska sisters and Karen Lam.

For the more critically-minded horrorheads out there, or, for those who, at the very least, are curious to dig at the possible roots of their fascination with the genre, Why Horror? is an excellent and highly recommended watch that smartly encapsulates just how deeply horror is entrenched in our humanity, and how it’s really a universal language that we all know.

The question is, just how fluent are we willing to be in it?

“I like ‘smarts.’ I just like intelligent views of the world. And I am deeply committed to finding ‘smarts’ where other people don’t think to look for it. And I think horror is the perfect place.”

--Dr. Susanne Kord

European Languages, Culture and Society

University College, London, England

(Why Horror? OS courtesy of shocktillyoudrop.com.)

¡Qué horror! 2013

Candidate #7

JOHN DIES AT THE END

(January 2012)

It’s been awhile since Don Coscarelli’s Masters of Horror episode, “Incident On and Off a Mountain Road,” but he’s back now with the wildest and most gonzo ¡Qué horror!  2013 Candidate thus far: his adaptation of Jason Pargin’s John Dies at the End.

There’s a whole lotta crawesome weird shit here, yo! And any attempt on my part to give you a taste of this film’s strangeness would just be counter-productive.

Let’s just say if you love bizarro cinema, you should check this out.

Not to mention that the supporting cast ain’t nothin’ to sneeze at either: Paul Giamatti (who doubles down as Executive Producer), Clancy Brown (Best. Luthor. Voice. Ever.), The Tall Man himself, Angus Scrimm (as Father Shellnut!), and Doug Jones.

Oh, and Bark Lee, too!

Before this, I already loved Coscarelli for A) scaring the crap out of the 11-year old me with Phantasm, and then B) giving us the tough yet sensitive, animal-loving barbarian who is The Beastmaster.

And now, he’s given me John Dies at the End.

Brilliant!

Don’t forget: The Soy Sauce chooses you.

(John Dies at the End OS’ courtesy of impawards.com.)

MASTERS OF HORROR
Season 1 Episode 1
“Incident On and Off A Mountain Road”
Teleplay by Don Coscarelli and Stephen Romano; based on the short story by Joe R. Lansdale
Directed by Don Coscarelli

If there was one ‘70’s horror film that scared the beejeezus out of me, it was Don Coscarelli’s Phantasm. More than The Texas Chain Saw Massacre, more than The Hills Have Eyes, this was the movie that made me scared to shut my eyes at night (as well as stand in front of a mirror).
I imagine it must have been because in Phantasm, all the terror was happening in bedrooms and houses and funeral parlors, not out in the far-flung wilderness or the boondocks.
There was that shiny metal ball of death, the freaky dwarves, and of course, there was The Tall Man. Angus Scrimm scared the frak outta me.
So when I found out that the maiden voyage of Masters of Horror would be brought to my TV by Coscarelli and The Tall Man (based on a Lansdale short, to boot!), well, I was pretty psyched.
And truth be told, Scrimm is just about the best thing in “Incident”…

On the surface, “Incident” is about Ellen (Bree Turner), who encounters a mad, monstrous lunatic (you know the sort) on the titular mountain road. But as soon as the chase begins, we realize Ellen isn’t your usual female in peril. And even as the narrative seeks to subvert the tired slash and stalk formula, it also switches back and forth between the peril-fraught present, and Ellen’s past, as we see, a) how she came to be so resourceful in a pinch, and b) how she came to be on that mountain road.
Now, to be fair, “Incident” isn’t a complete loss.
The performances are effective, particularly Scrimm’s (as crazy old coot Buddy) and Ethan Embry’s.
Embry sticks out in my film geek brain as dopey stoner Mark in Empire Records, and just-graduated Preston Meyers, who moons after Jennifer Love Hewitt’s Golden Globes (and professes his love for her to the strains of Yazoo’s “Only You”) in Can’t Hardly Wait.
Embry’s turn as Bruce, Ellen’s survivalist hubby, pretty much negates all the nice guy goodwill Embry earned from his past film work…

Where “Incident” falters though, is in its pacing, which, forced to labour under the script’s structure, isn’t as taut as it should be.
Honestly, it only really came alive for me when Scrimm makes his entrance.
And though I do appreciate the ultimate cost of survival (suitably weighty, given the extreme circumstances), things don’t fall into place as neatly as I’d hoped.

As the first episode out of the gate, I wasn’t that crazy about “Incident,” though in retrospect, after seeing some of the season’s subsequent episodes, it actually stands as one of the better installments.
Though all that McGyvering traps in the dark while being chased by the crazy did seem a tad incredulous…

(Incident On and Off A Mountain Road DVD cover art courtesy of amazon.com.)