Sunday, November 23, 2014


¡Qué horror! 2015
Candidate #7

THE TAKING OF DEBORAH LOGAN
(October 2014)


The following film includes a partly edited medical documentary, outtakes, and surveillance footage from the scenes of the crime.

Adam Robitel’s feature debut takes the real life horror of Alzheimer’s disease and mashes that up with some supernatural goings on to produce a potent title in The Taking of Deborah Logan.
Here, medical student Mia Hu (Neighbours’ Michelle Ang) sets about centering her PHD Thesis film on the titular Deborah Logan (All My Children’s Jill Larson), hoping to document the effects of the disease, not just on Logan, but on her daughter Sarah (Anne Ramsay, from Mad About You and The Secret Life of the American Teenager), as well.

While there are some heavy hitters in the mix here (the film is produced by Bryan Singer--the closing credits actually declare it a “Bryan Singer Presents” production) and some familiar genre figures are thanked in the end credits roll (Bryan Cranston, Guillermo del Toro, Michael Dougherty, James Wan, to name some) the onscreen MVPs here are definitely Larson and Ramsay, who ground the proceedings in a very real mother-daughter relationship, warts and all.

“I do all my little puzzles. I do crosswords. I’m lifting weights. I am doing everything that I… I have read will help to stave off the progression of this disease. Stave it off! There’s no cure. And so, when I am in the middle of something and suddenly, my mind just… leaves the premises…. There are no words to describe how distressing it is.”

Much of the potency of the film is rooted in the awful deterioration that sets in with Alzheimer’s, and as the narrative unspools, there are shades of The Exorcist, in that we are also witness to the horror when modern medicine finds itself unable to deal with a patient’s condition, when the doctors are just as in the dark as the besieged victim and family.
There is also at least one instance of a quick cut “subliminal,” again, ala The Exorcist.
Admittedly, the title mines all that it can from the horror movie idea of the Creepy Old Lady, which is sadly quite unfair to all the Nice Little Old Ladies out there, but the end result is nonetheless an effective little found footage-y humdinger.

(The Taking of Deborah Logan OS courtesy of cineemcasa.com.)

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