So you're an actor. You can become other people. But can you be yourself? Can you put your inner being on the screen? Then come try out for Celeste, a young up and coming actor in our Tinsel Town terror tale: The Silver Scream.
It’s that notice that aspiring actress-slash-Taters Girl Sarah Walker (Alexandra Essoe) answers which leads her right up to the gateway to fame and stardom.
But does she have what it takes to step through that gateway? Is she willing to embrace all that she is, deep down inside, in order to ascend into the firmament of the Hollywood elite?
Starry Eyes--written and directed by Kevin Kölsch and Dennis Widmyer--takes a look at the idea of how Hollywood can really change a person, through the lens of the horror film.
Shot over the course of 18 days (with an additional 3 days of re-shoots), it’s a remarkable achievement that is a disturbing look at the entertainment industry.
And given that central idea of transformation and its ultimate costs, La La Land is the perfect setting for the narrative. A toxic environment where people reinvent themselves every day, where dreams are shredded and shattered every single hour. Where desperation is the drug of choice, mainlined by every waiter and limo driver and physical trainer, each and every one of them aspiring actors or writers or actor-slash-writers, all just waiting, yearning, for that Big Break.
It’s a film that asks, quite pointedly, how much are you willing to pay, how far are you willing to go, to answer the siren song of your ambitions.
“Sarah, if you can’t really let yourself go, how can you ever transform into something else?”
(Starry Eyes OS’ courtesy of bloody-disgusting.com & twitchfilm.com)