Monday, October 13, 2014


¡Qué horror! 2015
Sidebar (1)

TRICK 'R TREAT OST
(October 2014)

Since I mentioned Trick 'r Treat in the previous post, it would be downright criminal for me not to mention that Waxwork Records is releasing Douglas Pipes’ score on vinyl (as a double LP), and the coloured vinyl variants are awesome!


[Black and Orange Swirl Vinyl]


[Candy Corn Splatter Vinyl]

Plus, the Picture Disc:


Oh, the album cover artwork is by Francesco Francavilla!
Plus, a Bonus “Spooky Sound-FX” Album!
What more do you need for a Happy Halloween?!

(Images courtesy of modern-vinyl.com.)


¡Qué horror! 2015
Candidate #1

ABCs OF DEATH 2
(September 2014)

The following feature film was created by 26 directors from around the world. Each director was given a letter of the alphabet and asked to choose a word.

They then created a short tale of death that related to their chosen word. They had complete artistic freedom regarding the content of their segments.

Anthologies and consistency are rarely a close partnership.
Because of so many factors, chances are, in any given anthology, there will probably be entries that you will love, entries that you will not love, and entries that you will feel indifferent towards.*
I guess the original The ABCs of Death was simply too much of a mixed bag for me to feel right about giving it a blanket ¡Q horror! nod.
Thankfully, that isn’t the case with the follow-up, the definite article-less ABCs of Death 2.

Among the definite standouts, we’ve got: the stop-motion grotesqueries of Robert Morgan’s “D is for Deloused”; Kristina Buožytė and Bruno Samper’s “K is for Knell”; Jen and Sylvia Soska’s “T is for Torture Porn”; and Chris Nash’s showstopping “Z is for Zygote.”
(Well, it would have been a showstopper if it had been anywhere else but at the end; as it is, it’s the most brilliant, WTF ending the anthology could have hoped for. Nash is known for his Skinfection Trilogy of short films: “My Main Squeeze”; “Blackhead”; and “Liplock.” He also submitted the entry “T is for Thread” for The ABCs of Death, though that slot was ultimately taken by Lee Hardcastle’s “T is for Toilet.”)

We’ve got the excellently-paced and edited “N is for Nexus” by Larry Fessenden (yay!) and “S is for Split” by Juan Martínez Moreno; the future dystopia of Vincenzo Natali’s “U is for Utopia”; the sordid goings-on in Jerome Sable’s “V is for Vacation”; and the gonzo bizarro “Y is for Youth” by Soichi Umezawa.
There’s also the weighty horror of Julian Gilbey’s “C is for Capital Punishment”; Aharon Keshales and Navot Papushado’s “F is for Falling”; and Dennison Ramalho’s “J is for Jesus.”

And entries from a few other ¡Q horror! alumni: “A is for Amateur,” directed by E.L. Katz and written by David Chirchirillo (who collaborated on ¡Q horror! 2014 title, Cheap Thrills) and “X is for Xylophone,” which sees Julien Maury and Alexandre Bustillo once again work with their dark muse, Béatrice Dalle.

“Based on a franchise dream by Ant Timpson,” with a title sequence directed and animated by Wolfgang Matzl, ABCs of Death 2 is without a doubt a stronger title than its predecessor, and it most definitely deserves a ¡Q horror! shout-out.
It’s also given me a whole boatload of faith and excitement for the third installment in this franchise dream, which is announced at the tail end of the credits roll.
Huzzah!

* There are, of course, exceptions to this rule, such as when all the segments are executed by one person (Michael Dougherty’s Trick ‘r Treat, which wound up on the ¡Q horror! 2010 Final 13) or if the number of segments is low to begin with (Little Deaths, which has three segments; anthologies with four segments or more, that’s where I think you start to get into trouble with consistency).

(ABCs of Death 2 OS courtesy of aintitcool.com.)

Saturday, October 4, 2014



¡Qué horror! 2014
The Wrap-Up

So there we are.
Another October and another ¡Q horror! rundown.
And the twelve months leading up to ¡Q horror! 2015 have already begun…
But before we bring this year’s festivities to a close, I have to mention this:


TWIN PEAKS: THE MISSING PIECES
[Contained in TWIN PEAKS: THE ENTIRE MYSTERY]
(July 2014)

Since this isn’t a film or a television show episode (it’s a series of deleted and alternate scenes from Fire Walk With Me), this really couldn’t rightfully qualify as a Candidate.
Nevertheless, this deserves a ¡Q horror! mention for a couple of scenes that, even if taken just as they are, and out of any sort of context, still pack a potent wallop on the unwary, regardless of whether you’ve seen Twin Peaks or not.
These brief snippets are more unnerving and unsettling than many of Hollywood’s recent feature length “horror” offerings.
A master of combining sight and sound and producing compact little audio-visual nightmares, David Lynch has secreted a number of bizarre little gems in “Missing Pieces,” including more of David Bowie’s Agent Phillip Jeffries.

If you’re a TP fan, then this is, as they say, a “must-see,” if only so you can be your own final arbiter on whether the inclusion of these scenes would have made any significant difference to Fire Walk With Me.
And if you’ve never seen TP or its feature film prequel, then get a taste of Lynch’s television masterpiece here.
(Nearly a quarter of a century after it premiered, it’s still at the top of my Best TV Shows Ever list. 24 years and change and no other show has managed to steal that crown…)

Plus, given the recent simultaneous tweets from David Lynch and Mark Frost (at 11:30 AM apparently, the same time Special Agent Dale Cooper entered the lovely town of Twin Peaks way back in the Pilot), this could serve as a brief taste of all the strange and wonderful things that may yet come…

Yes, please, could I have some more?

“I’ve always said, ‘I love a continuing story.’
“To love a world and be able to go deeper and deeper into that world.
“So, there’s always a possibility, and you just have to wait and see.”
--David Lynch, when asked about a possible continuation of Twin Peaks, September 2014

(Twin Peaks: The Entire Mystery Blu-ray cover art courtesy of bluray.com.)



A Rundown of the 13 Best Horror Movies I've Seen in the Past Year
[13 of 13]


THE POSSESSION OF MICHAEL KING
(August 2014)



This is the world we live in today*: the only real found footage films** that should merit attention are those that A) prove to be something unprecedented within the genre, pushing the envelope, or tearing right through it, or B) are noteworthy examples of the genre’s “traditional” form.
The Possession of Michael King (from director David Jung) falls squarely in the latter category. It doesn’t have any ambitions of showing us anything particularly new. But, while it does colour within the lines, the hues and shades are decidedly of a rather dark and sinister persuasion, as compared to the bland palettes of the hordes of average run-of-the-mill found footage films out there.

The titular Michael King (Shane Johnson) makes a New Year’s resolution: he’s going to make a documentary about his family, to show the world just how lucky and blessed he is as a human being (even if, as he so pointedly admits very early on in the film, he doesn’t believe in God).
But tragedy strikes, and the documentary instead becomes one where Michael sets out to prove once and for all whether the supernatural exists.
Unfortunately, his grief fuels his brazenness, and he unthinkingly calls out far more than he bargained for…

Again, though this is not a found footage game changer in any way, shape, or form, there’s still some disturbing imagery in this one, and a notable performance by Johnson.
(Though you have to wonder why characters in these kinds of movies never seem to listen during the supernatural infodump early in the running time; if they did, they’d realize everything that would come in horrifyingly short order is all outlined right there…)

* The fact is, we've been living in it for quite awhile now.

** Please note that this also goes for zombies on film, whether on the big screen or small...

(The Possession of Michael King OS courtesy of impawards.com)

Friday, October 3, 2014



A Rundown of the 13 Best Horror Movies I've Seen in the Past Year
[12 of 13]


HONEYMOON
(March 2014)


Rose Leslie (late of Game of Thrones and who was awesome as Young Milner in the opening flashback episode of Utopia’s second series) and Harry Treadaway (currently seen on Penny Dreadful) are newlyweds Bea and Paul, off to a cabin in the woods for the titular honeymoon.

And since Honeymoon is on this year's final ¡Q horror! rundown, it’s safe to assume that things go terribly awry. (Of course, I’m hard-pressed to come up with a single film where anything that had to do with a “cabin in the woods” turned out sunshiny bright and peachy keen.)

I won’t go into the nature of Honeymoon’s threat, but suffice it to say that Leigh Janiak’s debut feature is a disturbing cinematic experience where love and identity and terror say their “I do’s” to produce an unholy union where the inability to make French toast or coffee become terrible omens of the madness to come…

(Honeymoon OS courtesy of impawards.com.)

Thursday, October 2, 2014



A Rundown of the 13 Best Horror Movies I've Seen in the Past Year
[11 of 13]

13 SINS
(March 2014) 


"... Great wealth is within your grasp. 36 hours from now, you can be a very rich man. All you have to do is complete 13 challenges.”

The last time Daniel Stamm was hanging ‘round these parts was for the ¡Q horror! 2011 candidate, The Last Exorcism.
This time out, he barges into the Final 13 by helming the English language remake of Chukiat Sakveerakul’s 13 Game Sayawng, where a grotesque game show gradually turns its contestants into savage cutthroats, all for that next bit of green.

“I will dance with the Golden Toad.”

Not only is the action relocated to New Orleans, but the stakes are amped up considerably for the film’s protagonist, Elliot Brindle (Scott Pilgrim vs. the World’s Mark Webber): he’s got a pregnant soon-to-be wife (True Blood’s Rutina Wesley) and mentally disabled brother (Devon Graye, who played teen-aged Dexter Morgan) who are depending on him.
And while there are certain elements from the original which have been excised (thankfully, the awkward tonal shifts and, less so, the active female supporting role), there are also welcome additions: among them, a deeper glimpse into the game’s backstory, and some familiar genre faces (Ron Perlman and Pruitt Taylor Vince).
Plus, George Coe (who currently voices Woodhouse on Archer) doing the “Game Voice.”

“So says the Golden Toad: ‘A brave arm makes a short sword long.’”

The changes from the original (which include the specifics of most of the game’s challenges) serve to tighten the narrative’s plot and thematics, and also serve to foreground the dark empowerment and paranoia that engulfs Elliot as he gets further along in the game.
Ultimately, 13 Sins is not only a more refined and polished version of 13 Game Sayawng, it’s also a harder-hitting and more emotionally potent piece.

“Try to think of this in the most positive, empowering way as a gun pointed to your head.”

Parting Shot: This could actually make an interesting double feature with Cheap Thrills...

(13 Sins OS courtesy of impawards.com.)



A Rundown of the 13 Best Horror Movies I've Seen in the Past Year
[10 of 13]


HANNIBAL Season 2
(February 2014)


So, yeah, in a year that had some strong potential TV horror entries, no one could touch Hannibal.

True, Bryan Fuller’s exquisitely constructed mix tape adaptation of Thomas Harris’ serial killer novels was on its sophomore season, while most of the other TV horror contenders were freshman series, but hey, it managed to tie with Les Revenants for a ¡Q horror! slot last year, and they were both freshmen shows back then…

As we inch ever closer to a third adaptation of Red Dragon and the tantalizing possibility of a television rendition of The Silence of the Lambs (with Agent Schmarice Schmarling, if MGM can’t be bothered to play nice), Fuller and company continue to stage the most elegantly audacious and horrific serial killer scenarios this side of American network television.

If you haven’t gotten a, ahem, taste of Hannibal, you really ought to…


Parting Shot: Yes, this is a TV series and not a "movie," but ever since Dead Set carved out a ¡Q horror! slot for itself, television horror just refuses to stay dull and mediocre (as so many Hollywood horror titles turn out to be), so Hannibal gets a slot this year, just as it co-held a slot last year.
If it makes you feel better, just think of it as a multi-part movie...

(Hannibal OS’ courtesy of aintitcool.com and impawards.com.)