JAMIE MARKS IS DEAD
It's been six years since Carter Smith's debut feature, The Ruins (which wound up on the ¡Qué horror! 2008 list), and he returns to these parts with another adaptation, Jamie Marks Is Dead, based on Christopher Barzak’s Locus nominated One For Sorrow.
Opening with the discovery of the corpse of the titular Jamie Marks (Noah Silver), it takes a while for the supernatural creeps to fully kick in, and when they do (at around the 20 minute mark), they’re pretty low key and actually have a lot of longing and aching poignancy in the mix.
But this in no way diminishes their unsettling and disturbing potency. (Note that the trailer is a tad misleading, seeming to suggest a fairly typical Hollywood ghost story, when the actual film is most definitely an atypical tale of the restless dead.)
Shot with a wintry melancholy by Darren Lew (his first feature work) and with Penny Dreadful’s John Logan as one of its executive producers, Jamie Marks Is Dead may not even register as “horror” for some, but there’s a gripping sadness here beneath the otherworldly elements that’s rooted in the horrors of existence and memory, of the need to belong and to be wanted, wrenching emotions that, sadly, even the quick are all too familiar with.
(Jamie Marks Is Dead OS’ courtesy of impawards.com.)