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DEAD MEAT
(Review)
Mad cow disease has mutated in the Irish countryside, and now, not only are infected cattle attacking humans, but they’re passing on a virus that turns anyone bitten into a zombie!
Yup, it’s another zombie movie.
Written, edited, and directed by Conor McMahon, Dead Meat is the sort of low-budget horror movie that lives and dies by its gore, the sort of over-the-top, fairly ludicrous school of schlock seen in early Sam Raimi and Peter Jackson. This is the kind of movie where eyeballs are sucked out by hoovers, and shovels and high-heeled shoes become deadly weapons when hurled just so.
Sadly, this is nowhere near as horrific as The Evil Dead, nor as ridiculously entertaining as Dead Alive. Save for some passably effective bits once night falls on our erstwhile heroine Helena (Marian Araujo) and her fellow uninfected, most of Dead Meat just lies there, much as its title suggests, rotting under the merciless gaze of seasoned horror geek eyes and the shadow of far better horror/comedy efforts from the past.
Admittedly, Dead Meat is perhaps a better watch than, say, Dead And Breakfast, but it’s still far from a good way to spend an hour and some twenty minutes.
As ridiculous as the song that plays during the end credits roll is (“Dead Meat,” written, composed, and performed by David Muyllaert, who also plays local gravedigger and male lead Desmond), it does signal an end to the less-than-stellar proceedings, and that’s always a good thing.
(Dead Meat DVD cover art courtesy of amazon.com.)
(Review)
Mad cow disease has mutated in the Irish countryside, and now, not only are infected cattle attacking humans, but they’re passing on a virus that turns anyone bitten into a zombie!
Yup, it’s another zombie movie.
Written, edited, and directed by Conor McMahon, Dead Meat is the sort of low-budget horror movie that lives and dies by its gore, the sort of over-the-top, fairly ludicrous school of schlock seen in early Sam Raimi and Peter Jackson. This is the kind of movie where eyeballs are sucked out by hoovers, and shovels and high-heeled shoes become deadly weapons when hurled just so.
Sadly, this is nowhere near as horrific as The Evil Dead, nor as ridiculously entertaining as Dead Alive. Save for some passably effective bits once night falls on our erstwhile heroine Helena (Marian Araujo) and her fellow uninfected, most of Dead Meat just lies there, much as its title suggests, rotting under the merciless gaze of seasoned horror geek eyes and the shadow of far better horror/comedy efforts from the past.
Admittedly, Dead Meat is perhaps a better watch than, say, Dead And Breakfast, but it’s still far from a good way to spend an hour and some twenty minutes.
As ridiculous as the song that plays during the end credits roll is (“Dead Meat,” written, composed, and performed by David Muyllaert, who also plays local gravedigger and male lead Desmond), it does signal an end to the less-than-stellar proceedings, and that’s always a good thing.
(Dead Meat DVD cover art courtesy of amazon.com.)
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