¡QUÉ HORROR! 2019

The Preliminaries

So it's October 1 once again, and ‘round these parts, that means 3 things.

1) The window for ¡Qué horror! 2019 candidacy has officially closed;

2) The window for ¡Qué horror! 2020 candidacy has officially opened, and will stay open till September 30, 2020; and

3) The ¡Qué horror! 2019 main rundown will start today and continue over the next few days.

Before we get to that though, a “Sniff. R.I.P.” must go out to two Netflix shows that were brutally cancelled in the past few months… (Why you gotta be that way, Netflix?)

Santa Clarita Diet and

The OA

I ask again: Why you gotta be that way, Netflix?

Sigh.

Okay.

One more thing before the main rundown kicks off.

STARFISH

(September 2018)

“Wanna know the saddest thing about everybody being gone? Everybody being dead, I mean.

“The lost stories.

“People are gonna die anyways but… their stories don’t have to.”

There’s a shot early on in Starfish: a key on the palm of a hand, joined by a tear, and then a drop of blood.

It’s a striking image in a singular film about love, guilt, and the Apocalypse.

Written, directed and scored by A.T. White, Starfish (his feature debut*) sees Aubrey Parker (Virginia Gardner**) struggle with loss and grief, as well as what could be the end of the world.

With a narrative that transforms a private, personal apocalypse (the death of a loved one) into a public, global apocalypse, and back again, Starfish is a film that, while featuring horror elements, ultimately doesn’t play like a horror film, thus its mention here, outside of the main ¡Qué horror! rundown.

And while it may not have enough “horror” for some, it should nonetheless be lauded for sprinkling the Apocalypse with a bunch of interesting needle drops***.

If one must endure the end of the world, then it may as well be an Apocalypse with excellent taste in music…

“I’m alone at last with every other me…”

--The Notwist, “Gloomy Planets”

* Among the short films White has directed in the past: Spider-Man: Eclipse.

** Gardner should be familiar to comic book geeks from Hulu’s Runaways, and to horror geeks from ¡Qué horror! 2019 Candidate Halloween.

*** WHY?, The Notwist, and Grandaddy--whose “Stray Dog and the Chocolate Shake” underscores the “raiding the empty grocery for supplies” scene oh-so-painfully familiar to aficionados of apocalypse cinema--are some of the acts that accompany this particular end of the world…

And there we have it.

Preliminaries all done.

Main rundown about to start in 3.

2.

1.

(Santa Clarita Diet & The OA OS’ courtesy of impawards.com; Starfish OS’ courtesy of screenanarchy.com & impawards.com.)

¡QUÉ HORROR! 2019

Candidate #25

MARIANNE Season 1

(September 2019)

“[Marianne is] a witch.

“Deprived of a body, she wanders. She enters your soul, warps your body. She takes you over. She possesses you.

“The only thing Marianne cannot do is lie about her name. She can avoid the question, change the subject. But she cannot lie about her name.

“She is the wife of a demon.”

Opening with a Nathaniel Hawthorne quote* from The Scarlet Letter about “the Black Man,” the 8-episode Marianne sees writer Emma Larsimon (Victoire Du Bois) suddenly end her apparently successful 10 year run of Lizzie Larck books--with titles like Lizzie Larck in Chains and Marianne Bites, Emma herself describes the books as “teen girl literature”--in what an interviewer characterizes as “a rash move”.

That may very well be the case, because supernatural events straight out of her work start to happen around her, as the titular witch, Marianne, comes calling…

“It’s not fair… It’s your nightmare, not mine!”

Now, while I do feel that Marianne is ultimately recommendable, I think I need to point out some aspects of the show where viewers’ mileages may vary…

“Do you want a key? You want to see inside? There’s nothing. Only my cats and my teeth.”

Despite being a relatively brief (for Netflix, at least) 8 episodes, somehow the show still has time to allow some scenes to stretch into uncomfortable tedium whilst presumably aiming for tension.

There are also strange tonal shifts into brief (and sometimes painfully awkward) comedic moments, presumably to offset the largely gloomy, sinister proceedings, but which only serve to rudely remind the viewer that this is a show that’s trying to scare you out of your wits, but also reluctant to lose the broader, not necessarily hardcore horror audience.

There are also numerous nods to past horror classics. Numerous.

In the opening episode alone, there are scenes pointedly reminiscent of The Omen and The Exorcist, not to mention some Exorcist-style subliminal quick cuts (an editing style that recurs throughout the subsequent episodes).

Other horror films are likewise nodded to over the season’s course, the particularly blatant lifts distracting more than anything else.

My point here being, if you’re already doing something original (in that it isn’t an adaptation or a sequel or a prequel or a remake or a reboot or a re-whatever), then you may as well rely on fresh, original scares and not painfully obvious lifts that detract from the proceedings.

In the end, while there are macabre goings-on, sinister atmospherics, and stylistic flourishes aplenty, it’ll be up to each individual viewer whether those are enough to offset some of the show’s more problematic issues.**

“God will not forgive me, I know it. I’ve taken the worst possible path. I’ve walked by the sea. I saw the city. I am cursed.”

And, full disclosure, one particular reason why this show’s stuck with me is because I’ve written a comic that’s meant to be released within the year. (Pages are being inked--and subsequently lettered by yours truly--even as I write this.)

As with Silver Like Dust (available at mervstore.com), it's another Dakila crossover/team-up. Further details will, of course, be found here at the Iguana the closer we get to release date.

Right now, what’s pertinent to this post is that the comic just so happens to feature the same demon who’s first mentioned prominently somewhere before Marianne’s midpoint. The same demon and his 85 legions…

So, yeah, the instant he gets mentioned in the show, I’m like, “Hey!”

I gotta say, guy’s pretty popular, or at least, having some kind of Moment.

He’s also appeared recently in Vertigo’s*** The Dreaming, and even has a Marvel incarnation…

Oh, and the Sharon Van Etten needle drop during the extended flashback section was much appreciated as well…

“They will all be mine. We will lick and eat them all, my husband and I. You get crow, toad and cat.

“And you, little whore, I never leave empty-handed.”

* Each episode opens with a quote. Among the other writers represented: Arthur Machen, Henry James, J.M. Barrie, Edgar Allan Poe, and H.P. Lovecraft.

** Including the kind of main character Emma is, the type of personality that leaves wreckage and ruin in her wake.

Is there a reason for this beyond “Oh, well, that’s just the sort of person she is”?

Yes.

But that doesn’t really make her any more likeable in some instances…

*** Sniff. R.I.P.

Parting Shot:

All 8 episodes of Marianne are directed by Samuel Bodin, and co-written by Bodin and Quoc Dang Tran.

Among the short films Bodin has previously worked on is the odd and highly stylized fan film Batman: Ashes to Ashes, co-directed with Julien Mokrani (mind the NSFW section)…

(Marianne OS courtesy of impawards.com.)

AFTERTHOUGHTS (37)
TOP TV SHOWS FOR 2007

It’s that time of year when Top 10 lists breed like rabbits, and though the sheer number do make the head spin, I still check out a lot of them, just to see what others have to say about the shows that I love (if and when my top choices happen to coincide with theirs).

Time had two lists of top TV shows, and Lost crashed into the #2 spot on Time’s Top 10 Returning TV Shows, while Pushing Daisies took root in the #5 spot of their Top 10 New TV Series.

#2. Lost (from Time’s Top 10 Returning TV Shows)
Like a boulder on a desert-island mountain, a Lost season starts slow, but after a dithering first six episodes, season 3 was an awesome force. This spring's episodes delved deeper into the mythology of the mysterious island, then vaulted years ahead in an astonishing, forehead-smacking finale that set the bar even higher for next season. In between, we got Desmond's mind-blowing premonitions, invisible mystic island honcho, Jacob, and the moving death of doomed romantic junkie Charlie. What more could you want? Only more Lost, and soon.

#5. Pushing Daisies (from Time’s Top 10 New TV Shows)
It's whimsational! It's twee-riffic! It's preciously precious! In this grown-up fairy-tale, a piemaker (Lee Pace) can raise the dead with a touch, but kills them if he ever touches them again. This complicates matters when he resurrects the love of his life, whom he can never kiss, at pain of her life. Playful, fantastical, and art-directed within an inch of its life in candy colors by Barry Sonnenfeld, Daisies is as romantic as it is outlandish.

Pushing Daisies also sprouted in the #2 spot on Entertainment Weekly’s Best TV Shows of 2007.

2. Pushing Daisies (from Entertainment Weekly’s Best TV Shows of 2007)
Filled with mermaid divers and windmill farms, Pushing Daisies is a fantastically fantastical, bubble-gum-colored fable about a pie maker named Ned (Lee Pace), who magically brings his childhood love, Chuck (Anna Friel), back to life with his touch but will kill her if he ever makes contact again. Between solving oddball mysteries involving puppy cloning and scratch-'n'-sniff empires, Chuck and Ned banter and moon at each other. (As Ned's gruff detective buddy, wonderful Chi McBride undercuts any excess sweet.) When so many TV couples are bickery brats, there's something strangely mature about this chaste pair. It's easy to whip up a juicy drama about evildoing bastards — it takes a boatload of creativity to make all this niceness so mesmerizing.

Congratulations to all involved with Lost and Pushing Daisies. Onward, ho, to 2008. And let’s get the WGA strike resolved soon so we can all breathe easier…

Entries quoted above are from time.com and ew.com. To see the other Top 10 shows, the complete lists can be accessed from the links above.

(Images courtesy of abc, fanpop.com [Lost] and about.com [Pushing Daisies].)