ENTOURAGE Season 3
Episode 14
“Dog Day Afternoon”

Vince continues to dodge Amanda’s calls, holding out for Medellin, while Sam Mendes expects an answer soon.
With that biz bit as backdrop, this episode is pretty much relationship stuff: Eric tries to plan a vacation with Sloane without Vince as tag-along; Turtle and Drama pick up girls at a dog park, with Arnold as bait (finally! A subplot with Arnold playing a pivotal role); Ari gets Lloyd to help rope in a gay client.
It’s that last subplot that’s probably the most interesting, as not only do we see Ari maneuvering his way through a crowded dance floor in a gay club (“No touching! Civilian!”), but he surprises once again, showing us his humanity by rescuing Lloyd from a compromising situation.
All this, catalyzed by a Donna Summer song about a hooker!* Brilliant.
Ari whips out a fantastic metaphor, Lloyd has a great scene at the club, and we see Mrs. Ari. Yay!! (I love Mrs. Ari.)

* Did I say “hooker”? Sorry. I meant “waitress.” (Heh.)

Parting shot: I may have initially missed Emily after she moved on to work with James Cameron, but I didn’t miss her for long. (Sorry, Samaire.) Lloyd is such a great character, and is a fantastic counter-balance to Ari. Given that the boys’ camaraderie is often something that we take for granted in the show, the Ari-Lloyd relationship is actually the most fascinating one to watch, and this episode brings that pairing further.

(Image courtesy of aol.com.)

ENTOURAGE
Season 3
Episode 13
(WARNING:
SPOILERS)
“Less Than 30”

After, what, a four month break, the boys are back, and look who their new hottie agent is: Amanda, played by Carla Gugino!
And speaking of breaks, that’s sort of the way Vince and Ari are acting, as if they were once an item and now they’re on the outs. (E makes an interesting point: outside of Mrs. Chase and the guys, Ari’s is the longest relationship/friendship Vince has had.)
All this tension (and yes, jealousy) comes to a head when, ostensibly as a birthday gift, Ari gives Vince the script for Medellin (which was once a bone of contention in light of the Aquaman franchise; of course, Benicio Del Toro ended up with Medellin, and Vince was passed over for Aquaman 2). Amanda’s understandably annoyed by that, and Ari makes his pitch at Vince’s party.
It’s a great scene, where it’s pretty clear that beneath all the agent schmooze, this is really just a friend reaching out to another, hoping to salvage the relationship. And the thing is, with Ari, his friendship with Vince is all wrapped up and intertwined with their being agent and client. (Perhaps not the best set-up, but there you have it.)
And though Vince says all they really can be at this point is friends, he holds back on signing a deal to make an Edith Wharton adaptation with Sam Mendes, just to see if the whole Medellin thing pans out the way Ari claims it will.

Parting shot: It’s too bad the Carla Gugino-headlined Threshold was cancelled. One of the Lost clones to storm the network schedules in 2005, Threshold was a great X-Files throwback I enjoyed.
Maybe that was its downfall, though. Classic case of damned if you do, damned if you don’t. If it had come out during the whole X-Files boom, it would have been a rip-off. In 2005, when it premiered, it was probably a little too late, given that the boom had already gone bust. (Invasion—another show I enjoyed—was a fresher and more involving approach to the X-Files idea of aliens among us, but even that couldn’t get past its freshman year.)

(Image courtesy of aol.com.)