LOST
Season 4 Episode 12
“There’s No Place Like Home” (Part One)
Written by Damon Lindelof & Carlton Cuse
Directed by Stephen Williams
(WARNING: SPOILERS)


Frakkin’ Admiral Cain works for Oceanic!

Sorry.

Okay, flashforward.
We see the Oceanic Six get presented to the press for the first time, and hear the official cover-up story, as delivered by Karen Decker (Michelle Forbes, a.k.a. Battlestar Galactica’s Admiral Psycho-B!tch Cain).
We then track the Six as they re-assimilate into society.

Nadia makes her way to the press conference, and is reunited with Sayid. (Of course, we all know how that’s gonna end…)


Using the “very significant” settlement paid her by Oceanic, Sun purchases a controlling interest in her father’s company, and in a fantastic scene, she confronts her evil da, and says, You’re the reason why we were on that plane. Two people are responsible for my husband’s death, and you are one of them.
She goes on to say, I will have my baby, and then we will discuss what is to become of our company. (Sun’s really scary when you cross her…)


Hugo is given a surprise birthday party, with most of the Oceanic Six in attendance (Jack is running late). His pops gives him his birthday gift: the Firebird, which has finally been completed.
As a kind of memorial, Hugo’s da rebuilt it when he’d thought Hugo was gone. Now, it’s Hugo’s. But when he gets in, he sees the speedometer and odometer (is that right?) and they are, naturally, turned to the cursed numbers.
So Hugo loses it and runs off, down the street…

At the memorial for Christian, who should show up, but Claire’s mum, and she tells Jack all.
Your father was in Sydney to see his daughter, who also happened to be on the plane you were on, and her name was Claire…. We can see just how this slams into poor Jack, and the woman, totally oblivious, passes Kate as she leaves the church, and says, You have a beautiful son…


Now, back to the Island, where things get FUBAR right quick, as we careen towards the two-hour season finale.

Much to Juliet’s agony, Jack runs off into the jungle with Kate, to track the NaomiPhone’s signal, which will lead them to the helicopter.
They run into Sawyer, Miles, and Aaron. Jack keeps on going, while Kate is stuck with Aaron, so Sawyer accompanies Jack.
They eventually find the helicopter, and find Frank handcuffed to it. Frank tells them as soon as he’s free, he can fly them to safety, and they should do it before Keamy and his goons get back.
Frank says they’re here for Ben, and they won’t be very nice to anyone else they find with him. Sawyer says, Hugo’s with Ben.
Naturally, Jack and Sawyer go off to rescue Hugo…


By the time Sayid gets the Zodiac to the beach, Kate’s arrived. Kate and Sayid decide to go after Jack, while Daniel volunteers to start ferrying people to the freighter. On the first trip, Sun, Jin, and Aaron.
When Sun and Jin get to the freighter, they see Michael, and understandably, aren’t terribly thrilled to see him.
Michael also gets to fix the engines, but Des finds that there’s a whole lotta C4 on the boat…
Meanwhile, Kate and Sayid follow Jack’s tracks, but end up being taken by Richard and the Others…

Ben, Locke, and Hugo, on the other hand, under orders to “move the Island,” head for the Orchid Station, where Keamy and his goons are already by the time they arrive.
Ben gives Locke very specific instructions to get to the elevator that will bring him down to the real Orchid Station, while Ben, to keep Keamy and his goons distracted, gives himself up to Widmore’s troops…


Well, there we are, and just two hours away from season’s end.
It is, of course, a poignant moment, seeing the Oceanic Six initially reunited with their respective families, made all the more bittersweet since Kate has no one to greet her, as does Sayid (Nadia shows up afterwards), though Hugo does intro Sayid to his parents.


The subsequent Oceanic Six off-Island bits are also an emotional minefield (we know how Sayid’s reunion with Nadia will end; we see Sun the Terrible; and we see the beginning of the decline, for both Hugo and Jack), serving as counterpoint to the Island present bits, which—in keeping with past season wrap-ups—is very much focused on narrative propulsion, of getting to the finale with as much momentum as humanly possible.

COUNTDOWN: 36.

(Images courtesy of ABC, ew.com, and variety.com.)

BATTLESTAR GALACTICA:
RAZOR
(Review)

I’m honestly not sure if I’ve said this ‘round these parts before, but I honestly find it a strange and wonderful thing that the one television show I’m into at the moment that has the most relevance to the post-9/11 world I actually live in is the show that’s not even set on this planet, the show that takes place in the deeps of outer space, which boasts spaceships and killer robots.
I am, of course, talking about Ronald D. Moore’s redux of Battlestar Galactica, and with the fourth and final season on its way, Moore and company decided to produce the feature-length Razor, which was broadcast on the SciFi Channel, then subsequently released on DVD.

Kicking off with a montage of scenes from past BSG episodes which take us from the Galactica’s initial discovery of the ill-fated Battlestar Pegasus, on through the deaths of three of its skippers (Cain, Fisk, and Garner), till it gets Lee Adama at its helm, Razor quickly settles down to its narrative’s “present,” which sees Lee re-organizing the Pegasus under his command.
We then cut back and forth between that present, and Razor’s other main timeframe—ten months earlier, where we witness what Admiral Cain (a thoroughly magnetic Michelle Forbes) had only previously recounted in the BSG episode, “Pegasus”: how the Pegasus survived the initial Cylon surprise attack, and the events on-board in the aftermath of the attack. (There are also brief jaunts to two other timeframes—the first 41 years earlier, where we see the tail end of the Razor webisodes, as a young William Adama stumbles on a Cylon secret; the second depicting an event also mentioned in “Pegasus”—but for the most part, we shuttle back and forth across that 10-month divide.)
Serving as the narrative bridge between those timeframes is Kendra Shaw (Stephanie Chaves-Jacobsen, from TV’s Home and Away), who comes on board the Pegasus on the day of the attack, and through the catastrophic trial-by-fire, becomes a kind of protégé to Cain. Ten months later, she is chosen by Lee to be his X.O.
Given her function as the bridge, Shaw becomes Razor’s main focus, and the means by which the narrative explores its main themes: the difficult choices that are made in times of war, and whether the cold, inhuman mask worn by the military during wartime is indeed a necessary evil.

Despite the narrative focus on Shaw though, we do get to have the father and son Adamas, as well as some Starbuck, some Roslin, and very briefly, some Cylon Sharon.
Razor also gives us back some of Pegasus’ dearly departed, notably, Cylon Gina. One of Razor’s most provocative elements, in fact, revolves around the reason for Cain’s cold and brutal treatment of Gina (as seen in “Pegasus”).
We also get to see some old school toaster Cylons (yahoo!), and that tantalizing climactic reveal regarding Starbuck and her so-called “destiny.” (Of course, admittedly, the source is suspect; this wouldn’t be the first time a Cylon distorted the truth—or outright lied—to confuse and mislead. Still, the claim must give one pause, considering Season 3’s finale shows us Starbuck telling Lee she knows where Earth is, and she can lead the fleet there…)

Now if all this is a bit heady for the uninitiated, yes, Razor may very well be a load of gobbledygook for anyone who’s never seen a BSG episode before. But take my word for it, the show is most definitely about something. This is science fiction with substance, timely and mature, which is a whole lot more than can be said for your average Hollywood SF.
So if you haven’t yet been immersed in the world of BSG, the three previous seasons are all available on DVD, so get on out there, check them out, then catch Razor, so all the above will make sense.
And if you’re already strapped in for the BSG ride, then you know exactly what I mean, and you’ve probably already seen Razor.
And like me, you’re also probably chomping at the bit to see Season 4.
Well, not too long left to go.
Now if only the Lords of Kobol would see fit to have the WGA strike reach a quick and fair resolution, so we can all see those final 20 episodes sooner rather than later.
So say we all.

(Battlestar Galactica: Razor DVD cover art courtesy of amazon.com; image courtesy of ew.com.)