¡Qué horror! 2013
Candidate # 4
THE BAY
(September 2012)
“My name is Donna Thompson. For three
years, I and a few others have been trying to speak out about what happened in
Claridge, Maryland, on July Fourth, 2009. But sometimes, words have no impact.
“But now, with the help of a website
called govleaks.org, all of the digital information that was recorded that day
has been obtained. All of the digital information that was confiscated.
“Now, I don’t know if anyone is gonna be watching this. I don’t know if anything is gonna happen to me as a result of
me putting this out there, but I do know that I… can’t move on with my life
until this story is told.”
I love Barry
Levinson for having given me both Diner
and Wag the Dog. He’s also brought us
Rain Man, Good Morning, Vietnam, Bugsy,
and The Natural, to name just a few more.
So when news
broke that he was doing a horror film titled Isopod, I knew I needed to pay attention. And I kept track of this
baby, watching its title morph into The
Bay, all the while wondering whether Levinson could deliver the scares.
Now, the closest
Levinson ever came to the weird sh!t in the past was probably Sphere, and that was certainly not a
horror film. Or at least, not a horror film in the way The Bay most certainly is.
Born in
Baltimore, Maryland, Levinson was asked if he was interested in doing a
documentary about the “40% dead” Chesapeake Bay.
But after
realizing there were already well-made documentaries on the subject, Levinson
instead took the scientific facts and placed them in a fictional context. With
the help of writer Michael Wallach, what came of this creative choice, is the
wildly disturbing ecological horror of The
Bay.
“The term now is ‘found footage’ but it
never occurred to me. I wasn't thinking that way, I guess. I thought, if
something catastrophic like this happened in a small town and there was no
media, what was going on? Then you say, this is the first generation that
records every intimate moment. They've got cell phones, they text, email,
Skype and this is the very first time you get an intimate look at the people,
basically, at the core of where a catastrophe is going on around them. I
thought it was a cool idea--I could tell multiple stories and a lot of people
won't have an overview because they don't know what's going on. So, that
was kind of scary, too.” *
Told across a
broad spectrum of today’s varied means of communication--Skype, FaceTime, cell
phones, email, text messages--as well as through video and audio recordings, The Bay has elements of both the found
footage and viral outbreak genres, but in the end, isn’t really either.
In the end, what
Levinson and company have given us is a terribly effective chiller with one of
the ookiest parasites ever brought to the screen, a parasite that just happens
to actually exist in real life.
Sure, Levinson’s
isopod is a mutated version of the real thing, but still, they do occur in nature,
so you really gotta wonder…
Hands-down the
freakiest and most viscerally disturbing of the ¡Qué horror! 2013
candidates thus far, The Bay is a
gruesomely welcome surprise from the 70-year old Levinson, and a solid piece that
should nestle comfortably with its fellow eco-horror titles.
* Barry Levinson,
from an interview with shocktillyoudrop.com
(The Bay OS courtesy of impawards.com)
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