Showing posts with label head count. Show all posts
Showing posts with label head count. Show all posts

Saturday, November 13, 2021

WITCH HUNT (March 2021)

WITCH HUNT
(March 2021)


/ ‘wiCH, hunt/, Noun
  1. A search for, and subsequent persecution of persons accused of witchcraft.
  2. A campaign directed against a person, or group, holding unorthodox or unpopular views, usually based on slight, doubtful, or irrelevant evidence.
Witch Hunt’s harrowing opening quickly tips the viewer off to the fact that they’re now in the middle of an alternate history:
 
A world where witches are real, and are hounded by the Bureau of Witch Investigations (the BWI), modern-day witch hunters all too ready to strike a match so they can “stop hysteria and uphold the law”;
 
A world where the threat of Proposition 6, the Witch List Act (AKA Prop 6) looms.
Its full title: the Control, Regulate, and Restrict Potential Witchcraft Act, meant to “restrict the rights of blood relatives of convicted witches”;
 
A world where the particular combination of one’s genes potentially carries a death sentence.
 
Working against this system is Elizabeth Mitchell’s Martha Goode, a widow who helps smuggle witches to safety.
In this world’s parlance, Martha is a “harborer”, which makes her life and that of her children a daily tightrope of secrets and subterfuge.
 
“Did you see the way that they looked at me? How am I supposed to control something that I’m not even allowed to practice?
“And why does it have to be bad?
“I’m not bad…
“I’m not bad!”
 
Witch Hunt is writer/director Elle Callahan’s sophomore feature, on the heels of her excellent ¡Q horror! 2019 title, Head Count.
It’s a brilliant and powerful follow-up that brings a very different kind of horror from that of Head Count, to the screen.
 
A piece like Witch Hunt can be a particularly potent narrative because, like comic book tales of the X-Men, it’s the kind of story where the persecuted minority--whether witches or mutants--can be swapped out for any number of real-life discriminated groups.
It’s a fictional reflection of the hardships that some people--through no fault or choice of their own--are subjected to, simply due to the color of their skin, or their gender.
 
It’s the kind of troubling, uncomfortable horror that critiques the very real-life systems we all find ourselves slaved to.
It’s the kind of horror that asks, So then, what are you going to do about it?
 
“So, vote ‘Yes’ on Prop 6, and keep our streets safe from anyone with magic in their blood.
“No magic is good magic.”
 
(Witch Hunt OS courtesy of impawards.com.)

Thursday, October 10, 2019


¡QUÉ HORROR2019
The Wrap-Up

And there we are.

For the record, there was a brief moment where I considered having a Deadly Doppelgänger slot, but that might have invited the kind of involved geek discussion/debate that can get sticky and too protracted for its own good.
After all, while Us is very clearly about doppelgängers, Head Count features a shapeshifter and The Hole in the Ground seems more inclined towards the folklore of changelings. And then there's Cam...
In the end, I just opted to sidestep all of that potential controversy and give them their own individual slots.
At any rate, there were already a pair of twofers in the main rundown...

So.
That's that for this October then.

The only other thing that needs to be said is:
Have a Happy (and safe) Halloween.
Here's to all the awesome (screenbound) horror of the past 12 months, and to all the awesome (yes, screenbound) horror of the next 12...
 

Saturday, October 5, 2019



13 Slots for the Best Horror I've Seen in the Past Year
[7 of 13]


HEAD COUNT
(September 2018)


A HISJI is a vengeful thing
five times its name you never sing
with skin pale white and eyes of green
it’s something you’ve already seen.

Taking the urban legend horror trope of that extra someone/something tagging along with a group of unsuspecting soon-to-be victims*, Elle Callahan’s** feature directorial debut, Head Count is an effective paranoiac horror-thriller that sees Evan (Isaac W. Jay) visit his older brother Peyton (Cooper Rowe) out in Joshua Tree.
The trip of course, soon veers into horror movie territory after Evan joins a group that the brothers meet while out on a hike, and unwisely reads a random story found on anonymousnightmares.com.

Moral of this story?
The Internet can be a very dangerous place… so do NOT, under any circumstances, just read off some random bit you find on a website you are not familiar with…
Ugh.
Kids today…

  Who is the third who walks always beside you?
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
—But who is that on the other side of you?
--T.S. Eliot
The Waste Land

* I like to think of that trope as the 21st century Creepypasta take on T.S. Eliot’s “Who is the third…?” thus, the seemingly rando appearance of the above quote here.

** Callahan also executive produces, handles (the excellent and unnerving) sound design, and is credited for the story, along with Michael Nader, who wrote the screenplay.

Parting Shot: Along with Callahan’s sound design, DP Sean Bagley’s camerawork, Nick Wright’s editing, and Hannah Parrott’s score contribute tremendously to the film’s atmospherics.

(Head Count OS courtesy of impawards.com.)

Saturday, September 7, 2019


¡QUÉ HORROR2019
Candidate #22

HEAD COUNT
(September 2018)


A HISJI is a vengeful thing
five times its name you never sing
with skin pale white and eyes of green
it’s something you’ve already seen.

Taking the urban legend horror trope of that extra someone/something tagging along with a group of unsuspecting soon-to-be victims*, Elle Callahan’s** feature directorial debut, Head Count is an effective paranoiac horror-thriller that sees Evan (Isaac W. Jay) visit his older brother Peyton (Cooper Rowe) out in Joshua Tree.
The trip of course, soon veers into horror movie territory after Evan joins a group that the brothers meet while out on a hike, and unwisely reads a random story found on anonymousnightmares.com.

Moral of this story?
The Internet can be a very dangerous place… so do NOT, under any circumstances, just read off some random bit you find on a website you are not familiar with…
Ugh.
Kids today…

  Who is the third who walks always beside you?
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
—But who is that on the other side of you?
--T.S. Eliot
The Waste Land

* I like to think of that trope as the 21st century Creepypasta take on T.S. Eliot’s “Who is the third…?” thus, the seemingly rando appearance of the above quote here.

** Callahan also executive produces, handles (the excellent and unnerving) sound design, and is credited for the story, along with Michael Nader, who wrote the screenplay.

Parting Shot: Along with Callahan’s sound design, DP Sean Bagley’s camerawork, Nick Wright’s editing, and Hannah Parrott’s score contribute tremendously to the film’s atmospherics.

(Head Count OS courtesy of impawards.com.)