SEVERANCE Season 1 (February 2022)

 

SEVERANCE Season 1

(February 2022)

“The numbers were scary…”

Severance* takes the idea of work/life balance to its chilling extreme, as we bear witness to the denizens of Lumon Industries’ “severed floor,” where the employees have elected to undergo a surgical process that effectively separates the work persona (who only becomes active and awake at work) from who the individual actually is in their home life.
Work memories are not accessible when the person is out of the office, and the work persona has no idea what their home life is like (are they married? Do they have kids?).
It’s the kind of scenario that a corporation will absolutely love (no pesky personal problems to interfere with productivity; industrial espionage… what’s that?) but isn’t necessarily beneficial to the employee.
As we see over Severance’s nine-episode season, hopefully only the first of many more…
 
“I trusted you, and you abused that trust.
“Your inefficiency and free range chicken roaming is ultimately your responsibility.
“Escort him… to the Break Room.”
 
It’s odd, going over the quotes I’ve gathered here.
You read them and some are so patently absurd that the overall effect is whimsy.
And while, yes, the absurdist office humor is indeed off-the-wall, it is also, in practice, disturbing.
There are shades of Twin Peaks here, not just in a visual sense, but in the way that the crackpot, occasionally non sequitur humor serves to mask the cold, inhuman horror that lies beneath the cheery, quirky facades.
 
A worker may suffer injurious pain or ghastly dehumanization, and no workspace is without its perils. But whatever your task, dear worker, see that you perform it with love. Endow in each swing of your axe or swipe of your pen the sum of your affections, that through me they may be purified and returned. No higher purpose may be found than this. Nor any higher love.
 
So join us at Lumon, where no one quite knows what it is they’re actually doing (even in the office!).
Spend the work days with a truly excellent cast that includes Patricia Arquette, John Turturro, and Christopher Walken!
Thrill to passages of The You You Are, by the one and only Dr. Ricken (Michael Chernus)!
And watch out for the MDE!
 
Our job is to taste free air. Your so-called “Boss” may own the clock that taunts you from the wall, but my friends, the hour is yours.
 
Severance: A damning indictment of corporate culture, with all its perks and incentivizations and sudden terminations.
It’s a world where the terms “Break Room” and “overtime” are positively chilling to hear.
 
“Let’s burn this place to the ground.”
 
* Brought to us by an excellent team headed up by creator Dan Erickson, and Ben Stiller (yes, that Ben Stiller), who directed 2/3 of the season.
 
(Severance key art courtesy of impawards.com.)

A Rundown of the 13 Best, Most Recent Horror Movies I’ve Seen
[11 of 13]
THE RUINS (April 2008)


As for anyone who isn’t familiar with the story’s premise, I’d prefer not to spoil the nature of the temple’s threat here, so I’ll just say this: if you, like little old me, love your horror, treat yourself to a walking tour of The Ruins.
Fun, fun, fun!!!

Read the entire review here.

(The Ruins OS courtesy of impawards.com [design by Ignition Print].)

THE RUINS
(Review)

Four young American tourists are on a Mexican vacation, when a chance encounter with German Mathias (Joe Anderson, from Control and Across The Universe) sends them on a trek to an ancient Mayan temple, one that isn’t even on the guide books. This being an R-rated horror movie, it should come as no surprise then that there is something in the temple, an insidious, persistent horror that will put these pretty young things in terrible jeopardy.


Based on a Scott B. Smith novel, The Ruins is a crackerjack exercise in shudder-inducing horror with a commendable cast that includes two of young Hollywood’s dependable performers, The Black Donnellys’ Jonathan Tucker and Donnie Darko’s Jena Malone, as Jeff MacIntyre and girlfriend Amy.
There’s also some good work in here by Laura Ramsey (as Amy’s best friend, Stacy) and, as her boyfriend Eric, Shawn Ashmore, the younger Ashmore twin who plays Iceman in the X-Men franchise, not the one who plays Jimmy Olsen on Smallville (that one’s Aaron).
I’m particularly impressed with Ramsey, whose past work has been in some less-than-stellar fare like The Covenant and She’s The Man. She does a number of things in The Ruins I hadn’t thought her capable of, based on what I’d seen of her before.
If there’s an aspect of one performance here that could be a tad dodgy, it’s Anderson’s accent. But in the end, I’ve heard far worse, and for all I know, it could just be me, and Anderson’s accent is spot on.


At any rate, it’s partially to the credit of these young actors, who place believable characters before us, that the film works as well as it does, since—unlike in many a lesser horror film—we actually care if these kids live or die. There’s something very natural about the performances and the rapport between these characters that puts us in the middle of events as they unfold, that makes us sympathize with the dire situation they find themselves in.
And while Malone and her fellow actors rope us in and hold out attention, director Carter Smith and the other, apparently unrelated Smith (the writer, who adapted his own novel, though is credited without his middle initial as the film’s screenwriter) put all involved—particularly the audience—through a nasty cinematic wringer, the sort that makes you squirm and cringe, in very nice horror movie ways, mind.


It should also be noted that there’s some interesting work here by frequent Peter Jackson collaborator, production designer Grant Major, as well as some good cinematography by ace shooter Darius Khondji, who’s been DP for directors like David Fincher (Se7en and Panic Room), Danny Boyle (The Beach), and for the Caro-Jeunet tag team (Delicatessen and La cite des enfants perdus), as well as Jeunet in solo mode (Alien: Resurrection).
Think what you may of some of the films I’ve just mentioned (personally, I’m not a very big fan of Panic Room, The Beach, or Alien: Resurrection), but it’s hard to deny that they look good.
I don’t think I’ve mentioned this ‘round these parts before, but I’ve always felt there are four saving graces in The Beach: 1) Tilda Swinton; 2) Robert Carlyle; 3) Virginie Ledoyen; and 4) Khondji’s cinematography.
Now, admittedly, The Ruins doesn’t have as potent a visual signature as some of the above films, like Se7en, for example. Nonetheless, it’s a well-shot horror film that actually does it work, and Khondji’s a part of that success.


As for anyone who isn’t familiar with the story’s premise, I’d prefer not to spoil the nature of the temple’s threat here, so I’ll just say this: if you, like little old me, love your horror, treat yourself to a walking tour of The Ruins.
Fun, fun, fun!!!

I’ll also leave you with this…
The Ruins has, as one of its executive producers, Ben Stiller.
Yes, that Ben Stiller. Derek Zoolander.
Now that, in itself, is a scary thought.*


Parting shot: Scott B. Smith also wrote the novel A Simple Plan, which, likewise, has a very good film adaptation directed by Sam Raimi.
If you haven’t seen it, it’s one of Raimi’s best.
In fact, why not make it a Scott B. Smith-adaptation double feature…

* Just for the record, I love Zoolander. Thus, when I think “Ben Stiller,” nasty, R-rated horror is the farthest thing from my mind…

(The Ruins OS courtesy of impawards.com [design by Ignition Print]; images courtesy of filmz.ru.)