Showing posts with label utopia. Show all posts
Showing posts with label utopia. Show all posts

Sunday, October 1, 2017


A Rundown of the 13 Best Horror Movies I've Seen in the Past Year
[4 of 13]
The Zombie Apocalypse Slot


SEOUL-YEOK
(SEOUL STATION)
(April 2016)


Yeon Sang-ho's animated prequel to Busanhaeng (Train to Busan) actually plays better than its live-action sequel, and that’s probably all down to the fact that it’s a more atypical zombie cinema viewing experience than Busanhaeng.
Why is that, you may ask?

To wit:

A: Animated zombies are far more uncommon than live-action ones.

B: Unlike Busanhaeng, we don’t really see your usual zombie cinema character types here.

C: The social commentary is far more satisfactorily evident, with some barbed rants against country and government. And the class divide is likewise more overt here.

It should be noted though that there are some rather cruel and vicious moments in this one, some moments having nothing at all to do with the zombies…
If that all still sounds like your cup of (zombie) tea, then take heed: ¡Qué horror! strongly approves Seoul-yeok!

THE GIRL WITH ALL THE GIFTS
(August 2016)


Now here's a zombie film that very consciously takes some relatively unfamiliar routes in its narrative, and that kind of zombie film is definitely worthy of some ¡Qué horror! love.

Mike Carey--yes, that Mike Carey--adapts his own novel, The Girl with All the Gifts, and helps (heh) gift us with a title that should settle in nicely in the annals of zombie cinema.

Now, in lieu of getting all spoiler-y, let’s take a look at some of the film’s other personnel:

Director Colm McCarthy first landed in ¡Qué horror! territory in the 2011 rundown, with his feature debut, Outcast. Now he’s back with his sophomore feature.
(He’s apparently been keeping busy on the telly front. And speaking of, he’s set to direct the Krypton Pilot for SyFy--yes, that Krypton--so that should be something!)

Composer Cristobal Tapia de Veer, who positively killed on the score for the late and very much lamented Utopia, slays once again here.
(He also worked on the first series of Humans, though sadly, he didn’t score the second.)

And that cast!
Not only do we have Paddy Considine and Gemma Arterton, we’ve also got Glenn Close!
Glenn! Close!
And the feature debut of Sennia Nanua isn’t too shabby neither!

So, if you feel like supporting atypical zombie fare (and you really really should!), then by all means, pay The Girl with All the Gifts a visit!


Parting Shot:
While Carey is possibly better known in the comics world for his work on Lucifer or Hellblazer, as far as I’m concerned, his magnum opus in graphic literature is definitely The Unwritten.

(Seoul Station UK quad courtesy of impawards.com & The Girl with All the Gifts UK quad courtesy of bloody-disgusting.com; novel blurb OS courtesy of orbitbooks.net.)

Wednesday, January 4, 2017


¡QUÉ HORROR! 2017
Candidate #8

THE GIRL WITH ALL THE GIFTS
(August 2016)


Now here's a zombie film that very consciously takes some relatively unfamiliar routes in its narrative, and that kind of zombie film is definitely worthy of some ¡Qué horror! love.

Mike Carey--yes, that Mike Carey--adapts his own novel, The Girl with All the Gifts, and helps (heh) gift us with a title that should settle in nicely in the annals of zombie cinema.

Now, in lieu of getting all spoiler-y, let’s take a look at some of the film’s other personnel:

Director Colm McCarthy first landed in ¡Qué horror! territory in the 2011 rundown, with his feature debut, Outcast. Now he’s back in the running with his sophomore feature.
(He’s apparently been keeping busy on the telly front. And speaking of, he’s set to direct the Krypton Pilot for SyFy--yes, that Krypton--so that should be something!)

Composer Cristobal Tapia de Veer, who positively killed on the score for the late and very much lamented Utopia, slays once again here.
(He also worked on the first series of Humans, though sadly, he didn’t score the second.)

And that cast!
Not only do we have Paddy Considine and Gemma Arterton, we’ve also got Glenn Close!
Glenn! Close!
And the feature debut of Sennia Nanua isn’t too shabby neither!

So, if you feel like supporting atypical zombie fare (and you really really should!), then by all means, pay The Girl with All the Gifts a visit!


Parting Shot:
While Carey is possibly better known in the comics world for his work on Lucifer or Hellblazer, as far as I’m concerned, his magnum opus in graphic literature is definitely The Unwritten.

(The Girl with All the Gifts UK quad courtesy of bloody-disgusting.com; novel blurb OS courtesy of orbitbooks.net.)

Friday, October 3, 2014



A Rundown of the 13 Best Horror Movies I've Seen in the Past Year
[12 of 13]


HONEYMOON
(March 2014)


Rose Leslie (late of Game of Thrones and who was awesome as Young Milner in the opening flashback episode of Utopia’s second series) and Harry Treadaway (currently seen on Penny Dreadful) are newlyweds Bea and Paul, off to a cabin in the woods for the titular honeymoon.

And since Honeymoon is on this year's final ¡Qué horror! rundown, it’s safe to assume that things go terribly awry. (Of course, I’m hard-pressed to come up with a single film where anything that had to do with a “cabin in the woods” turned out sunshiny bright and peachy keen.)

I won’t go into the nature of Honeymoon’s threat, but suffice it to say that Leigh Janiak’s debut feature is a disturbing cinematic experience where love and identity and terror say their “I do’s” to produce an unholy union where the inability to make French toast or coffee become terrible omens of the madness to come…

(Honeymoon OS courtesy of impawards.com.)

Sunday, September 14, 2014


¡Qué horror! 2014
Candidate #15

HONEYMOON
(March 2014)


Rose Leslie (late of Game of Thrones and who was awesome as Young Milner in the opening flashback episode of Utopia’s second series) and Harry Treadaway (currently seen on Penny Dreadful) are newlyweds Bea and Paul, off to a cabin in the woods for the titular honeymoon.

And since Honeymoon is a ¡Qué horror! Candidate, it’s safe to assume that things go terribly awry. (Of course, I’m hard-pressed to come up with a single film where anything that had to do with a “cabin in the woods” turned out sunshiny bright and peachy keen.)

I won’t go into the nature of Honeymoon’s threat, but suffice it to say that Leigh Janiak’s debut feature is a disturbing cinematic experience where love and identity and terror say their “I do’s” to produce an unholy union where the inability to make French toast or coffee become terrible omens of the madness to come…

(Honeymoon OS courtesy of impawards.com.)