¡QUÉ HORROR! 2018

Candidate #7

THE EXORCIST Season 2

(September 2017)

"Is there, like, some... stupid Bible verse you can say, or something?”

I only now finally got around to wrapping up my viewing of the second season of Fox’s The Exorcist TV adaptation, so I’m writing this post in the wake of the series’ cancellation last month, and that’s a shame, really.

While I do think its first season was a stronger beast, there was still a lot to commend in its sophomore outing.

But, with its cancellation, we’ll never get to see the new character dynamics that the final episode sets into place, nor the content of the message Marcus (Ben Daniels) gets in the closing seconds, nor the fresh circumstances of Fr. Bennett’s (Kurt Egyiawan), errr, new calling.

Unless of course, some other network or streaming service comes along to resuscitate the show.

For now though, The Exorcist Season 2 gets the ¡Qué horror! seal of approval.

“You can start by asking God for help.”

“Does it matter if I don’t… exactly, totally believe?”

“No. No, it doesn’t matter.”

Parting Shot: As with its first season, there are a number of callbacks to the cinematic Exorcists, including one in the closing minutes of the final episode that, if you’re a horror film buff, you should see coming a mile away…

(As to whether this scene was also meant to telegraph the narrative possibilities of a potential third season--which they were clearly laying the foundations for--is anybody’s guess at this point…)

(The Exorcist Season 2 OS’ courtesy of impawards.com.)

PUSHING DAISIES
Season 2 Episode 1
“Bzzzzzzz!”
Written by Bryan Fuller
Directed by Adam Kane
(WARNING: SPOILERS)

Well, this one had its moments, and a bunch of welcome guest spots: French Stewart as Wolsey Nicholls, intent on taking over Betty’s BeesTM; Autumn Reeser as the rather unlucky Number One Bee Girl of Betty’s BeesTM, Kentucky Fitts, who’s the main corpus dilecti of the episode; and Diana Scarwid (yay!) as, not just any nun, but the Mother Superior herself.


Sadly, Scarwid is part of the subplot that I’m having trouble with: for some reason best known to the show’s writers, Olive has been sent off to a nunnery by Lily, the very same nunnery where she brought Chuck to term, because of the secret she’s privy to: that Chuck is in fact, Lily’s daughter, a secret that would kill Vivian, as she was actually engaged to Chuck’s father when the affair took place.
Sure, the nun costumes are cool and kooky, and Pigby has his own certain charm, but I’m dubious about the whole thread and wondering where they plan to take it and what its raison d’etre is.


At any rate, it’s great to have Pushing Daisies back, and to see Adam Kane at the helm again.
They also at least seem to be kicking up Emerson’s lost daughter subplot, so that’s a plus, as Chi McBride rules.
I mean, Steven Harper to Emerson Cod.
Who knew?

(Images courtesy of ABC, avclub.com, and destinything.com.)

DEXTER
Season 2 Episode 12
‘The British Invasion’
Teleplay by Daniel Cerone; story by Melissa Rosenberg & Daniel Cerone
Directed by Steve Shill
(WARNING: SPOILERS)

So Erik King makes it to the season finale, only to get blown into teeny pieces by the arsonist titty vampire.
Lila breaks into the cabin to find Doakes, and when she asks who he is and why he’s locked up, she understands just exactly what that hunger and darkness is that she senses in Dex.
And since she believes she’s his soulmate, she does what she can to protect Dex: set the cabin on fire, flick open the propane tank, and leave.
Doakes manages to smash his way out of the cage, but just as he’s about to try and put out the fire (mouthing “Motherf*ck—“), the tank explodes, taking him and the cabin with it.

Meanwhile, Deb and hordes of Miami’s Finest are closing in on the area where the cabin is located, so Dex hurries to get there first, only to find the flaming wreck already crawling with cops.
In a gruesome bit, they find the partial remains of Doakes, and once positive ID’s been made, the case is officially closed.

There’s a great scene in LaGuerta’s office, as Lundy breaks the news to Maria, and she then goes through the rest of the episode being faithful to the memory of her former partner (and probably, lover).
Lauren Velez also has a fantastic scene with Jennifer Carpenter, when Deb makes the effort to reach out to LaGuerta; after all, they’re now in the same boat, two women who aren’t sure they can ever trust another man—and themselves—again, given that someone they thought they knew turned out to be a killer. (Of course, in LaGuerta’s case, that isn’t the truth at all, but let’s not tell her that…)

And while Angel is cleared by I.A. over the whole rape thing, there’s a nice little play on the show’s opening credits sequence, as it dawns on Dex that with Doakes framed and dead, he’s a free man. That whole time, I fully expected Lila to be lying in wait as Dex opens his door, but the b!tch had other plans.
After an early morning booty call with Rita, Dex’s jubilation comes to a screeching halt when Masuka tells him that the cabin’s explosion wasn’t accidental (Masuka seems to think Doakes committed suicide this way, rather than be caught by the police).
When Dex finds the SUV’s GPS thingie in the debris, he realizes Lila’s behind the miracle save, so he meets her at the aquarium. There, Dex makes her believe he still wants her, and convinces her that he’s leaving Miami and that he wants to take her with him.

But when he shows up at Lila’s place (with his bag of kill tools), Deb’s there too. And when Lila arrives to find the Morgans there, and with Deb being her usual vitriolic self, Lila twigs onto the fact that something’s not kosher. So she makes like Dex’s kill bag is hers and prances on outta there.
Dex calls her on her cell, making all the appropriate “Sorry” noises, but Lila doesn’t reply.
Instead, she goes on over to Rita’s and abducts the kids.
Dex realizes Lila’s game a little too late, and when he finds the kids missing, he tells Rita to call Deb.
Of course, Rita’s call finds Deb just about to hop into a cab to meet Lundy at the airport (Lundy’s off on another serial killer case), Deb intent on leaving everything in Miami behind for love of the Lundy. But the call from Rita puts Deb in a spot, and in the end, she ditches FBI lover boy to help Rita out.

Dex arrives at Lila’s to find the kids watching TV. Lila then says, “You could have had it all,” and sets the place on fire, as she locks Dex and the kids in.
Dex gets the kids out through a window, which he can’t fit through, and it looks like it’s over for Dex, but he smashes through the burning wall, and Deb arrives just in time to help him.
Dex is singed, but okay; the kids are fine; Rita’s understanding.

Then, it what seems to be an epilogue, we see Lila in Paris, and I’m thinking, Oh, no, what evil has Dexter Morgan wrought? Is Lila now some loony copycat killer?
I also thought, This is rather messy of Dex, leaving that loose end.
But my faith in my favourite blood spatter expert/serial killer is renewed as he pays Lila a visit and takes care of her. (It’s curious though and perhaps a tad hypocritical when Dex accuses Lila of murdering an innocent man; I mean, he was selling Doakes up the river, after all. How different would it have been if the cops had wound up capping Doakes’ a$$? Or if he’d wound up with a death sentence?)

The finale winds up with a montage as we see Deb and Angel getting commendations from the force, and Dex running with Rita and the kids in slow mo (we just lacked the friendly family dog, really).
During the voice over, Dex says that his relationships are no longer part of the mask; they’re something he needs now, and if that makes him vulnerable, so be it. Harry would disapprove, but as Dex claims, he’s no longer Harry’s disciple. He’s his own master now.
And as he places a new (and thus far empty) slide box in his secret AC hiding place, Dex says stuff about finding new rituals in his perpetual lot in life.
He ends by asking, “Am I evil? Am I good? I’m done asking those questions. I don’t have the answers.”
Then, as he shuts the AC while looking straight at us, his riveted audience, he asks, “Does anyone?”

Parting shot: My thoughts on the finale and Season 2 in a future installment of In-Between Seasons.

(Image courtesy of sho.com.)

PUSHING DAISIES
Season 1 Episode 9
“Corpsicle”
Written by Lisa Joy
Directed by Brian Dannelly
(WARNING: SPOILERS)

After an opening sequence where we witness the day of Chuck’s da’s death (during which time Ned’s mum also died, twice), we discover that after Ned’s blurting of the awful truth last episode (like “word vomit,” as he puts it later on to Emerson), Chuck disappears.
As it turns out, she’s hiding out at Olive’s, and she’s so despondent that she feels the need to tell someone about her dark secret, even if that someone won’t believe her.
So she tells Olive.
And Olive doesn’t believe her.

Later on though, Chuck finds out that Oscar Vibenius is still intrigued by her unique smell, which he’s discovered is the same smell he picks up from Digby. (Oscar’s actually shaved off some fur from Digby’s bum to confirm his suspicions; poor Digby!)
Still needing to confide in someone who isn’t Ned, Chuck eventually gives Oscar some of her hair, so he can uncover the truth she’s been keeping to herself.
Eventually though, Oscar returns her hair, wanting Chuck to tell him the truth herself. By that time though, Chuck feels she can safely see Ned already without hating him, so she takes back her hair, and tells Oscar, You should’ve checked out the hair when you had the chance.

Ned and Chuck finally reunite at her da’s grave, where she actually asks Ned to bring back her father, if only for a minute, but Ned refuses, telling her, I can’t bring your father back, then kill him again. I couldn’t do that to you…
It’s a great, sad scene, as Ned wants to comfort her by embracing her, but of course, he can’t…

Meanwhile, since Chuck isn’t spending time at the Pie Hole, she asks Olive to bake a pie for her aunts, and gives her the happy juice she doses her pies with. (Olive is her unsuspecting homeopathic drug mule…)
Thinking it’s vanilla and taking a taste of it but not finding it particularly strong, Olive decides to use the entire bottle.
Later on, Lily eats the whole pie, and in her drugged-out, blissful state, she blurts out to Olive that she is, in fact, Chuck’s mum! (Which is where the episode ends…)

The whodunit portion of the finale involves the murders of Uber-Life Life Insurance adjustors. Notable bits in this subplot include a Blood Simple reference, Bobo the banobo, and Emerson admitting that he has a daughter (which surprises us all, including Ned).

Thus do we close what Bryan Fuller has come to think of as the show’s “teaser season.” Now, due to the strike—and the subsequent time afforded to Fuller to re-think the narrative thus far—the reveal of Lily being Chuck’s mum (a plot development which was originally meant to be resolved mid-season), will apparently “inform much of [Pushing Daisies’] next season’s direction.”
At the Paley Fest ’08, Fuller also confirmed that Chuck will find out who her real mother is next season: "It's going to be interesting to see how she reacts to that information, and how the Pie Maker tries to control her trajectory and how that will complicate their relationship. There are going to be some nice surprises."
Fuller also said that the interruption caused by the WGA strike, "… gave us a chance to look back at the nine episodes and [figure out] what was working and what was not working. The arc of the first nine was a soft, romantic arc. In the second season, we want to do something a little harder and a little more aggressive in the style of storytelling. We learned a lot of lessons."

If you’ve been following these recaps, you’ll know that I love me my Pushing Daisies, and I do think it’s the best new show that emerged from the past strike-truncated season. (Chuck’s a close second.)
I’m looking forward to fall, when Daisies returns, and hopefully, between then and now, people who haven’t tasted of its bittersweet humour and whimsical visuals can catch up on the web. (Or, the Season 1 DVD set, which hits stores in early September.)

Parting shot: At the Paley Fest, Fuller fielded a question regarding the chances Ned and Chuck have of conceiving a child: "I think her egg would die when his sperm hit it."
He also confirmed that Ned is a vegetarian, because if he ever ate meat and it made contact with his insides, the meat would come back to life “and crawl out of him.”

(Image courtesy of pushing-daisies.com.)

DEXTER
Season 2 Episode 11
‘Left Turn Ahead’
Written by Scott Buck & Tim Schlattmann
Directed by Marcos Siega
(WARNING: SPOILERS)

So the gross, English titty vampire finally gets into the spot I had a feeling she’d manoeuvre herself into. She just took her sweet, loony, co-dependent time to get there.

Dex’s epiphany last episode—that Harry walking in on one of his kills, and the subsequent horror of knowing Dex was his creation, and what that creation was truly capable of, was the cause of his suicide—puts him in a very shaky place.
Conversations with Doakes then put Dex in a suggestible state, and Lila swoops in with her ploy to make it look like Angel roofied and date raped her. Dex realizes his plan to frame Doakes isn’t any different from Lila framing Angel for something he didn’t do.
Dex wonders if the evil and the cancer that Doakes was talking about works this way, by seeping into the fabric of all those around him.

Meanwhile, Doakes manages to escape, but runs into a couple of Hispanic goons who can’t speak English, but when Doakes says he’s police, they knock him out and bring him right back to the cabin.
Fortunately, Dex happens to have just gotten to the cabin and seen the evidence of Doakes’ escape. With Dex’s help, they overpower and kill the goons, and Dex puts Doakes right back in the cage.
However, Dex also tells Doakes that he’s decided to turn himself in, but that he needs a day to get his affairs in order.

So he takes Rita and the kids out on the boat, and gives Rita the Mommy Mobile. Then he whips up a living trust, leaving everything to Deb, should anything happen to him. He also tells Lila to drop the charges against Angel, since he really won’t be around in a few days (as he thinks he’ll probably be in jail by then).
This gets Lila’s knickers in a twist and she steals the GPS thing-a-hoo from the Mommy Mobile, which tells her all the locations Dex has driven to in the recent past.

And while Lila’s sniffing around Dex’s affairs, LaGuerta makes her way to Haiti and talks to Doakes’ contact there. She finds out that Doakes wanted to have the blood slides analyzed, and that on two occasions when Doakes was on Special Ops missions, two of the Bay Harbor Butcher’s victims were killed, thus making it look like Doakes isn’t the killer after all.

Deb meanwhile, in her crusade to get Angel off the hook, discovers Lila’s name is an alias, and lifts some fingerprints off Angel’s microwave (which Lila used to nuke some popcorn). It turns out that Lila is actually Lila West and she’s in Miami on an expired visa.
So Deb drops by Little Miss Pardon My Tits’ studio and tells her she’s reported her bony a$$ to Immigrations and she wants Lila outta Miami, pronto.

Later that evening, Dex has some beer and steaks with Deb, prepared to tell her everything. But they talk about Deb and how she’s gotten her sh!t together after that whole Ice Truck Killer thing, and that it was Dex who helped her get through all that.
When Dex asks her how she did it, Deb says all she did was decide who she was and who she wanted to be and stuck to her guns.
It’s then that Dex realizes, if Deb can believe in him, then he can certainly believe in himself. He knows who he is, he’s known all along. He just has to stick to his guns.
So he decides against turning himself in, and reverts back to the “let’s frame Doakes for the Bay Harbor Butcher crap” plan.
But Deb gets a call on her cell: they’ve found Doakes’ car and the search pattern is homing in on the Everglades.

At the same time, the gross, English titty vampire uses the GPS thing-a-hoo and finds her way to the cabin…

(Image courtesy of sho.com.)

DEXTER
Season 2 Episode 10
‘There’s Something About Harry’
Written by Scott Reynolds
Directed by Steve Shill
(WARNING: SPOILERS)

This one’s a fascinating installment, as Doakes spends the entire episode locked in the cell in the drug cabin, alternating between goading and debating with Dex, and in the final portion, trying to talk reason with him.
But it’s not all Doakes, though. There are still the subplots.

Rita visits Dex and begins to tentatively reach out, not yet willing to start dating again, but maybe, just to hang first, with Dex and the kids, at the beach.
Meanwhile, Angel gets to have his daughter for a day, and wanting her to have some fun (“… ideally more fun than she has with her mother…”), tags along on the beach outing. That however, puts a crimp in Lila’s plans of having Angel finish re-painting her walls. So the gross, English titty vampire gets Angel to her place later in the evening, has wild sex with the guy, then secretly takes some roofies she bought on the sly, which conks her out cold in the bathroom. She bashes her head and Angel finds her unconscious, forehead bleeding, and he calls an ambulance.
Crazy bee-yutch is up to something…

On the Deb-Lundy front, there’s a little scuffle as Lundy casually blurts out that he won’t always be around, particularly once the Bay Harbor Butcher case is closed. This pisses Deb off, as the hope she had for their relationship lay in her not knowing what would happen when the case was wrapped up.
Lundy, on the other hand, understands that this is what he does: he catches serial killers, and they don’t all live in Miami. He also thought that as soon as the case was closed, that Deb’s fascination with him would shrivel up and die, which strikes Deb as the sweetest thing any guy’s ever said to her. Their conversation is interrupted however, when they get a hit on one of Doakes’ aliases (used during his Special Forces days), and a car rental.

So, at the cabin, Dex drugs Doakes and gets his fingerprints on some kill tools, which he dumps in a place he knows they’ll be found quickly.
Meanwhile, his conversations with Doakes bring up some Harry stuff, and he finds out that Harry didn’t die from his heart disease, but rather from ODing on his heart meds.
Trying to work this all out, Dex’s plan for Doakes is put on fast-forward when some goon who had a deal with the late Jimenez starts to text the drug dealer’s cell, which Dex now has. When it’s clear that the goon is about to show up at the cabin, Dex intercepts him, and brings him, drugged, to the cabin.
Dex then proceeds to kill the goon, while Doakes tries to convince him not to. The sight of all that blood makes Doakes quiet and all he says to Dex is, “Stay away from me,” which triggers a memory.
Three days before Harry’s death, he walked in on one of Dex’s kills, and for the first time, he saw the reality of his Code and the training, he saw exactly what he’d made Dex into, and after throwing up, all he could say was, “Stay away.”
And it dawns on Dex: it’s his fault Harry committed suicide. He caused his adoptive father’s death.

(Image courtesy of sho.com.)

HEROES
Season 2
Volume Two: Generations
Chapter Eleven: “Powerless”
Written by Jeph Loeb
Directed by Allan Arkush
(WARNING: SPOILERS)

So this is a far more effective volume ender than last season’s Kirby Plaza showdown, but that’s getting ahead of myself…

Let’s kick off with Peter and Hiro’s face off, as they argue back and forth about whether Kensei/Adam is a goodie or a baddie, till Peter zaps Hiro unconscious.
K/A then takes his sword back…

But first…
Micah finally gets home to Niki but needs to rush back out again to save Monica. Of course, Niki being virused and all, doesn’t have her super strength at the moment, so Micah ropes her in to drive. (Though can’t he just “tell” a car to drive him wherever he wants to go?)
Using his cell phone to locate Monica’s cell, Micah and Niki track Monica down to the shop that the hoods who’ve taken her have been hired to torch. (Thus, St. Joan is about to be burned at the stake in New Orleans…)
They get there just in time for Niki to pistol whip the fleeing hood, and rush into the burning store to save Monica.
But Niki’s powerless at the moment, and though Monica gets out, the shop explodes, apparently taking Niki with it…

Back at the Company, Bob is ticked off with Elle and blames her for Claire’s decision to go whistle blower on their a$$. Bob suspends her from any more field duty, so Little Miss Sociopath turns to Mr. B in his cell.
I was never really a Veronica Mars fan, but the scene between Kristen Bell and Jack Coleman, particularly the beginning of it, with Bell’s fidgety eyes following the ball, is great.
Elle asks Mr. B to tell her what Bob did to her when she was just a little girl, and he begins to, but Bob arrives and tells Mr. B that the Company will have to do something to stop Claire from going public…

… which she’s busy preparing for, putting together all the files Mr. B amassed regarding the dastardly deeds of Bob et al.
Mrs. B tries to convince her otherwise, but Claire has her mind set. Even West tries to tell her he prefers his secrets rather than this going public deal. So Claire gives Flyboy his file, and the break up is official.
It looks like Claire’s got something new to cry about, when who should walk through the door but… Mr. B!
With the Bennets alternately relieved and confused, Mr. B drops the bomb. Claire’s plan to expose the Company’s misdeeds is “unacceptable.”
Instead, he’s made a deal: his family gets to live a quiet, normal life (the only thing he’s ever really wanted for them), and he comes back into the Company’s arms.
Mr. B doesn’t stick around for any discussion. He steps out the door, and tells Bob, “It’s done.”

And even as Mr. B leaves home, the man who shot him dead, Mo, arrives home, to find Maya cooking breakfast and Sylar powerless.
(So I’m wearing the dunce cap this time out, as I really thought Sylar was temporarily powerless due to the trauma his body underwent from the Kirby Plaza wounds. I should have suspected that the Company had actually injected him with the virus. With that turn of events though, why didn’t they just kill him when they had the chance, given how dangerous he’s proven to be… I mean, if he’s gonna die from the virus anyway, right? And actually, while on that train of thought, they should have just killed Kensei/Adam too. Just taken his blood and killed him a long time ago…)
Okay, sorry for the cold blooded digression. I should just take Bob’s job and be done with it.

Back in Mo’s apartment, it becomes all too clear to Maya that Sylar is not the Gabriel she fell for. And, having seen Mo’s data on his laptop, Sylar sees that the cure for the Shanti virus lies in Claire’s blood, and that in theory, this should give him back his powers.
So it’s off to the lab!
At the lab (which of course used to be Isaac’s loft, where Sylar ate poor Isaac’s brain), Mo discovers that Sylar’s been injected with the strain that’s killing poor Niki, and Molly helps Maya “find” Alejandro, only to realize that he’s no longer anywhere to be found, and that Sylar killed poor Alejandro.
So Maya’s about to get all black teary-eyed when Sylar shoots her. Then, before he gets injected himself, Sylar wants to see the vaccine in action, so he has Mo inject Maya first, and Claire’s blood heals her and brings her back to life, just as it did Mr. B.
Sylar takes that as his cue to scamper off with the other vial, even as Elle arrives and starts zapping.
(Elle, by the way, was snooping around Bob’s office, to find the files on her… gone. She then checks the surveillance monitors, to see Sylar terrorizing Mo. So off she goes to make Daddy proud.)
Sadly—and how many times must this happen?—Sylar escapes. With the vial meant for Niki.
Sigh.

Meanwhile, Parkman reports to Granny P and Nathan that Victoria Pratt is dead. (So that’s where Parkman was, while Molly was left alone to be used as a bargaining chip by Sylar… Bad Parkman!)
Nathan tells Granny P that Peter’s still alive, and that he’s apparently in cahoots with Kensei/Adam, as their fingerprints were all over the crime scene. Granny P tells them that they’re after the virus and that it’s in Odessa.
She also says that she actually helped K/A once (did she sleep with him too?), but stopped before it was too late, when she realized that K/A was mad, mad, mad. (And she wasn’t for wanting to blow New York up. Hmmm…)
Before they go, Granny P shoots off a thought in Parkman’s direction: if you can’t stop Peter, you may have to kill him. Bullet in the head. Only way to be sure. (Go, Granny P!!!)

Amusingly, we see the tail end of Nathan and Parkman’s flight to Odessa, as they land, and vow never to talk about what went on, ever again. Parkman also tells Nathan what Granny P “thought” him earlier, about just maybe needing to off Peter if he should prove a stubborn handful. Nathan says, “… nothing good ever came from listening to my mother,” and “… leave my brother to me.”
Conveniently, they touch down at Primatech just in time to be met at the door by Hiro. The three then rush in to find Peter having already TK’d the vault door open. Hiro tries to stop K/A, but Peter TK’s him, slams him to the wall, and looks about to telekinetically throttle him, when Parkman arrives and does the Jedi mind trick: K/A is using you, go deal with him.
But Peter fights back with his mind, and is quite literally sweeping the floor with Parkman’s a$$ when Nathan arrives and the brothers stand face to face. Nathan (bless his soul) talks reason to Peter, asking him, “Can you really trust K/A?”

While all that psychodrama’s going on, Hiro steals into the vault and has his own face to face with K/A. Heartfelt and bitter words are exchanged, and Hiro ‘ports them both away.* But even as he does so, K/A drops the vial containing the virus (which he was holding behind his back).
Luckily, Peter arrives in time to telekinetically catch it before it hits the floor. He then incinerates it between his palms, using Ted’s nuclear power.
Standing in a vault containing a whole lot of other mysterious items, the current generation realizes they’ve had enough of cleaning up their parents’ messes. Nathan decisively announces that he’s going public, about everything (ironically, what he once argued with Simone would be the wrong thing to do). He even tells Parkman to make sure people listen to what he has to say.
Of course, a hidden surveillance camera catches this pivotal announcement…

… and at the press conference, I get the sense of what’s about to happen as Nathan gets into a weepy speech, accompanied by shots of episodes past.
Just as he’s about to say, “I can fly,” he’s shot.
In the panic, we see someone walk away, though said someone is too far away to identify. (Parkman though should have been able to catch the killer’s thoughts, right?)

Granny P then gets a call on her cell, and she replies, “It was inevitable.”
She then says, “You do realize you’ve opened Pandora’s box, don’t you?”
End of Volume Two.

We then get a tease for Volume Three, entitled “Villains.”
Sylar injects himself in some back alley, like a heroin junkie.
First, his wounds heal, then, he uses his TK to pull an empty tin of spinach across the alley into his hand.
The big, bad brain eater’s back…

* We see later on that Hiro actually ‘ported Kensei/Adam into a coffin, buried in the same cemetery Papa Sulu’s grave is found. Once again, these people leave a dangerous fellow alive…
Will they ever learn?

Parting shot: So that’s it for this volume, and as fallout courtesy of the WGA strike, that’s it for the season too; Volume Three will be with us in the fall.
I’ll be back soon with the first installment of something I’ve decided to call In-Between Seasons, where I’ll give my assessment of a TV show’s recently completed season (including my thoughts on the finale), and give my two cents on where we should go from here…

(Behind the scenes images courtesy of gregbeeman.blogspot.com.)

DEXTER
Season 2 Episode 9
‘Resistance Is Futile’
Written by Melissa Rosenberg
Directed by Marcos Siega
(WARNING: SPOILERS)

Let’s run through the subplots first.
Deb and Lundy are indeed getting it on now, as we actually see them in a post-coital snuggle. And in some post-coital pillow talk, Lundy is all for full disclosure at the station, which Deb isn’t so crazy about.
Deb however, blurts it all out to LaGuerta (with Angel in earshot), when LaGuerta starts to pressure Deb to convince Doakes to hold off on announcing the identity of the Bay Harbor Butcher case’s primary suspect (see below).

Rita meanwhile, gives Dex a call, admitting that she still has feelings for Dex, and oh, by the way, the kids miss him too.
After Dex has assured her that the Lila experiment is so over, Rita suggests a sit-down talk, and Dex agrees, so a date is set.

And having mentioned the gross, English titty vampire, she shows up at the station, having called Angel up about the “decorating” job. Dex has a word with Lila, but she still wants to help Dex carry the weight of his mask.
At the station, Dex tries to warn Angel that Lila is just using him, but Angel’s only too willing to be used at the moment, still reeling as he is from the divorce.

Now to the meat…

So Doakes’ abrupt departure from Lundy’s office puts him on the FBI superstar’s radar, and all the background poop on Doakes points glaringly in his direction as being the Bay Harbor Butcher: military background, abusive father was a butcher, the two recent on-the-job shootings.
Circumstantial, yes, but when a search warrant is taken out on his a$$, Lundy’s boys find the box of blood slides he nicked from Dex’s place in the trunk of Doakes’ car.
As if doing Dex a favour, Doakes left the damning evidence in his car, which he left at the airport, since he took a quick flight to Haiti, to help arrange some discreet analysis of the slides.

With a primary suspect in Doakes, and aware of the friction that has always been present between Doakes and Dex, Lundy arranges to have Dex put under protective custody (and ironically, have him be lead investigator on the analysis on the slides).
While the forensics work on the slides allows Dex to further cover his tracks and eliminate anything that may point back to him, the hovering FBI goons make it difficult for Dex to get back to the cabin to clean Jimenez up.
But Dex is resourceful, and manages to ditch them and get to the cabin, but even as he’s taking out the body parts, Doakes shows up, having tracked Dex there via his boat’s GPS. Doakes keeps a gun trained on Dex and gets him in handcuffs, but Dex goes for it, managing to lay Doakes out by cutting off his oxygen with the cuffs’ chain (though not before Dex catches a bullet in his leg).
This episode’s great cliffhanger has Doakes locked inside the cabin, while screaming at Dex, “You’re gonna have to kill me, Morgan!”

So the plot rushes along rather nicely towards season’s end, and there are some great scenes in this one, from seeing the tender emotions that lie between Deb and Lundy, to LaGuerta’s phone call with Doakes, and the very apparent desperation that grips her as she continues to protect Doakes even after all the fit has hit the shan.
There’s also the great face-off between Doakes and Dex, and that nail-biting cliffhanger.

What’s Dex to do? He’s in a prime position now to pin everything on Doakes, but he has to ensure everything will fall perfectly into place when Lundy comes in to eyeball the mess.
And of course, if Dex does frame Doakes, he will have to off the angry black man…
Let’s face it, Dex framed Paul, but he didn’t kill him. What’s killing Doakes gonna do to Harry’s Code? Doakes isn’t a murderous piece of scum like Dex’s usual victims, but then again, Harry’s # 1 rule was “Don’t get caught.”
So, what’s Dex to do?

(Image courtesy of sho.com.)

DEXTER
Season 2 Episode 8
‘Morning Comes’
Written by Scott Buck
Directed by Keith Gordon
(WARNING: SPOILERS)

This is one of those great episodes where a whole lotta sh!t goes down, so let’s get to it.

Following the fire at her place, Lila’s been spending a whole lotta time at Dex’s, much to Deb’s annoyance; while Dex comes to think of them as a “cobra and a mongoose,” Deb thinks of Lila as a “gross, English titty vampire.”
With the Lila thing going on—he’s also beginning to suspect that maybe, Lila did set the fire on purpose—Dex is cold-cocked at work when Lundy brings in the FBI to help investigate the cases of the Bay Harbor Butcher victims, since he thinks the Butcher could have a law enforcement background, and could, in fact, be one of the Miami PD.
Asked to review the cases he handled, where the perp ended up back on the streets, only to get iced by the Butcher, Dex is forced to cover the fact that he fudged the blood work by admitting that he got sloppy with said blood work (which he never does).

Unnerved by Lundy’s sudden attack, Dex realizes he needs to put some distance between himself and Lila, so he can focus on staying a step ahead of Lundy’s hunt. So he lies about going bowling, only to have Lila insist on coming along, getting the address of the alley off him.
Later, at the alley parking lot, Santos Jimenez (who Dex decided not to kill a couple of episodes back) attacks Dex, wounding him in the arm, but Lila’s screams bring Angel and the rest of the bowling team to the rescue, and Jimenez drives off.
Dex lies to Angel about the attacker trying to grab his watch, but later on tells Lila it was Jimenez.

In the wake of the attack, Dex realizes he needs to take care of Jimenez, and begins to consider the possibility that he can’t really change and has to embrace who he’s always been.
Dex tracks Jimenez to a cabin out in the Everglades, which is stocked full of cocaine. (Apparently, Jimenez never got out of the coke business.)
It’s here that Dex falls off the wagon, and chainsaws Jimenez into itty bitty pieces.

Meanwhile, Lundy asks two things of Deb: 1) to help with the case investigation, as she’s new to Homicide, so there should be no conflict of interest as these are old cases they’re looking into, back when she was still with Vice; and 2) to have dinner with him.
She says “Yes” to both, reluctantly to the first, and eagerly to the second.
The date, if you must know, goes swimmingly, and the two seem to be really into each other.
Back on the work stuff, Deb asks Angel to help her with her investigation, which leads to a license plate number of a car that quite possibly belongs to the Bay Harbor Butcher.
It’s while working late on tracing the license plate that Deb sees Lila come to the station, where she’s brought Dex some dinner, since he said he was “working late.” (He is, of course, just not at the station.) Amused, Deb can’t help but drive the point home: Dex lied to you.

So what does Deb’s favourite gross, English titty vampire do, but sneak into Rita’s place (using the key she filched from Dex) to see if he’s there. Rita finds the fact that the door was unlocked odd, and calls Dex to ask him if he’s been by, something she’d already asked him not to do.
Having finished chainsawing Jimenez, Dex has just looked through Jimenez’s wallet, and finds a note with the bowling alley’s address on it. Dex realizes it was Lila who clued Jimenez as to his whereabouts. Dex then checks his key ring, and finds the key to Rita’s place missing, so he tells Rita to get out of the house and call the cops. He also leaves Jimenez’s sawed-up body in the cabin.
Making sure the cops watch Rita, Dex goes over to Lila’s and demands the key back. He then asks her if she called Jimenez, and Lila says it was because she felt Dex drifting away from her, and she just wanted him back, wanted him just like at the motel, after he’d gone to see Jimenez that first time.
Realizing she’s far more dangerous than his “addiction,” Dex warns Lila to stay away from Rita, and to stay away from him.
Yahoo! In Dex’s own words, “The Lila experiment is over.”

But…
When Deb cracks the license plate number, it turns out to be for a vehicle that had been impounded at their own lot. Thus, it appears that Lundy was right, the Bay Harbor Butcher really is one of the Miami PD. Lundy asks that this be kept between him, Deb, and Angel, though Deb and Angel are understandably distraught that the killer is someone who works at the station.
Thankfully, there are no records as to who exactly signed the vehicle out, used it in the commission of a murder, then signed it back in.

But…
When Doakes is brought back in for Lundy’s investigation, he finds out from Lundy that one of the cases involved some sloppy blood work, and something clicks in Doakes’ mind.
He walks out on the inquiry and later that night, breaks into Dex’s apartment (while Dex is off taking care of Jimenez and Lila, and Deb is at the station), and the mofo finds the blood slides Dex hides in his AC unit!
Man, Dex is so screwed!

I really thought that somehow, things would get lain on Doakes’ doorstep, that he’d somehow get fingered as being the Bay Harbor Butcher.
I also thought that just as he’d discover the damning evidence, that Lila would arrive and end up killing him, thinking he was a burglar or something. Then she’d see the slides and discover Dex’s deep, dark secret.
But that’s not how things panned out. She gets dumped, and no one’s around to keep Doakes from squealing about the slides.
Holy guacamole!
Man, Dex is so screwed!

(Image courtesy of sho.com.)

HEROES
Season 2
Volume Two: Generations
Chapter Ten: “Truths and Consequences”
Written by Jesse Alexander
Directed by Adam Kane
(WARNING: SPOILERS)

They may as well have called this one “A Tale of Two Dunces.”

Dunce #1: Wonder Twin Maya, who is pretty much wrapped around Sylar’s grubby little finger.
Sylar undermines the bond between the Wonder Twins, getting Maya to think that Alejandro hates her for killing his cheating bride, and getting her to admit that she really did want to see the white-clad floozy dead.
He even takes a calculated risk to convince Maya that she can control her power without resorting to Alejandro, which he does by getting her riled up, then as he’s wheezing to death, pleads with Maya to help him. She does of course, getting herself to calm down and keeping the scheming Sylar alive.
When Maya gets back to the motel room though, Alejandro’s been a busy little bee and gone on the Internet and fished out the story of Sylar being wanted by the authorities for murdering his mother.
Tearily, Maya confronts Sylar, and he admits to the killing, saying his mother attacked him when she learned about his powers, and an “accident” happened. Well, Maya relates, and she falls right into Sylar’s open arms.
She then tells Alejandro to hit the road, which he does, at first.
But he returns to face Sylar, only to get stabbed and dead.
And Maya, oblivious to Alejandro’s grisly fate, succumbs to the mounting emotions she feels for Sylar. (Eewwww.)
We see the pair again a little later, but for now…

Dunce #2: Peter, who is pretty much wrapped around Kensei/Adam’s grubby (and indestructible) little finger.
Peter tries to get back to the future, and lands in the very moment he and Caitlin are taken in by the containment suit people, but all he returns to the present with is one of those damned evacuation flyers.
When Peter tells K/A about the Shanti Virus—which just so happens will get released the following day!—K/A shows Peter a picture of the earlier generation, and points to the Woman Formerly Known As The Mystery Woman in the Photo Who Looks Like Joanna Cassidy, a.k.a. Victoria Pratt.
K/A says this woman is responsible for the Shanti Virus and she would know where samples of the virus are being kept. So Peter thinks, if I can’t get to the future to save Caitlin, I can try and stop the virus from getting released, thus taking away the danger that threatens Caitlin a year from now.
So K/A and Peter track down VP, who’s pretty shotgun happy, and when she sees that Peter’s working with K/A, she shoots both of them. But of course, both of them can regenerate. D’oh!
To be fair, VP is just about to blow K/A’s head off (no coming back from that!), when Peter knocks her out.
When she comes to, Peter and K/A try and wheedle the information out of her, Peter claiming they want to destroy the virus, VP saying K/A wants to release it, in fact, already tried to 30 years ago.
Dunce #2 will have none of this poppycock, and resorts to reading VP’s mind, and he finds out that the virus strain 138 (the one lethal enough to decimate humanity as we know it) is being kept in the Primatech facility in Odessa, Texas!
K/A unties VP, knowing full well she’ll go for her shotgun, giving him justification to shoot her, just as she’s about to fill Dunce #2 with some buckshot.
K/A and Peter get on down to Odessa, and sashay into Primatech like they own the damned place (despite Bob’s claim of superior security), but who should they meet but…
A little later for that. In the meantime…

The very sick Niki (though she claims she can’t get anyone else sick) goes to New Orleans and has a reunion with Micah, just in time to have Damon (Carlon Jeffrey) steal off with Micah’s backpack, a backpack containing a bunch of Micah’s expensive 9th Wonders issues, and the medal D.L. was awarded for bravery.
Micah smacks Damon a couple of times and wants to go off to get the medal back, but Niki will have none of this costumed gallivanting around.
Monica though, will have some of this costumed gallivanting around.
Taking a cue from St. Joan’s costume, Monica sneaks Micah out of the house to go off and retrieve the backpack.
The Double M make a nice team, but Monica insists Micah stay outside, out of harm’s way. Monica does some Yamikazi, and grabs the backpack, but the hoods arrive. Monica does a Spider-Man, but the dang St. Joan issue falls, and the hoods draw their guns.
We last see Monica being pushed into the hoods’ van, and Micah hightails it outta there.

And in Costa Verde, Mrs. B points a gun at Bob. (Go, Mrs. B!)
Bob’s making a condolence call, with what are supposed to be Mr. B’s ashes in an urn. (We know better, of course.)
The Bennets are distraught, and Bob is apologetic. Bob says they’re free to go and live a normal life now, but Claire rightly points out that her father is dead. There no longer is any “normal.”
Outside, Bob instructs Elle to keep an eye on Claire, so he can learn to trust her again, as Bob’s laying all the blame for the snafu on her. (She may be sociopathic, but Bob’s an a$$hole.)
Even as the Bennets are busy packing for their move, Claire is hurting, and is even willing to resort to having the Haitian delete her memories of Mr. B, so the pain can go away. West, of course, will have none of that kind of talk.
Later, at the impromptu service where Claire scatters her father’s “ashes” into the sea, we have the first time Hayden Panetierre has let me down in a big way in Heroes. There’s just something about the scene and the lines and the performance that rings hollow. And it’s not because I know Mr. B’s not really dead. The scene just doesn’t feel genuine.
Claire then says her goodbyes to West when she sees Elle in a nearby car. (Elle, by the way, is slurping a Slusho!)
Claire confronts Anti-Claire, while everyone else (including Mr. Muggles) watches. The face off ends with Claire smashing her fist into the car window, threatening to go public with her abilities, ‘cause when she does that, it’s Elle and the Company that are gonna be running for cover.

Meanwhile, Mo is there as Mr. B returns to the land of the living. Mo explains that Mr. B’s back because of Claire’s blood, and that now, he’s pretty sure the blood can help to find a cure for Niki.
Mo leaves Mr. B in restraints as he goes off to his lab.
After some off-screen lab work, Mo comes up with a vaccine. Yahoo!
He calls Niki to tell her he’s got the cure, but then someone else calls him: Sylar!
Calling him from: Mo’s apartment! To be precise, Molly’s bedside! (Where the hell is Parkman?!)
Sylar wants Mo back there ASAP, while Dunce #1 grins like the idiot that she is, waiting for the good Doctor Suresh to inject her power away.

And in another meanwhile, Hiro tracks down K/A and discovers his alias of Adam Monroe. Ando finds the record on K/A’s imprisonment, and Hiro ‘ports to that day, the day K/A tried to release the virus.
We see a young Papa Sulu and a young VP, and though VP disgustedly walks away from this madness, Papa S will have none of this “Let’s destroy the virus, for Heaven’s sake” blather, and instead, decides to store strain 138 in Odessa, Texas.
Which is where Hiro goes, just in time to freeze time and confront… Peter!
Hiro says, Outta my way, Dunce #2, that man killed my father.
Peter says, No way, geek.
We wrap the Volume’s penultimate episode as Hiro charges, sword drawn, while Peter charges up an electric ball…

So on the one hand, it’s great to have Adam Kane back in the director’s chair, but this episode feels like it’s moving just a tad too fast for it’s own good.
Yes, we are headed towards the volume’s finale, but still…
Not only are we made to bid adieu to poor Alejandro, but we’re given the genre treat of having Joanna Cassidy as a guest star, only to have her bite the dust as well.
Now, it’s one thing to do that and still have a character that actually registers as a real person, with a sense of history (as with Elya Baskin’s Ivan in Chapter Six). But in this case, a combination of Jesse Alexander’s script and Cassidy’s performance results in a bland character coming on-screen for a few minutes, then shuffling off to Buffalo before we have a chance to get to know her.
Given what’s present in this chapter, the actress playing Victoria Pratt could very well have been any other actress and it really wouldn’t have mattered.
It just feels like a bit of nasty stunt casting, to get a genre name in there so the geekboys (myself included) will get all pumped up for the episode, just to have it all be an annoying anti-climax.

Having said that though, this is, admittedly, a better episode than some of the season’s earliest. And they are labouring under the WGA strike and the less-than-stellar ratings and the fans’ less-than-enthusiastic comments about this sophomore season.
So fine, I’ll go easy, but I do wish some people would quit taking the stupid pills and look really closely at the people they think are their friends…
(I did get a kick out of the Slusho! bit, though.)

(All behind the scene images courtesy of gregbeeman.blogspot.com, except image #5, courtesy of superherohype.com.)

DEXTER
Season 2 Episode 7
‘That Night, A Forest Grew’
Written by Daniel Cerone
Directed by Jeremy Podeswa
(WARNING: SPOILERS)

So thanx to Lila, Dex is evolving into a newer, purportedly better version of himself.
The good news: he hasn’t had any recent urges to “use,” the quaint (and necessary) euphemism he replaces the word “kill” with, during his talks with Lila.
The bad news: there’s fallout.

Dex is suddenly improvising: he goes out on the Internet and cuts and pastes blog material from various sources, producing a 32-page “presto, manifesto,” which he sends off to the Miami Tribune.
Designed to plunge the Bay Harbor Butcher Task Force into chaos (by presenting a confused and false amalgam of the Butcher’s personality), the manifesto initially does that, till Lundy sniffs out the game, and comes to the conclusion that the Butcher’s law enforcement, since he apparently knows exactly how this concocted manifesto will keep the Task Force spinning its wheels.

Dex also utilizes “creative problem solving at the expense of others” to get Doakes off the board, after Doakes begins to harass Camilla for the files regarding the crime scene at which Dex and his brother, the late Ice Truck Killer, were found.
He lies to Doakes at a crime scene to get the detective to lean on an innocent man, and waits till Doakes is making the man suffer during interrogation when he springs his trap, planting a blood report on Doakes’ desk to exonerate the suspect.
LaGuerta chews Doakes out, but Doakes realizes that Dex set him up, making him look only more obsessive in LaGuerta’s eyes.
And when Doakes confronts Dex in his office, Dex headbutts him, then casually walks out into the main section of the station, where an enraged Doakes tackles him, and starts wailing on poor Dex in front of the entire department.
LaGuerta has no choice but to suspend Doakes right then and there.

Over on the Deb front, there’s an encounter with a naked Lila, whom Deb instantly disapproves of (calling her a “skank”), reminding Dex of his responsibility, if not to Rita, then to her kids.
A conversation with Lundy regarding Chopin also gets Deb to consider her feelings for both Gabriel and Lundy, and she breaks up with the former, and finally admits to herself (and to Lundy) her feelings for the latter.
Lundy of course, initially argues about the age thing, but in the end, reacts rather tenderly to Deb, so we’ll see where this thing goes. (And to be honest, I’d never have guessed when Lundy was first introduced that this was where we’d end up.)

While on the Rita front, the kids and Rita suffer under the Gail regime. But Rita finally puts her foot down and kicks Momma out (sniff… bye, JoBeth) when Gail punishes the kids after Cody makes a covert phone call to ask Dex to attend his Saudi Arabia report at school.
Dex attends the school report, to the silent disapproval of Lila, who finally reveals herself (to us, at least) as the lying, loony, co-dependent b!tch she really is.
After having sold her “cannibal” sculpture for an obscene amount of cash, she calls Dex, who’s watching Cody’s report at the time, so he switches his cell off. In retaliation, Lila blowtorches her art, including the piece she’s just sold and a considerable portion of her studio.
She finally gets through to Dex as he accepts an invitation from the kids for some ice cream. When he hears about the fire though, he rushes off to Lila, to Rita’s silent disapproval.
When he gets to Lila’s place, she lies and says the piece just caught flame while she was working on it. All huggy and fake teary, Lila says not to ever leave her again. Dex, the blind fool, agrees.
B!tch.

(Image courtesy of sho.com.)

HEROES
Season 2
Volume Two: “Generations”
Chapter Nine: “Cautionary Tales”
Written by: Joe Pokaski
Directed by: Greg Yaitanes
(WARNING: SPOILERS)

As a counter-point (in more ways than one) to the previous chapter, this exceptional episode focuses on the major characters absent from “Four Months Ago…”: the Bennets, Mo, Parkman, and Hiro.

Spurred on by his discovery of Maury’s involvement with the previous generation of powered individuals, Parkman stumbles on a new aspect of his Jedi mind tricks: the Jedi mind trick!
Finding he can make people do what he wants them to do by giving them a mental nudge, Parkman decides to use this power to get Granny P to tell him who the Mystery Woman in the Photo Who Looks Like Joanna Cassidy is.
Thus, another great scene with Cristine Rose, as Parkman does a Jedi interrogation and pries loose some stuff from the old days. Despite Granny P demanding a little respect for herself and the rest of her generation, who “mortgaged their souls” for ingrates like Parkman, and goading Parkman to get over his Daddy issues, he digs into her mind, and her struggle is so valiant, she gets an awful nosebleed.
Apparently, Granny P made a promise to the Mystery Woman in the Photo Who Looks Like Joanna Cassidy, who just wants to be left alone. Granny P warns Parkman, if he steals this secret away from her, he isn’t just like his father, he is his father.
The next time we see Parkman, he’s got a Post It stuck to the photo, indicating the Mystery Woman in the Photo Who Looks Like Joanna Cassidy’s name: Victoria Pratt.
(Parkman is such a twat.)

In a great parallel to Mo bringing Papa Suresh’s ashes back to India in Volume One’s “Seven Minutes To Midnight,” we join Hiro at Papa Sulu’s funeral.
Distraught, Hiro is unwilling to eulogize his father, and instead, travels one week into the past, on the day of Papa Sulu’s murder. After seeing the exchange between Granny P and Papa S (in which she slaps him), Hiro tells his father he’s come from Takezo Kensei’s time, and oh, by the by, I’ve also just come from your funeral.
Thus, Papa S understands this is his fate, but Hiro is unwilling to accept that, so he ‘ports both of them back to the day of his mother’s funeral, the saddest day of Papa S’ life.
Hiro just wants Papa S to understand the grief he’s going through, to make him see why Hiro needs to save his life. Instead, Hiro gets to talk to little Hiro, and therein lies a great emotional pay-off, as Hiro comes to understand that he needs to honour his father’s wish that fate be allowed to unfold as it already has.
So after paying their respects, Hiro and Papa S ‘port back to the Deveaux building, and say their teary goodbyes (another nice emotional pay-off), moments before the apparently flying killer arrives. And as Ando comes on the scene, and murderer and victim tip off the rooftop, Hiro freezes time, and says, if he can’t save his father’s life, he can at least see who the killer is.
We, of course, by this time, already know that the killer is one Adam/Kensei, so I guess he didn’t really fly, but simply leaped off the building, taking Papa S with him, knowing he’d heal from any damage taken from the fall anyway. (Though he must heal instantaneously, as when Ando rushed to look over the edge, all he saw was Papa S on the pavement, with no sign of the baddie.)

And in the section of the narrative that has another great bunch of emotional pay-offs, Claire is adamant about staying behind, even as the other Bennets are packing their stuff in preparation for the move.
It’s a fantastic opening scene, and everyone is brilliant here, Hayden Panettiere, Jack Coleman, Ashley Crow, and Randall Bentley. The tension and emotion here is genuine and potent, and it’s great to see Mrs. B put her foot down and act as mediator between father and daughter. It’s also during this head-to-head that Claire accuses Mr. B of abducting West when he was just 12 years old. (Lyle: “Dad doesn’t `abduct’ people.”)
Claire later talks to West, telling him that there was no sinister plan and that she’s not working with her father, but West doesn’t really buy it, so he flies off, putting an end to the discussion.

Mr. B realizes he needs to talk to West, so he asks Mo to get Molly to find West. Unbeknowest to Mr. B, Mo is already in Costa Verde, with Bob and Elle, who is Mo’s new partner. Bob also finally cops to being Elle’s Daddykins.
Bob’s plan: abduct Claire, “take care” of Mr. B. Mo’s suggestion: talk to Mr. B first. Bob agrees to go with Mo’s plan.
Meanwhile, Mr. B can’t wait around for Mo to get back to him, so he decides to drive off to Claire’s school to find West, but Flyboy takes matters into his own hands and zips by and picks Mr. B up, soaring way up into the sky.
He asks Mr. B if Claire is working with him as a tag team, and Mr. B tells him that Claire lied to him about West, so West must be important to her.
They hit the ground when West can’t sustain holding Mr. B’s weight any longer. Mr. B tells West that the family is leaving Costa Verde tonight, with Claire.
Just then, Mo rings Mr. B, and says he knows where West is, giving Mr. B a location that is nowhere near where they are at the moment, so Mr. B knows Mo is lying to him. Mr. B knows Claire’s in trouble too, so he asks West for help. (Hah! Surprise team-up.)

Over at the school, Bob shows up to talk to Claire about the Debbie incident, and during their conversation, calls her “Ms. Bennet.” It’s an unfortunate slip, and again, I thought Bob was smarter than this.
So Claire runs off (apparently all the way home as isn’t the status of her car still stolen?) and warns Mrs. B about Bob, who arrives and whom Mrs. B recognizes as the Regional Manager of Primatech Paper.

Back with Mr. B, the meet with Mo goes down, and Mo tells him they just need to take Claire in for her blood, which can help save a lot of people, but Mr. B won’t have any of that. Mo, taking matters into his own hands, holds Mr. B at gunpoint.
When Mr. B asks who Mo’s partner is, Elle shows up, Elle whom Mr. B recognizes, of course. She’s charging up when who should arrive to save the day, but Flyboy! West zooms in and slams Elle against a car, knocking her unconscious.
The distraction allows Mr. B to grab Mo’s gun and bop him on the nose yet again. Mr. B looks like he’s about to shoot Mo in the head, but West asks him what he’s doing, and he desists.

Back at the Bennet homestead, Mrs. B’s tied up, and Mr. B lets her free just as West comes in with a very unconscious Elle.
Mr. B once again reverts to Company Man and ties Elle up, placing her feet in Mr. Muggles’ doggie bath, so she gets a nasty zap when she tries to use her powers.
Mr. B then insinuates that Elle was a normal girl once, until Bob used inhuman amounts of electricity to turn her into what she is today. (Torture which she can’t remember, but then again, memory loss comes hand-in-hand with electroshock therapy, right?)
So that’s interesting, since a) it could be true, and Bob is a cold and calculating baddie, willing to go to extreme lengths for what he believes in; b) this could be entirely false and be psychological warfare to turn her against her father; or c) this could be a version of the truth to suit Mr. B’s ends. Maybe little Elle was already exhibiting sociopathic behaviour, and electroshock is, after all, still considered an acceptable treatment for mental illness by some…
At any rate, a deal is made for an exchange, daughter for daughter, but not before Bob extracts an indeterminate amount of Claire’s blood. (Hey, she can regenerate quickly, so he could have gotten a lot in the two hours before the scheduled exchange.)

At the swap—where West successfully argued for his presence by saying he was the fastest way to get Claire out of danger—Elle hears Mr. B tell West that as soon as they get Claire, to fly off with her.
So, when the exchange is made, and West flies Claire off, Elle zaps him, and they crash to the ground, Claire voluntarily taking the brunt of the impact, saving West’s life.
In retaliation, Mr. B shoots Elle in the arm, then is about to shoot Bob—Mr. B claims the Company will die with Bob’s death—when bam, Mo shoots Mr. B in the eye, just as the Isaac painting decreed.
What follows that shocker (bad Mo! Bad Mo!) is another bunch of wrenching moments, as first, Claire realizes the last thing she said to her father was “I hate you,” and that at the time she said it, she meant it, and second, she breaks the news to poor Mrs. B.

There’s a montage which winds the chapter down, as Hiro’s tribute to Papa Sulu serves as VO, as he talks about a parent living on in the actions of a child, as we see the episode’s entire cast of characters in the aftermath of choices made: Mo with the gun that he used to shoot Mr. B; Parkman with the photo identifying Victoria Pratt; Bob trying to comfort his wounded daughter, even as Elle processes what Mr. B revealed to her; Claire being comforted by West; Mrs. B being comforted by Mr. Muggles.

The chapter’s coda doesn’t come as a complete surprise, given that Bob had gobbets of Claire’s blood with him, but still, it’s nonetheless a kick-a$$ cliffhanger as we see Mr. B’s eye regenerate, just before he comes back to life!
I wonder though, if a) Bob and company will brainwash Mr. B and make him into a good little Company Man again, and b) if having Claire’s blood in his system will either give him some kind of power, or alter his physiology just enough that he becomes more physically sound, or maybe give him a Wolvie healing factor too.

So this was a great episode, arguably one of the best of this season, and certainly better than the previous chapter.
Not only did this prove that there’s a lot of narrative mileage that can be drawn from genuine human conflict (without needing to resort to massive—and repetitive—threats like viral apocalypses), particularly the sturm und drang of filial relationships, of fathers and sons, and fathers and daughters.
Then there’s the interesting parallel of Claire and Elle, that Elle is the reason why Mr. B is adamant the Company not get their hands on Claire. That Elle is, in effect, the Anti-Claire.
This is quite possibly the most thematically cohesive script of the season thus far, and props should go to Joe Pokaski, who brought this baby home in style, and Greg Yaitanes—who’s worked on everything from V.I.P. to CSI: Miami to Nip/Tuck to Lost to the short-lived Drive—for some really interesting shots and angles.

Oh yeah, bring on the next chapter!

(Behind the scene images courtesy of gregbeeman.blogspot.com; TV Guide Heroes cover art [4 of 4] by Tim Sale, courtesy of tvguide.com.)

DEXTER
Season 2 Episode 6
‘Dex, Lies, and Videotape’
Written by Lauren Gussis
Directed by Nick Gomez
(WARNING: SPOILERS)

Last episode’s hopeful note is shot to sh!t as things unravel on Dex rather quickly.

Discovering Harry’s affair with his mother, Dex realizes that the man he’s idolized and followed all these years was less than the paragon of virtue he believed him to be.
And without that foundation to depend on, Dex realizes he doesn’t know who he is anymore, or who he’s supposed to be. Lila believes this time of uncertainty allows Dex the golden opportunity to reinvent himself.
Dex has one triumph (he’s able to delete the footage of his cleaning his boat, during a juvenile fire alarm diversion), but gets clipped by a whole mess of other things.

Doakes gets back on Dex’s a$$ when he has a conversation with Deb and she tells him quite plainly that, No, of course Dex isn’t an addict.
So Dex finds Doakes listening to the tapes of Harry and his mother, getting Dex and Doakes into that potentially violent stare off that we’ve all been waiting for.
Dex ends up bringing the whole thing to LaGuerta, who manages to convince Dex to hold off on the official complaint while she talks with Doakes.
LaGuerta’s chat with Doakes only convinces LaGuerta that Doakes is obsessed, a side of him she’s seen and a side of him that cost them their relationship. She tells Doakes to let this one go. (We all know he won’t though, right?)

Lila meanwhile, has dinner with Rita and Gail (at Gail’s instigation), an encounter that leads to Rita overhearing a phone message from Lila to Dex, where she stupidly mentions, “Oh, it’s good I didn’t slip up and mention the road trip and that we spent the night together.”
Duh.
Rita dumps Dex’s a$$ in an emotional New York minute.
Pissed off about that (and the thing with Doakes), Dex gets angry at Lila, the sort of angry that conveniently alchemizes into hot sex. Then, just as Dex leaves Lila to get back to work, Rita calls him and says they should talk later that evening.

While all that psychodrama’s going down, there’s a Bay Harbor Butcher copycat who makes a botched attempt at a home invader just out of jail.
The copycat turns out to be Ken Olson (Prison Break’s Silas Weir Mitchell), whose mother was once hurt by the recently released jailbird, and claims to have been inspired by the Bay Harbor Butcher’s handiwork. When Dex digs around to find some dirt on Olson, he discovers that Olson‘s actually killed before, so Dex does him in, but doesn’t bother to dispose of the body parts this time out, leaving them for the cops to find.

After his date with Olson, Dex drops by Rita’s and they have their talk.
Dex says the road trip was for him to try to get closure regarding his mother’s murder, and that it was strictly sponsor and sponsee between Lila and him.
And though Rita’s hurt that Dex chose to share this pivotal moment in his life with Lila and not her, she’s apparently willing to accept that.
But.
She asks Dex if he had sex with Lila in that motel room, and Dex says, “No. Not then.”
And once again, Rita dumps Dex’s a$$ in an emotional New York minute.

Dex leaves Rita’s, walking out into a downpour, symbolic of his becoming a new man, as all that was taught him by Harry has come to be suspect.
And who does Dex go to after leaving Rita’s?
Lila.
Ugh.
This better be resolved quickly, as I’ve come to really care about Rita as she’s grown into this stronger person since Season 1, and I’ve never really warmed to Lila. (And let’s face it, it was her big mouth that got Dex into hot water with Rita in the first place.)

Over on the Deb front, Lundy’s sudden interest in Dex (which gets Dex para over a fair section of the episode) raises her issues about Dex always being the “Morgan superstar.” When she brings this up with Gabriel, he instinctively hones in on the fact that Deb’s crushing on her boss.
Towards the episode’s end, Deb’s gotten anxious that Lundy’s about to turn the whole investigation over to the FBI (thus returning her to “retard” status, since she feels Lundy was the only one who really took her seriously), and she asks him flat out, and he says, “No. I’m afraid you’re still stuck with me.”
Then, when Lundy asks for Dex yet again, Lundy notices Deb’s reaction, and calls her on it. So Deb spills the beans, but Lundy says it’s not about Dex. It’s just that Masuka’s getting on his tits and he wants some other forensics dude to depend on.
Relieved, Deb hugs Lundy, a little too long, and quite definitely awkwardly…

Parting shot: Congratulations to Michael C. Hall, Tim Schlattmann and all the other writers on the show, as well as the entire cast and crew, for getting the Golden Globe and WGA noms, and the AFI nod. (See Afterthoughts (33) & (34) in the Archive.)

(Image courtesy of sho.com.)

HEROES
Season 2
Volume Two: “Generations”
Chapter Eight: “Four Months Ago…”
Written by: Tim Kring
Directed by: Greg Beeman
(WARNING: SPOILERS)

Okay, for an episode designed to answer most of the questions that have piled up since the season kicked off, this one still feels a tad scattershot—and this, with only two scenes of the Wonder Twins, an obligatory intro for Monica and Nana, and no Claire, Mo, Hiro, or Parkman—but hey, I’ll take it if only to get it out of the way, so we can forge on to the end of this volume.

And, in keeping with the spirit of getting things out of the way, we first see the Wonder Twins at Alejandro’s wedding, as he gets married to a girl who’s only too willing to cheat on him on their wedding night.
Already unhappy and suspicious of Alejandro’s blushing (yet skanky) bride, Maya catches her getting hot and heavy with someone other than Alejandro, thus triggering the first disastrous outburst of her power: everyone at the reception dies, except for Alejandro. Maya then runs away, saying she killed them all.
When next we see Maya, she’s become a nun, and Alejandro’s found her after months of being on the run. Everyone thinks she’s poisoned the wedding guests, and Alejandro’s actually turning her over to the policia, when her power kicks in. Alejandro does the “calmate” thing, and he realizes that, as Maya asserts, this is about the both of them, so, off the Wonder Twins run.

From the smallest portion of the episode, to the largest: Peter, and how he ended up amnesiac, in Ireland.
Kirby Plaza: Nathan zooms up into the night sky with a Peter-about-to-go-nuclear. Nathan’s already getting bad burns, and Peter—after a quick explanation as to why he suddenly can’t fly—makes his brother drop him, just before he explodes, blasting Nathan even further.
Before Toasty Nathan can go splat though, Peter (who can now, conveniently enough, fly) catches him and brings him to hospital. Guess who’s there: Bob, and Elle, who zaps Peter unconscious.
When Peter regains consciousness, Bob tells Peter he’s a friend of the elder Petrellis, and that he’s here to help Peter: 30 years ago, they discontinued work on a vaccine to eradicate powers. Now though, they’ve started the research up again, and Bob offers Peter the chance to live life without fear of harming anyone he loves ever again.
Peter bites.
After getting a haircut from the sociopathic Elle (who likes to get kinky with some jolts of electricity), Peter’s kept in a cell, given regular doses of a cocktail designed to suppress powers. One guess as to who’s the occupant of the adjacent cell.
Ding! Adam/Kensei! And wouldn’t you know it, but they’re actually able to communicate with each other! (Given how dangerous Adam is, shouldn’t he have been in solitary confinement? That’s bad enough, but to actually put anyone in the cell next to his! Gross criminal negligence. And they didn’t have the cells wired with surveillance equipment?! Man, I thought Bob was smart…)
So Adam gets to chit-chat with Peter, eventually winning him over and convincing him that Bob’s a baddie. And what seals the deal is when Peter makes a request to see his family, and Bob flat out refuses. To sweeten the get-away plan, Adam says he can cure Nathan’s burns with a small amount of his blood.
So Peter goes off his meds, and five days later, uses D.L.’s phasing ability to walk into Adam’s cell, then to walk on outta there with Adam.

Meanwhile, Monster Face Nathan’s confined to hospital, where Granny P is his constant companion.
Then, in a great scene (perhaps the best of the episode), Heidi—who’s now walking, thank you very much, the late Mr. Linderman—visits, and has an exchange with Granny P in the hall.
Nathan’s told her everything, about the powers, about the plan to let New York go ka-blooey, everything, so Granny P does spin control, and feeds her the same lies she told Peter, about the mental illness that runs in the Petrelli family, and that, quite obviously, Nathan’s got it too.
That scene between Cristine Rose and Rena Sofer blows everything else in this episode away. Granny P’s like this alluring black widow, spinning her web, hypnotic as she gets Heidi to tow the line. There’s such simple, yet awful menace in the way she touches Heidi’s arm…

After the breakout, Peter and Adam pay Nathan a visit, and Adam injects a syringe of his blood into Nathan’s IV. Immediately, Nathan’s burns begin to heal.
But the escapees have to book.
Adam has just given Peter the plane ticket to Montreal, when Elle and the Haitian catch up to them.
Elle zaps Peter in the back, setting his shirt on fire. Elle gives chase to Adam, while the Haitian goes after Peter.
Peter shrugs off the flaming shirt, and runs into a whole bunch of shipping containers. The Haitian corners Peter in one, easily overpowering him, since the Haitian nullifies any powered individuals in his vicinity. And since Granny P helped him once, now the Haitian does his best to return that favour: it’s his attempt to give Peter a new life, by taking away the memories of his old one, and leaving him shirtless, handcuffed, and amnesiac in an otherwise empty shipping container. (Oh, and he places his necklace around Peter’s neck.)
I guess he mush have a lot of faith in Peter, ‘cause, who’s to say that, shirtless, handcuffed, and amnesiac, he wouldn’t have starved to death in that shipping container?
And, since we don’t see any more of Adam, we can only assume he managed to get away from Elle. Or, gasp! The sociopath let him get away.
Also, whether or not Elle is Bob’s daughter is still up in the air.

In another Kirby Plaza aftermath scene, D.L. is saved from the gunshot wound of Season 1’s climax.
Concerned about their lack of medical insurance (Michael Moore, where are you now?), Niki is surprised to learn all the bills have been paid, by… Michael Moore?
No.
Bob.
Bob, who claims to be cleaning up the mess left by Linderman, and who offers Niki the chance to voluntarily enter a facility while she undergoes chemical suppression of her powers. At this point, Bob makes an interesting comment regarding how some people react to the reality of these powers: those unable to cope with the mental strain end up creating other personalities, as with Niki.
Niki’s hesitant to leave her family, but Bob warns the meds have some side effects. So Niki’s a lot logy, and when she can’t even smile at Micah’s 11th birthday—what’s the design on Micah’s cake? The 9th Wonders St. Joan cover!—she stops taking her meds.
And just when she’s about to start a new job at a car dealership, another personality pops up: Gina, who takes over and high-tails it to L.A.
Meanwhile, D.L. takes a job to make Micah proud: fire fighter! (Which was, I guess, preferable to D.L. over Micah’s birthday wish: for his family to be the Fantastic Four Minus One.)
There’s a minor tease at this point, as the audience is made to think, oh, is this how D.L. dies? In the line of duty?
But no.
D.L. tracks “Gina” down, and finds her in a club, where he takes her away from some scuzzy lowlife clubster, who shoots D.L. down in cold blood.
At the wake, we have the New Orleans crew making their brief appearance, where Nana offers Niki her help.
Bob also shows up, and exchanges a Meaningful Glance with Niki.

Okay, let’s see. Other than a few present day scenes: Nathan arriving at the pub in Ireland, the now-virused Niki being released back into society, and Peter and Adam in Montreal (which bookends the chapter, so that ostensibly, the entire episode is Peter using his power to heal the broken synapses so he can remember the past four months; of course, how he is also “remembering” things concerning the Wonder Twins and Niki is beyond me), that’s pretty much the episode.
So, while it does address some questions, it also quite obtrusively, ends up being a narrative bump, off-setting the momentum that Chapter Seven managed to build, as we’re made to sit through an hour of catch-up.
Yes, I absolutely loved the hospital scene between Granny P and Heidi, and yeah, Elle sure is one sick puppy, but the entire scenario of how Adam got to Peter and flipped him (and how Peter ended up in that shipping container) got way too incredulous for me.

But, like I said, now that that’s out of the way, let’s get back to the story as we rush on up to the last three chapters of the volume, and that alternate ending we’ve all been hearing about; see Afterthoughts (22).

(Behind the scene images courtesy of gregbeeman.blogspot.com; TV Guide Heroes cover art [3 of 4] by Michael Turner, courtesy of tvguide.com.)