Friday, July 26, 2024

 ALAMAT: ORIGINS
[Addendum 2] (1 of 3)

In prepping ALAMAT: ORIGINS, Budjette Tan conducted a trio of Q&A's with me covering AVATAR, HORUS, and DHAMPYR.

Some of the Q&A content made it into the story Intros in ORIGINS.
Most, did not.

So I'll be posting the Q&A's here, uncut, so you can all see what was left on the cutting room floor.

First up: DHAMPYR.

For new readers, what’s your pitch that would get them interested In DHAMPYR?

 

You’re a half-human, half-vampire hybrid, who’s become quite adept at hunting down those blood-sucking freaks.

But you’re really looking for one freak in particular: your father


Family reunions can be such a pain in the neck.

 

Aside from Vampire: The Masquerade, what inspired you to create these characters and that world of vampires?

 

As you’ve noted, Vampire: The Masquerade (and by extension, White Wolf’s World of Darkness RPG universe) was the main inspiration for DHAMPYR.

A key inspirational element here was the Vampire campaign I ran with a group of players that included none other than Carlo Vergara himself. DHAMPYR’s setting (that very particular Goth-drenched San Francisco spectacularly brought to (un)life by Oliver) was also influenced by that Vampire campaign.

 

Beyond that RPG inspiration, I also wanted to write about family dysfunction, and I felt that if I could write something fantastic, where you could actually strip away all the genre markers (the vampire/occult stuff) and still have a functional narrative (a son trying to come to terms with an absentee father and the wreckage of his family caused by that person), then I could possibly have a story worth telling.

 

If you created Dhampyr today in 2024, do you think you would end up with a different set of characters, a different layout for the world?

 

Interesting question.

Two ways to answer that.

 

One: if, for whatever reason, the specific idea for what eventually turned out to be DHAMPYR came to me today, it would then be a period piece, in that, there’s something very particular about the Goth scene in the ‘90’s, when the ‘80’s (and Goth’s “birth” in the late 70’s) were still a recent memory, before the drift of certain elements of the subculture towards the mainstream (see: emo).

 

So I can’t quite see that DHAMPYR narrative set in the present day, without having its, ahem, fangs filed down, certainly from a visual/aesthetic standpoint.

So the story we told in DHAMPYR, characters and all, would still probably be set in that time frame.

 

The other way to answer your question: if a general idea came to me to write about a half-human, half-vampire hybrid in the year 2024, that story would definitely not be the story we told in DHAMPYR, but another beast entirely…

I highly doubt that it would have that Goth aesthetic, either… so, at the very least, the characters wouldn’t look the same…

 

What do you remember from the night the book was launched in Synergy, during Halloween?

 

That sea of PDBs (People Dressed in Black).

So awesome.

:D


So there you go.

After all this time, I am still extremely proud of what Oliver and I were able to achieve with DHAMPYR.
The fact that DHAMPYR was the title that made the Manila Critics Circle establish a Comics Category is still both mind-blowing and humbling for me. Sure, we didn't win, because the Circle has a rule that the voting of the judges needs to be unanimous for a book to be considered a "winner", but that doesn't take anything away from the reality that DHAMPYR was the inaugural title for the Circle's Comics Category.
It broke through the ceiling.
Boom. 

The next Q&A (probably HORUS) should hopefully go live over the weekend?

If you have any questions about DHAMPYR, please feel free to leave them in the Comments section and I'll see what I can do to answer them.

you can't drink just six,

Dave

No comments:

Post a Comment