¡Qué horror! 2013
The Wrap-Up (Addendum)
And, on the tail end, a couple of titles that I got to see past the ¡Qué horror! cutoff date of September 30, 2013…
And, on the tail end, a couple of titles that I got to see past the ¡Qué horror! cutoff date of September 30, 2013…
I’ve
been with Whitechapel since Series 1
(to use Brit TVspeak), and while they’ve managed to Scooby-Doo any possibly
supernatural goings-on in the past, Series 4 sees the show apparently going
whole hog supernatural, with the sinister “Louise Iver” (Falling Angel/Angel Heart’s
Louis Cyphre not enough for you, eh?) suggested as the Big Bad, who’s (supposedly)
been orchestrating all the show’s murderous shenanigans since the get-go.
I
have no idea if this has been the Game Plan from the very start, and for all I
know, they could attempt to convolutedly Scooby-Doo all this away in Series 5
anyway… As Steve Pemberton’s Ed Buchan says, despite mounting evidence to the
contrary: “She’s not immortal! She’s not the Devil! She’s just a very nasty old lady.”
Still,
whatever the possibility of a fifth series may hold (and whatever you may think
of this narrative development), the tone and atmosphere of the six episodes of
Series 4 is commendable and a lot more effective than any number of recent
lackluster horror titles. (Plus, Pemberton wrote a pair of them, so “Hurrah!”)
As
for another non-horror title (it truly
bugs me that Variety describes it as a
“dramedy”; ugh, I hate that word), I present Matt Johnson’s The Dirties, about a pair of aspiring
filmmakers incessantly bullied in high school, and what they do in reaction.
Kevin
Smith (who’s helped its release through his Kevin Smith Movie Club) has gone on
the record by saying it’s “The most important movie you will see all year.”
Now,
whatever your personal opinion on Smith is, The
Dirties is undeniably a powerful look at the dangers of bullying and how personalities
can be warped by simply soaking up media content without understanding what it
all actually means.
It’s
a fascinating tale presented as a faux
doc, with a killer last shot, and a killer end credits sequence (by Josh
Schonblum), which also took home the Grand Jury Award for Feature Narrative and
the Spirit of Slamdance Award from this year’s Slamdance Film Festival.
And
if it hasn’t become fairly obvious from the onesheets, this one takes on school violence head on…
Fair warning.
With
that, we’re all wrapped up on the 2013 edition of ¡Qué horror!
Once
again, have a Happy Halloween!
(Whitechapel Series 4 DVD cover art
courtesy of amazon.co.uk; The Dirties
OS’ courtesy of impawards.com.)
No comments:
Post a Comment