THE TALL MAN
(Review)
“… I love the idea that my film is very
hard to put a label on, but I’m also very aware that some people will obviously
be disappointed by the content of The
Tall Man and this is something I can’t do
anything about if I offend them.
"But again, I love the films of the ‘70’s, where movies were much more difficult to put a label on. They were just choosing some genre and some archetypes of the genre as a way to express themselves and a way to share a vision. That’s something I want to go for, the kind of cinema I still want to do.
"As a member of the audience I’m so fed up with formulas. It’s always the same thing and I hate that. I’m turning forty and I don’t want to be told what I’m supposed to think and feel when I’m watching a movie. I love films that constantly have levels of complexity. That’s something I try to give back to the audience with my movies, so I know that probably won’t help commercially, but I also hope it will make the movies last in the audience’s mind.
"That’s my only ambition.”
"But again, I love the films of the ‘70’s, where movies were much more difficult to put a label on. They were just choosing some genre and some archetypes of the genre as a way to express themselves and a way to share a vision. That’s something I want to go for, the kind of cinema I still want to do.
"As a member of the audience I’m so fed up with formulas. It’s always the same thing and I hate that. I’m turning forty and I don’t want to be told what I’m supposed to think and feel when I’m watching a movie. I love films that constantly have levels of complexity. That’s something I try to give back to the audience with my movies, so I know that probably won’t help commercially, but I also hope it will make the movies last in the audience’s mind.
"That’s my only ambition.”
Pascal Laugier’s
words* on his latest film, The Tall Man
(also known as The Secret in certain
territories); Laugier’s name should be familiar to hardcore horrorhounds from
his wrenchingly disturbing Martyrs.
Now, while The Tall Man is a different sort of film
from Martyrs--the kind of film that is a horror film, but not in the usual
way that term is defined by Hollywood (thus, its consideration here, outside of
the whole ¡Qué Horror! crush)--it
does share Laugier’s tendency to present you with one thing, then have it turn
into something else as the narrative unspools; that “something else” being
post-film discussion/debate-worthy.
Ostensibly, The Tall Man has a de-glammed Jessica
Biel lose her son to an abductor, apparently the eponymous “Tall Man.” Suffice
it to say though, that that’s merely the narrative springboard from which
Laugier catapults into… something else.
If you’re the
sort who likes to be surprised by film (and to have the medium challenge your
beliefs and worldview), instead of the sort who likes to be comforted by getting
exactly what they expect from a trailer, then The Tall Man should be of interest.
* From an
interview with Ain’t It Cool’s Ambush Bug.
(The Tall Man and The Secret OS’ courtesy of impawards.com.)
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