¡QUÉ HORROR! 2019

Candidate #21

PET SEMATARY

(March 2019)

“There are places in this world... that are older than either of us. Places that a rational doctor brain like yours will never understand.

“Nobody knows what that place is, what happens in that stony ground.

“But the soil of a man’s heart is stonier, Louis.”

For the record, I’ve never read the original Stephen King novel.

My only exposure to a complete narrative of Pet Sematary was the 1989 film adaptation directed by Mary Lambert.

At least, until now.

Now that I’ve also been exposed to the new adaptation from Kevin Kölsch and Dennis Widmyer, who broke onto the ¡Qué horror! 2015 main list with Starry Eyes. (While I would have probably checked out a Pet Sematary remake anyway, based on my familiarity with the 1989 film, Kölsch and Widmyer’s presence at the director’s chair(s) sealed the deal.)

Clearly, there are marked deviations from Lambert’s version, though given that, again, I’ve never read the novel, maybe these deviations bring the narrative closer to the original source material. (I was always under the impression that Lambert’s adaptation made changes to the original text, as is par for the course with any adaptation, really.)

 

All I know is, with death as a major theme and reality of Pet Sematary, it’s a bleakly harsh vision of a parent’s perhaps vain struggle to protect a child from the brutal truths of existence.

And another thing… what I am sure I miss from Mary Lambert’s adaptation?

The original Ramones title track.

Sorry, Starcrawler…

“Yeah, they knew the power of that place. They felt its pull.

“They came to believe that those woods belonged to something else. That the ground was bad.”

(Pet Sematary OS’ courtesy of impawards.com.)

¡QUÉ HORROR! 2019

Candidate #20

BRIGHTBURN

(May 2019)

“Maybe we need to talk to somebody. He needs, uh, like a, specialist.”

“What?! And say what to ‘em?”

“I don’t know!”

“‘Hello, this is our son. We found him in a f*cking spaceship in the woods. Now what?’

“No! We should have done something a long time ago! This is on us!”

The above quote shouldn’t be a spoiler for anyone who’s seen Brightburn’s trailer. Hell, even the one sheet gives the game away.

Take The Bad Seed, the idea that a child can be a scheming, conniving killer, and graft some spandex superhero origin story onto it, and you get Brightburn.

Or, to use 21^st century Hollywood pitchspeak, it’s Superman as an evil child horror movie.

What if a loving yet childless couple finds an infant under bizarre circumstances?

What if that child (which, after 81 years of conditioning, we’re led to believe will grow up to be a paragon of virtue) turns out not the way we hope or expect?

For longtime comic book readers, this is certainly not a new and novel concept.

But in this day and age of the box office supremacy of superheroes, any story that carries even the whiff of subversion (such as, say, Amazon’s adaptation of The Boys, which doesn’t so much as carry a whiff but reek of it) is certainly welcome, if only to mix things up and offer decidedly different flavours to the cinematic buffet that very quickly tastes all the same, all the time.

And while there is some effective horror and some brief, yet standout gore, what really sells Brightburn are the performances of Elizabeth Banks and David Denman, who play the loving yet childless couple, the Breyers.

Instead of rearing a superhero for the ages though (and through no real fault of their own), they find, to their horror, that their little bundle of joy is anything but.

(Brightburn OS courtesy of impawards.com.)